Author
Stella Benson
1892-1933
Stella Benson (1892-1933) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by Stella Benson
I Pose
"I Pose" by Stella Benson is a novel written in the early 20th century. The narrative follows the experiences of an earnest yet hapless gardener who, at 23, navigates life's challenges and absurdities in a boarding house in London. Central themes appear to include the exploration of identity, personal aspirations, and the often farcical nature of social connections, as the gardener interacts with characters such as the pragmatic girl Courtesy and a passionate suffragette. The opening of the novel introduces the gardener, who experiences a series of minor yet comical crises, including the breaking of a boot-lace. He is portrayed as a deeply introspective figure, often lost in his own thoughts and theories about life, love, and art. When he encounters Courtesy, a somewhat oblivious yet kind young woman who helps him with his boot, it sparks a mixture of indignation and admiration in him. As the gardener embarks on a whimsical journey, he later crosses paths with a fervent suffragette who ignites both his curiosity and a new set of complications in their shared tale of exploration and growth. This initial chapter sets the stage for a blend of humor and social commentary, as the gardener fumbles through his interactions while crafting a narrative that reflects both his romantic ideals and the stark realities of his existence.
The Poor Man
"The Poor Man" by Stella Benson is a novel written in the early 20th century. This work explores the complexities of relationships and the internal struggles of its protagonist, Edward R. Williams, as he navigates life in post-war America. The narrative hints at themes of idealism, dislocation, and the quest for identity, suggesting a poignant commentary on both personal and societal issues of the time. At the start of the novel, we are introduced to Edward R. Williams, who appears disengaged from his surroundings, absorbed in his thoughts and the aesthetic of a tailor's advertisement. His life unfolds in the picturesque backdrop of San Francisco, where he contrasts the beauty of the city with his feelings of isolation and anxiety. Amidst a lively gathering at a friend's social event, we see Edward grappling with his deafness, insecurities, and an earnest desire for connection, particularly with the enchanting Emily. The opening chapters effectively set the stage for Edward’s internal conflicts and his interactions with a colorful cast of characters, foreshadowing his journey of self-discovery and the exploration of intimate relationships.
Living Alone
"Living Alone" by Stella Benson is a novel written in the early 20th century. The book explores themes of individuality and the eccentricities of social committees in wartime London, blending elements of magic and whimsicality. The opening introduces a peculiar assembly of women on a committee tasked with war savings, where a chaotic stranger emerges, shaking up their structured lives with her unconventional ideas. At the start of the story, we are introduced to a committee meeting that is disrupted by the entrance of a young woman referred to as the Stranger, who crawls under the table. As she introduces herself and her motivations, the members react with a mix of intrigue and judgment, reflecting the rigid nature of their committee work. The Stranger’s free-spirited nature and her whimsical complaint about the state of her life create a stark contrast to the serious tone of the meeting. Her claims about having "squandered" a large amount of money in a single day reveal an underlying critique of societal expectations during the war. This initial interaction sets the stage for a narrative that blends magic and reality as it delves into the lives of women struggling against societal norms and the search for genuine connections in a world that often values conformity over individuality.
Twenty
"Twenty" by Stella Benson is a collection of poems written in the early 20th century, specifically around the period of World War I. The book encapsulates various themes such as love, loss, beauty, and the struggles of existence, reflecting the emotional landscape of its time. Through lyrical and evocative language, Benson explores the complexities of human experience, creating a rich tapestry that resonates with readers. The poems within "Twenty" showcase Benson's ability to blend personal emotion with broader social commentary. From the haunting descriptions of yearning and nostalgia in pieces like "Christmas, 1917" and "The Secret Day" to the poignant reflections on war and personal dread seen in "True Promises" and "Five Smooth Stones," each poem serves as a snapshot of the human condition. The use of vivid imagery and introspective musings gives voice to both individual and collective struggles, making the collection a deeply relatable read that invites introspection on the joys and sorrows of life during a tumultuous era.
This Is the End
"This Is the End" by Stella Benson is a novel that was written during the early 20th century, specifically in the time of World War I. The book seems to explore themes of idealism and existential questioning through its central character, Jay, a bus conductor who challenges societal norms and her family's conventional expectations. Her journey embodies a quest for meaning amid chaos, particularly in a world turned upside down by war and personal conflicts. The opening of the novel introduces Jay as a unique character with a penchant for questioning everything around her. We see her political and philosophical outlook manifested in her refusal to accept societal conventions, which ultimately leads her to leave her family behind. As the narrative unfolds, we also meet her family, which includes various relatives characterized by their own quirks and less-than-perfect dynamics, each with differing views on life and morality. The beginning sets a rich atmosphere of introspection that hints at Jay's secret world, her desire for freedom, and the exploration of deep existential themes against the backdrop of an uncertain and changing society. The conflicts introduced promise a layered narrative filled with the struggle between individual desires and societal pressures.
Kwan-yin
"Kwan-yin" by Stella Benson is a play written in the early 20th century that draws upon themes of compassion and the human condition. The piece presents a spiritual and meditative exploration of Kwan-yin, the revered Goddess of Mercy in Eastern mythology, serving as a focal point for themes of sorrow, love, and the quest for solace. The play takes place within a temple setting, where priests and acolytes engage in rituals that intertwine song and prayer, creating a rich atmosphere for the expression of longing and pain. The narrative unfolds as a series of chants and dialogues between the priests and Kwan-yin, conveying humanity's struggles with pain, loneliness, and the hope for forgiveness and understanding. Kwan-yin, portrayed as both a powerful and passive figure, listens to the cries of the suffering without offering direct intervention, illustrating the complexities of mercy and the limits of divine help. The interplay of the acolytes’ songs and the priests’ chants highlights a deep yearning for connection and relief from anguish, ultimately questioning the efficacy of mercy in the face of overwhelming suffering. The climax reflects Kwan-yin's confession of being defeated, raising poignant questions about the nature of hope and the significance of mercy in a world filled with despair.