Author
Maurice Barrès
1862-1923
Maurice Barrès (1862-1923) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Maurice Barrès
Amori et dolori sacrum: La mort de Venise
"Amori et dolori sacrum: La mort de Venise" by Maurice Barrès is a philosophical narrative written in the early 20th century. This work explores themes of love, pain, and the decline of Venice, reflecting the author's deep emotional and aesthetic responses to the city’s rich history and fading glory. It is likely considered a reflective essay or prose poem rather than a traditional narrative. The opening of the work establishes Venice as a poignant subject of contemplation, emphasizing its beauty alongside an underlying sense of decay and melancholy. Barrès draws a connection between the experiences of love and mortality, suggesting that the city's degradation mirrors a broader existential condition. He evokes personal memories and artistic inspirations that shape his view of Venice, portraying the city as both a magical and tragic place that bears witness to historical and emotional turbulence. As he navigates through Venice's streets and waterways, the author reflects on the interplay of past glories and present desolation, setting the stage for a meditation on art, life, and the inevitable passage of time.
La colline inspirée
"La colline inspirée" by Maurice Barrès is a post-symbolist novel published in 1913. Set on the sacred hill of Sion in Lorraine, France, the story follows three brothers who revive an abandoned pilgrimage site. Their success attracts crowds and wealth, but a fateful encounter with an excommunicated priest transforms their sanctuary into a heretical stronghold. The novel explores the clash between spiritual freedom and ecclesiastical authority, between the mystical pull of ancestral land and institutional order, as the brothers face the consequences of their divergence from Rome.
Dans le cloaque Notes d'un membre de la Commission d'enquête sur l'affaire Rochette
"Dans le Cloaque" by Maurice Barrès is a political commentary and account written in the early 20th century. The work reflects on the intricacies of a highly publicized parliamentary investigation surrounding the assassination of journalist Gaston Calmette and broader implications of political intrigue and corruption in France. Barrès, who was involved in the inquiry, examines the roles of various individuals entangled in this scandal, particularly focusing on figures such as Caillaux and Monis. At the start of the narrative, the author sets the stage by recounting the shocking assassination of Calmette by Madame Caillaux in response to a fierce media campaign against her husband. The unfolding events lead to the formation of a commission of inquiry that delves into allegations of governmental interference in legal proceedings regarding the fraudulent financier Rochette. Barrès shares candid observations about the dynamics within the commission, the motivations of various witnesses, and the moral dilemmas faced by those in power. Through this lens, he unveils a landscape laden with personal vendettas, political maneuvering, and ethical challenges, providing a nuanced exploration of the intersection between justice, politics, and personal ambition.
Trois Stations de psychothérapie
"Trois Stations de psychothérapie" by Maurice Barrès is a collection of three essays written during the late 19th century. The book explores various facets of the human psyche and delves into the complexities of self-exploration and existential thought, showcasing Barrès' unique style and philosophical perspective. It reflects themes of modernity, artistic expression, and the quest for identity against the backdrop of an evolving society. The book consists of three distinct sections: a visit to Leonardo da Vinci, a day spent with Maurice Latour de Saint-Quentin, and a reflection on the life of the cosmopolitan artist Marie Bashkirtseff. In the first part, Barrès reflects on da Vinci’s artistic genius and psychological depth, pondering the nature of creativity and the struggle between intellect and emotional expression. The second essay centers on Latour de Saint-Quentin, emphasizing the artist's ability to capture the human soul through portraiture, and Barrès highlights the ephemeral nature of existence as observed in art. Finally, in the tribute to Bashkirtseff, he presents her as a symbol of modern sensibility, a figure marked by a restless quest for meaning amidst the burden of societal expectations. Through these essays, Barrès asserts the importance of understanding and articulating the inner workings of the human soul.
