Author
E. E. (Edward Estlin) Cummings
1894-1962
E. E. (Edward Estlin) Cummings (1894-1962) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by E. E. (Edward Estlin) Cummings
The Enormous Room
"The Enormous Room" by E. E. Cummings is an autobiographical novel published in 1922 about his imprisonment in France during World War I. After standing by his friend who expressed anti-war sentiments, Cummings was arrested and spent over four months in a prison at La Ferté-Macé. The book chronicles his picaresque adventures and the colorful characters he encountered, written in Cummings's unconventional style mixed with the witty voice of a young Harvard intellectual navigating an absurd situation.
Puella mea
"Puella Mea" by E. E. Cummings is a poem first published in 1921. At 290 lines, it stands as Cummings' longest poem, celebrating his first wife Elaine through elaborate historical and literary allusions. The Latin title meaning "My Girl" references Catullus while the verse itself blends Romance traditions with the Song of Solomon. Critics debate whether this early work represents youthful excess or a delightful departure from Cummings' witty romanticism, with its ornate language maintaining mysterious distance between subject and reader.
Is 5
"Is 5 by E. E. Cummings" is a collection of poems written in the early 20th century. The book explores modern urban life, love and desire, war and nationalism, and the spectacle of American and European culture through experimental language, typography, and voice. The poems move from sharp city vignettes and character sketches (barrooms, chorus girls, hustlers, and “five Americans”) into satirical takes on advertising, art, and patriotic bombast, then to antiwar pieces that expose propaganda and loss. Scenes of Paris—cathedrals, street performers, political clashes between communists and flics—contrast with intimate lyrics of tenderness, bodies, seasons, and mortality. Notable moments include a bawdy car-as-lover seduction, a comic elegy for “Uncle Sol,” and the celebrated credo “since feeling is first.” The final section gathers concentrated love poems that celebrate immediacy and touch while acknowledging time’s ruin, ending in a humble confession that only the beloved’s aliveness can redeem the poet’s failures.