Author
A. (Arthur) Clutton-Brock
1868-1924
A. (Arthur) Clutton-Brock (1868-1924) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by A. (Arthur) Clutton-Brock
Bell's Cathedrals: The Cathedral Church of York A Description of Its Fabric and A Brief History of the Archi-Episcopal See
"Bell's Cathedrals: The Cathedral Church of York" by A. Clutton-Brock is a historical account written in the late 19th century. The work serves as a guide to the magnificent York Minster, detailing its architectural significance and rich ecclesiastical history. Through meticulous descriptions and illustrations, the book aims to provide both tourists and scholars with insights into the fabric of the cathedral and the background of the archiepiscopal see. The opening of the book establishes the context for a comprehensive exploration of York Minster, beginning with the historical significance of the city itself, which is portrayed as an ancient settlement intertwined with legends of its founding. It delves into the city's Roman heritage, touches upon its status during various historical periods, and introduces key figures like Edwin and Paulinus, who shaped the early Christian narratives of York. Clutton-Brock's preface notes the work's reliance on earlier scholars, indicating a foundation built upon extensive research and historical scholarship, setting the tone for a detailed examination that continues throughout the chapters that follow.
Essays on Art
"Essays on Art" by A. Clutton-Brock is a collection of essays written in the early 20th century, specifically in the aftermath of World War I. The author explores the nature and purpose of art, asserting that the quality of art is directly influenced by the public’s engagement and understanding. Clutton-Brock also comments on the responsibility of both artists and audiences in creating and appreciating art. At the start of the collection, Clutton-Brock establishes his perspective on the relationship between nature and art, using theories such as those proposed by Signor Croce to further the discourse. He argues that while nature provides beauty, art represents a transformed interpretation of that beauty dictated by the artist's perception. Using vivid examples and philosophical discourse, he emphasizes that true art is born from an honest acknowledgment of limitations and the artist's inherent struggle, as opposed to an attempt to merely replicate nature. This opening sets a reflective tone, inviting readers to contemplate what art truly means in relation to personal experience and societal values.