Author
Jacinto Benavente
1866-1954
Jacinto Benavente (1866-1954) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Jacinto Benavente
Tres Comedias : $b Sin querer; De pequenas causas...; Los intereses creados
"Tres Comedias" by Jacinto Benavente is a collection of comedies written in the early 20th century. The volume features three distinct plays: "Sin Querer," "De Pequeñas Causas," and "Los Intereses Creados," showcasing Benavente's keen observations of Spanish society, particularly focusing on the relationships and social dynamics among characters. The plays often employ satire, reflecting societal absurdities and human behaviors with both humor and insight. The opening of "Tres Comedias" introduces the first play, "Sin Querer," where the characters Luisa and Pepe secretly discuss their parents' plan to engage them to one another, despite their lack of romantic affection. The lighthearted and comedic dialogue between them reveals their mutual reluctance to follow through with a marriage arranged by their families, instead fostering a genuine connection through candid conversation. The exploration of societal expectations and personal feelings sets the tone for Benavente's work, illustrating his ability to blend humor with deeper reflections on love and familial pressures, thus establishing engaging character dynamics right from the start.
De Sobremesa; crónicas, Segunda Parte (de 5)
"De Sobremesa; crónicas, Segunda Parte (de 5)" by Jacinto Benavente is a collection of literary chronicles written in the early 20th century. The work provides a satirical and insightful commentary on various aspects of Spanish society, politics, and culture through a light, conversational tone often reminiscent of informal gatherings. Benavente captures the nuances of contemporary life, reflecting on topics such as the absurdities of fashion, the behavior of the public, and the dynamics of theater and politics in Spain. The opening of the collection introduces the reader to Benavente's witty observations on societal issues and cultural trends of the time. He discusses the peculiar recommendations of a government minister about bullfighting, highlighting the irony of public protests and the public's obsession with spectacle. The author then shifts to fashion, spotlighting an actor's oversized hat that draws attention both for its ridiculousness and its reception. Through a blend of humor and keen observation, Benavente presents a critique of societal norms and political commentary, setting the stage for an engaging exploration of themes that resonate even in contemporary conversations. This opening portion reflects the author's ability to weave commentary into an accessible format, inviting readers to ponder the interplay between culture, politics, and the human experience.
De Sobremesa; crónicas, Primera Parte (de 5)
"De Sobremesa; crónicas, Primera Parte (de 5)" by Jacinto Benavente is a collection of essays and chronicles written in the early 20th century. The work reflects on various social and cultural themes of the time, often through witty dialogue and observations, providing a snapshot of Spanish life and the complexities of contemporary issues. The opening of the collection begins with a prologue that sets the stage for the conversations and reflections to follow, highlighting the importance of what takes place during meals—where various topics emerge and are discussed without judgment. Benavente introduces a series of characters who engage in lively discussions about art, society, and politics; these dialogues reveal the nuances of human behavior and societal norms. In particular, the early exchanges touch on the influence of theatre and public opinion on personal lives, showcasing Benavente's sharp wit and keen observational skills. As the characters explore their thoughts and ideas over meals, readers are invited into their world, characterized by humor and insightful commentary.
Señora ama: Comedia en tres actos
"Señora ama: Comedia en tres actos" by Jacinto Benavente is a play premiered in 1908. Dominica is a newly married woman forced to endure her husband Feliciano's chronic infidelities. She finds solace in knowing he always returns to her. But when she discovers she is pregnant, everything changes. The news forces her to reconsider her situation and compels her husband to make a profound decision about their future together.
De Sobremesa; crónicas, Quinta Parte (de 5)
"De Sobremesa; crónicas, Quinta Parte (de 5)" by Jacinto Benavente is a collection of chronicles likely written in the early 20th century. This work encapsulates a range of social and cultural commentary, reflective of the author's keen insights into Spanish society, politics, and the arts during his lifetime. The text invites readers to explore various topics, from the emerging critiques of theatrical productions to the nature of admiration towards artists, providing a rich tapestry of reflections grounded in Benavente's perceptive observations. The opening of the collection introduces the reader to a vibrant array of discussions centered around current events and social issues. It begins with the celebratory tone surrounding the launch of a new warship, shifting into critiques of existing societal norms and attitudes, particularly regarding the interplay between art, culture, and religion. Benavente tackles various subjects like the hypocrisy surrounding religious practices on transatlantic ships, particularly how they relate to broader societal debates about tolerance and belief. The author also comments on the state of artistic expressions, referencing painters and playwrights, while humorously revealing the peculiarities of contemporary social interactions. This mix of wit and analysis sets the tone for an engaging exploration of the era's intellectual climate.
De Sobremesa; crónicas, Cuarta Parte (de 5)
"De Sobremesa; crónicas, Cuarta Parte (de 5)" by Jacinto Benavente is a collection of chronicles written in the early 20th century. The book appears to delve into various aspects of social and cultural life in Spain, merging personal reflections with broader commentary on contemporary issues, including art, society, and morality. The opening of the work introduces a tone of admiration for the achievements of fellow playwright Gregorio Martínez Sierra, particularly praising his comedy "Canción de cuna." It reflects on the connections between past experiences and current triumphs, emphasizing that genuine accolades stem from sustained effort rather than mere sudden success. Transitioning from personal to societal commentary, the narrative touches on various issues ranging from the representation of women to critiques of the current theatrical landscape, all while maintaining a reflective and sometimes humorous tone. The author weaves anecdotes and observations, setting a vibrant framework for the rest of the chronicles that explore the intricacies of the human experience in a rapidly changing society.
De Sobremesa; crónicas, Tercera Parte (de 5)
"De Sobremesa; crónicas, Tercera Parte (de 5)" by Jacinto Benavente is a collection of chronicle essays written in the early 20th century. This work reflects on various social and cultural issues of the time, particularly in Spain, through a blend of humor and sharp observation. Benavente, an influential figure in Spanish literature, uses his essays to critique the society around him, touching on themes such as fashion, politics, and the theater, while often highlighting the absurdities and contradictions of contemporary life. The opening of this work introduces the reader to an array of topics, starting with a humorous commentary on a fashion strike among American women that has wider implications for society and personal relationships. Benavente reflects on the implications of the strike, noting potential consequences for marital dynamics and societal structures. He also shares his contemplations on the passing of time with the New Year and the nature of hope, while providing witty critiques of literary contests and the cultural scene of Madrid. Benavente's voice is both engaging and poignant, setting the stage for a blend of comedy and serious observation that characterizes this series of chronicles.
Vidas cruzadas : $b Cinedrama en dos partes, dividida la primera en diez cuadros y la segunda en tres y un epílogo, y en prosa
"Vidas cruzadas: Cinedrama en dos partes, dividida la primera en diez cuadros…" by Jacinto Benavente is a play premiered in 1929. Structured like a film with brief scenes and frequent changes, it tells the story of Eugenia Castrojeriz, an impoverished noblewoman pressured by her brother's debts. She turns to her wealthy suitor Enrique Garcimora for help, but he demands marriage in return. Though they love each other, this bargain becomes the beginning of their misfortune.
La Malquerida : $b Drama en tres actos y en prosa
"La Malquerida: Drama en tres actos y en prosa" by Jacinto Benavente is a play written in 1913. Set in a Castilian village, this rural drama follows Raimunda, a wealthy farmer remarried to Esteban, and her daughter Acacia, who harbors deep resentment toward her stepfather. When Acacia's fiancé is mysteriously murdered on their engagement night, suspicion falls on her former suitor. As secrets emerge and village gossip swirls, dark truths about forbidden desires and deadly jealousies threaten to destroy the family.