Author
Miguel Cané
1851-1905
Miguel Cané (1851-1905) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Miguel Cané
Juvenilla; Prosa ligera
"Juvenilia; Prosa ligera" by Miguel Cané is a collection of autobiographical reflections and essays written in the late 19th century. The work captures the author's childhood memories and experiences as a student in a boarding school, reflecting on the joy and struggles of youth. Cané, a prominent figure in Argentine literature and politics, uses his own memories to explore broader themes of education, companionship, and nostalgia. At the start of "Juvenilia," Cané sets the stage by recounting the poignant memories of his first days at the Colegio Nacional, an institution that recently emerged from the remnants of a former convent. He vividly describes his feelings of sadness and isolation, exacerbated by the loss of his father, alongside his experiences adjusting to the strict environment, including the coldness of the cloisters and the harshness of the school regime. As he navigates his new surroundings, he finds solace in literature, igniting a passion for reading novels that pulls him into a world of adventure and excitement, contrasting sharply with the monotony of his school life.
En viaje (1881-1882)
"En viaje" by Miguel Cané is a travel narrative written in the late 19th century. This work chronicles the author's experiences during his journey through South America, including significant stops in Colombia and Venezuela, while serving as Argentina's Minister in those countries. The narrative combines personal observations with vivid descriptions of local culture and society, reflecting Cané's insights as he traverses diverse landscapes and interacts with various communities. The opening of "En viaje" sets the stage for the author's travels, detailing his departure from Buenos Aires and the journey across the sea to Burdeos. Cané describes his experiences onboard ship, complemented by picturesque descriptions of destinations like the bay of Rio de Janeiro and the city itself. He conveys a sense of both excitement and mild frustration with the travels, hinting at his ambivalence toward the typical romanticism associated with travel. This portion effectively introduces Cané's observational style and sets up his intent to provide insightful commentary on the cultures and places he encounters throughout his journey.