Der Mord an der Jungfrau
"Der Mord an der Jungfrau" by Maurice Barrès is a historical novel written during the early 20th century. The book explores themes of love, spirituality, and societal conflict through its depiction of ancient Roman and early Christian tensions, particularly focusing on the character of Athene and her struggle between the allure of Hellenistic ideals and the rising influence of Christianity. The story unfolds in a richly described setting, where characters like Amaryllis, a young courtesan, and Lucius, a Roman, navigate personal desires and social upheaval. Athene, depicted as a representation of Hellenistic culture, faces imminent danger from a volatile populace as the decline of traditional values becomes palpable. The narrative captures her final moments of defiance against the encroaching Christian fanatics who threaten to obliterate the remnants of beauty and intellect of ancient beliefs. Ultimately, the book culminates in a tragic but poignant martyrdom, illuminating the clash between love, faith, and cultural identity. As Athene sacrifices herself, her legacy reverberates through the generations, setting the stage for reflection on the price of ideals in a changing world.
Un jardin sur l'Oronte
"Un jardin sur l'Oronte" by Maurice Barrès is a novel published in 1922. Set during the Crusades in the Middle Ages, it tells a love story between a Christian and a Saracen woman, supposedly translated from a manuscript by an Irish archaeologist in 1914. The novel sparked controversy, particularly in Catholic press, which condemned its sensuality as an offense to religious morality. After Barrès's death, it was adapted into an opera and a film.
Le culte du moi 1: Sous l'oeil des barbares
"Le culte du moi 1: Sous l'œil des barbares" by Maurice Barrès is a philosophical and literary work written in the early 20th century. The book explores the theme of individual identity and the development of the self against a backdrop of societal pressures and norms. It presents a nuanced investigation into the young protagonist's introspective journey as he navigates the complexities of life and personal growth. At the start of this work, the author introduces a young, sensitive male character who grapples with his emotions and experiences the internal turmoil of self-discovery. He reflects on his past, including his challenging upbringing and the influences of literature and society that shape his perception of the world. The narrative unfolds with vivid imagery and metaphoric language, depicting his encounters with various figures that influence his understanding of love, identity, and existence. This opening sets the tone for an exploration of the protagonist's evolving understanding of his own "Moi," emphasizing the tension between personal desire and societal expectations.
Le culte du moi 3: Le jardin de Bérénice
"Le culte du moi 3: Le jardin de Bérénice" by Maurice Barrès is a literary work, likely a novel, written in the early 20th century. The book delves into themes of self-cultivation and personal introspection, as it follows the experiences of a character named Philippe and his interactions with the enigmatic Bérénice, also known as Petite-Secousse. The narrative seems to reflect Barrès's philosophical musings on identity, social issues, and emotional landscapes. The opening of the tale presents a philosophical conversation that takes place among notable figures such as M. Renan and M. Chincholle, in which they discuss the societal implications of the political figure General Boulanger. This discussion sets the stage for Philippe, who grapples with a restlessness within himself and his desire to channel that energy into a meaningful purpose. The stage is set for his encounter with Bérénice, whom he looks forward to finding in Arles, hinting at a deeper exploration of their past connection and how it influences their present lives. Philippe’s reflections on his emotional state provide a rich backdrop as he contemplates the empowerment of the self intertwined with the values and histories of the characters he interacts with.
Le culte du moi 2: Un homme libre
"Le culte du moi 2: Un homme libre" by Maurice Barrès is a philosophical text likely written in the early 20th century. This work explores themes of individualism, self-reflection, and the quest for personal identity through the lens of the protagonist's experiences and meditations. The narrative centers on a character named Simon and his relationship with the narrator as they navigate their intellectual and emotional landscapes against the backdrop of societal expectations. The opening of the book introduces us to the main character, who reflects on his friendships and personal struggles. He describes a trip to Jersey with friend Simon, where they seek to escape societal norms and indulge in deep self-analysis. The protagonist's disdain for superficial social interactions and his inclination towards introspection sets the tone for their philosophical dialogues. Through their conversations, they examine their emotional responses to the world, the tension between individual desires and societal pressures, and the pursuit of a life based on personal truths and sensations. The initial chapters signal a journey of self-discovery intertwined with a critique of the surrounding society, inviting readers into a complex exploration of the self.