Author
Maurice Baring
1874-1945
Maurice Baring (1874-1945) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
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Books by Maurice Baring
The Puppet Show of Memory
"The Puppet Show of Memory" by Maurice Baring is a collection of autobiographical sketches written in the early 20th century. The work delves into the author's childhood memories, particularly focusing on his experiences growing up in London and Devonshire during the late 19th century. Through a series of vivid recollections, Baring reflects on the enchantment and innocence of early life, framed by the whimsical perspective of a child. The opening of this narrative sets the stage for a nostalgic exploration of Baring's early years, starting with warm recollections from his nursery days. He reminisces about small details that shaped his childhood, such as a memorable Christmas present, the sounds of London life, and the magic of summer evenings at Coombe Cottage. The narrative unfolds rich imagery of family dynamics, childhood games, and even interactions with servants, highlighting the vividness of his memories, and inviting readers to share in the charm and laughter of his youth.
A year in Russia
"A Year in Russia" by Maurice Baring is a collection of personal reflections and impressions written in the early 20th century. The narrative, stemming from Baring's year-long stay in Russia, encapsulates the complex socio-political landscape of a nation undergoing significant transformation during a time of crisis. The author aims to depict the realities of everyday life in Russia, providing glimpses into the thoughts and opinions of various individuals amid monumental historical events. The opening of the narrative establishes Baring's intention to record the turbulent political climate surrounding the 1905 Russian Revolution, focusing on the peace negotiations, public discontent, and the impending Duma. As he travels from St. Petersburg towards Manchuria, he encounters a diverse group of characters—officers, civilians, and fellow travelers—who express their varied perspectives on the conflict and its implications. The author's keen observations highlight both the palpable tension fueled by the ongoing war and the contrasting apathy of ordinary citizens, reinforcing the notion that significant historical crises often fail to penetrate the daily routines of the average person. Baring's writing sets the stage for a more intricate exploration of Russia's socio-political evolution throughout the book.
Diminutive dramas
Reprinted from the Morning Post.
An Outline of Russian Literature
"An Outline of Russian Literature" by Maurice Baring is a comprehensive literary analysis written in the early 20th century. The work explores the historical development of Russian literature, highlighting significant authors and movements from its origins through the 19th century. It serves as an informative guide for readers seeking to understand the complexities and cultural influences that shaped Russian literature and its prominent figures, such as Alexander Pushkin. The opening of the text discusses the prevalent ignorance surrounding Russian literature among the English public at the time and emphasizes the necessity of understanding Russian history to grasp its literature fully. Baring outlines the early origins of Russian literary tradition, starting from the establishment of the Slav race and the cultural significance of Kiev, through to the influence of Christianity and the Norsemen. Key texts such as the "Chronicle of Kiev" and the remarkable "Story of the Raid of Prince Igor" are introduced, showcasing the rich narrative style and historical context, while noting the impact of future historical events that would reshape the landscape of Russian literature. Overall, the beginning sets the stage for a deeper exploration into the evolution of Russian literary identity and its major works.
Landmarks in Russian literature
"Landmarks in Russian Literature" by Maurice Baring is a literary critique and analysis written in the early 20th century. The book explores the characteristics and themes prominent in Russian literature, focusing on key authors such as Tolstoy, Turgenev, Chekhov, and Gogol, among others. Baring attempts to present an understanding of Russian literature to English-speaking audiences, aiming to highlight the depth and richness of the subject while reflecting on the unique qualities of the Russian character as expressed through its literary works. The opening of the text sets the stage for a deep and nuanced exploration of Russian literature, beginning with an examination of "Russian Characteristics." Baring discusses the inherent qualities of the Russian temperament, emphasizing their emotional openness, adaptability, and lack of hypocrisy. He contrasts these traits with common perceptions of Russian literature as predominantly gloomy, asserting that despite the darker elements portrayed in works by various authors, there exists a remarkable resilience and warmth within Russian culture. The author suggests that these paradoxical qualities are vital to understanding the literature that arose within this context, with future chapters expected to delve deeper into the realism found in Russian prose and the humor that characterizes its narratives.
Orpheus in Mayfair, and Other Stories and Sketches
"Orpheus in Mayfair and Other Stories and Sketches" by Maurice Baring is a collection of short stories written during the early 20th century. The central theme revolves around the struggles of various characters, often artists and musicians, as they navigate the complexities of life, love, and societal expectations, while attempting to express their artistic aspirations. The opening story, titled "Orpheus in Mayfair," introduces us to Heraclius Themistocles Margaritis, a poor Greek musician who dreams of achieving fame and sharing the forgotten songs of his homeland. The opening of the collection establishes Margaritis as a dedicated musician who teaches music and Greek in London, yet longs for success and validation. His life takes a dramatic turn when he receives an unexpected invitation to perform at a prestigious event, only to be confronted by a family crisis involving his sick child. As he grapples with his ambitions intertwined with personal troubles, the narrative hints at themes of sacrifice, the ephemeral nature of success, and the haunting beauty of artistic yearning. This juxtaposition of artistic aspiration against real-world challenges sets the tone for the subsequent stories in the book, inviting readers into a rich tapestry of human experiences intertwined with creativity.
