Author
Francis Bond
1850-1918
Francis Bond (1850-1918) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Francis Bond
Wood Carvings in English Churches I. Stalls and Tabernacle Work. II. Bishop's Thrones and Chancel Chairs.
"Wood Carvings in English Churches" by Francis Bond is a historical account written in the early 20th century. The book explores the art of wood carving in English churches, focusing specifically on stalls, tabernacle work, bishops' thrones, and chancel chairs from the medieval period to the Renaissance. It aims to highlight the significance and beauty of these often-overlooked examples of ecclesiastical craftsmanship, offering insights into their design, construction, and historical context. At the start of the book, the author provides a preamble stressing the value of stallwork in English churches, noting its rarity compared to similar works in other countries, many of which have been lost to neglect or destruction. Bond describes the architectural and artistic features of stalls used by monks and canons during services, detailing their intricate design elements such as canopies, supports, and ornamentation. He aims not only to inform readers about the significance of these wood carvings but also to inspire pride in England's rich artistic heritage.
English Cathedrals Illustrated Second and Revised Edition
"English Cathedrals Illustrated" by Francis Bond is a detailed architectural account written in the late 19th century. This work focuses on the English cathedrals, exploring their history, design evolution, and the reasons behind various architectural changes. Through a biographical approach, it seeks to uncover the narratives of these monumental structures, enhancing the understanding of their significance in English heritage. The opening of the work introduces the central thesis that studying cathedrals chronologically, as is often done, is insufficient; instead, one should understand the causes and circumstances that led to alterations in their design. The author stresses that many changes were driven by practical needs rather than mere aesthetic preferences, including increased capacity for pilgrimages and improvements in lighting. This method of exploration invites readers to appreciate the cathedrals not just as buildings but as historical artifacts that reflect the times and needs of the communities they served.