The mainsprings of Russia
No description available.
Dead letters
"Dead Letters" by Maurice Baring is a collection of imaginative letters written in the early 20th century. The work takes the form of fictional correspondence, drawing upon historical figures and events, offering a playful and engaging exploration of their lives and thoughts rather than strict historical accuracy. Through this creative lens, readers encounter letters from notable figures such as Clytaemnestra, Cleopatra, and Ovid, infused with wit and personal insight. The opening of "Dead Letters" presents a unique framing device, introducing the reader to the author’s perspective on the nature of these correspondences. Baring clearly states that these letters are not intended as historical records but rather as playful fictions inspired by history. The first letters feature Clytaemnestra communicating with Aegisthus, touching on domestic matters interwoven with hints of the epic tale of the Trojan War. The discussions reveal her personal musings, social dynamics, and emotional conflicts, providing a humorous yet poignant glimpse into her character amidst the looming historical backdrop. This sets the stage for a delightful read that challenges traditional notions of historical narrative.
The Blue Rose Fairy Book
"The Blue Rose Fairy Book" by Maurice Baring is a collection of fairy tales likely written in the early 20th century. The stories within this volume weave enchanting narratives involving whimsical characters such as a Princess named Rainbow, a glass mender called Blue Eyes, and various mythical creatures. Each tale is set in a world filled with magic, adventure, and moral lessons, appealing to both children and adults who enjoy elaborate fairy tales and rich storytelling. At the start of the book, the first story introduces Princess Rainbow, who is confined to her tower to prevent her from encountering the Spring due to a curse put upon her at birth. Despite her isolation, she becomes increasingly curious about the outside world. On her sixteenth birthday, she hears a lovely tune that sparks her longing to experience the joys of Spring, leading her to discover a hidden yearning for freedom and adventure. As the narrative unfolds, we learn how Rainbow's destiny intertwines with that of the glass mender, Blue Eyes, showcasing themes of love, identity, and the struggle against imposed limitations. The beginning effectively sets the stage for a tale that blends magic with moral dilemmas, drawing readers into a beautifully crafted fairy tale realm.
Russian essays and stories
"Russian essays and stories" by Maurice Baring is a collection of essays and short stories written in the early 20th century. It offers a wide-ranging portrait of Russian life—travel sketches, cultural criticism, stage and literature notes, and reportage—rounded off with short fiction drawn from the same milieu. The emphasis is on impartial, first-hand observation of ordinary people—peasants, workers, soldiers, officials, and merchants—encountered across trains, rivers, fairs, and provincial towns. The opening of the collection frames a pledge of non-polemical truth-telling in a witty dedication and preface, then launches into vivid travel pieces. First come third-class railway journeys north and west of Moscow: cramped night rides, sharp dialogue about the Duma and mutinies, a comic quarrel with a guard, Kronstadt dockers trading English phrases, a near-theft at Vologda station, and recruits and a feldsher debating war and reform. Next, the Volga voyage unfolds: Yaroslavl’s twilight streets, the teeming Nijni-Novgorod Fair and its Liberal press, family debates over a borrowed novel, and the river’s grandeur down past Kazan, Samara, Saratov, and Tzaritsyn to Astrakhan—punctuated by generous third-class cabins, Cossack banter, a would‑be opera singer, folk hauling songs, and the night scent of new-mown hay. Returning inland, station halls brim with sleepers and sunflower seeds, and a guarded cashier hints at unrest. The sketches then shift south to contrast Central and Little Russia, a blind hurdy-gurdy player, and a train debate where a soldier’s blunt theism clashes with a monk—leading to reflections on the peasants’ practical mysticism capped by two stark anecdotes. A talk with a moderate landowner probes “culture” and weighs Turgenev’s artistry against the tougher realities of Tolstoy and Dostoevsky, and the final pages begin the ceremony of casting a village bell.
Overlooked
"Overlooked" by Maurice Baring is a novel written in the early 20th century. The story revolves around a central character, Anthony Kay, who is encouraged by his friend, Doctor Kennaway, to write a novel while staying at a watering-place called Haréville. The character encounters various interesting individuals, including a novelist named James Rudd, who is struggling to find inspiration while trying to create a story about the lives and characters at Haréville. The narrative explores themes of unfulfilled potential and the nature of artistry as these characters navigate their personal lives in the context of their creative aspirations. At the start of the book, the protagonist reflects on the monotony and limited entertainment options of a spa town, particularly as a blind man. Following his arrival, he meets James Rudd, who expresses frustration at his inability to write, leading to a conversation about the potential inspiration from the local residents. Anthony becomes involved in discussions that border on the philosophical regarding a beautiful, elusive woman named Miss Brandon, who is being considered as a character for Rudd's new novel. As the characters engage in introspective dialogues about love, artistry, and the interplay of dreams and reality, the groundwork is laid for an exploration of how these themes may manifest throughout their intertwined lives during a seemingly dull summer in Haréville.
Lost Diaries
"Lost Diaries" by Maurice Baring is a collection of fictionalized diary entries that explores various historical and literary figures, crafted during the early 20th century. The work presents a unique blend of humor and historical commentary through the eyes of notable characters such as Iseult of Brittany, King Cophetua, and Sherlock Holmes. The book seems likely to captivate readers who enjoy inventive storytelling that combines elements of history, literature, and creative writing. The opening of "Lost Diaries" introduces a range of characters through their diary entries, starting with Smith Minor, a schoolboy detailing the trivialities of school life in 1884. He describes events like a total lunar eclipse, football matches, and the mischief among classmates, all portrayed in his youthful vernacular. Following this is the diary of Iseult of Brittany, who shares her feelings and experiences revolving around her impending marriage to Sir Tristram, contrasting expectations and societal norms of her time. Together, these entries showcase both the humor and pathos of ordinary and historically significant lives, setting a playful tone for the rest of the collection.
Poems, 1914-1919
"Poems, 1914-1919" by Maurice Baring is a collection of poetry written in the early 20th century, particularly during the tumultuous period of World War I and its aftermath. This anthology captures the profound emotions stirred by war, loss, and remembrance, with themes reflecting on love, friendship, and the beauty of nature amid conflict. The poems are rich in imagery and carry a lyrical quality that showcases Baring's mastery of the literary form. The collection includes various poems that express sorrow and admiration for fallen friends, such as the poignant "In Memoriam A.H." which mourns Captain Lord Lucas, and "Julian Grenfell," which celebrates the bravery of a fellow soldier. Baring's work also draws on classical references, embodying timeless themes of heroism and sacrifice, as seen in poems like "Icarus" and "Epitaph." Through vivid descriptions of landscapes, cultural references, and emotional reflections, Baring connects the personal anguish of war to broader human experiences, ultimately capturing the essence of a generation irrevocably changed by conflict.
Passing By
"Passing By" by Maurice Baring is a novel written in the early 20th century. The book centers around Godfrey Mellor, who provides a glimpse into his life and the people around him through diary entries. Set against a backdrop of early 1900s London, the narrative explores themes of relationships, social interactions, and the nuances of human affection, particularly focusing on the enigmatic Mrs. Housman. At the start of the novel, Godfrey Mellor begins documenting his experiences as he observes his acquaintances, notably the Housmans, who are preparing to return from Egypt. The opening passages introduce a cast of intriguing characters who converge at various gatherings, including a housewarming party where Mrs. Housman’s musical talent is admired. Godfrey reflects on social dynamics, his silent but acute observations of relationships, and budding affections, particularly concerning Mrs. Housman, whose beauty and talent leave a lasting impression. The tone is both observational and intimate, setting the stage for deeper explorations of love and social intricacies in a time marked by class and artistic engagement.
Round the world in any number of days
"Round the world in any number of days" by Maurice Baring is a travelogue written in the early 20th century. With urbane wit and a light, essayistic touch, it follows a long sea voyage from England through the Mediterranean and Suez to Ceylon, Australia, and New Zealand, blending portside sketches, shipboard vignettes, and literary reflections. Expect cultural commentary, humorous asides, and keen-eyed descriptions rather than practical guidance or strict itinerary. The opening of this travelogue sets sail from strike-tangled Tilbury on an under-staffed liner, moves past a nostalgic glimpse of Plymouth, and offers brisk, vivid stops—Gibraltar in a blink, Naples in blazing color and song—before coaling at Port Said amid conjurors and cookie-cutter fortune-tellers. Crossing the Red Sea’s stifling heat (with a stoker’s tragic leap), the narrator reads and reminisces—Dumas, Hugo, Trollope—then drifts into monsoon talk, ship-music, and brisk opinions about Australian sensitivities and travel criticism, even imagining an “Australian” Chesterton. Ceylon appears in rickshaws, fans, and incomparable mangoes; later come a mock-dramatic authorial skit at sea, a ghost-story unmasked as a wayward figurehead, and a near-mishap leaving Fremantle. Adelaide prompts sharp notes on the hard lives and poor pay of merchant seamen; Melbourne flashes by; Sydney proves lively, its booksellers deft, and Andrew Lang is warmly remembered before transfer to a new ship bound for New Zealand. On board, poker, “Monte Cristo,” card-fortune jokes, school politics, and musings on modern criticism fill the days. Arrival in Wellington brings the famed wind anecdote, knife-edged hills, and prosperous streets; inland near Palmerston, the landscape recalls Siberia, children ride like centaurs, and rugby’s amateur passion is contrasted with England’s professionalism.