Author
Max Du Veuzit
1886-1952
Max Du Veuzit (1886-1952) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaBooks by Max Du Veuzit
C'est la loi!
"C'est la loi!" by Max Du Veuzit and George Lomelar is a one-act social drama written in the early 20th century. The play explores the harsh realities faced by individuals in the working class, particularly focusing on issues of legal recognition and societal injustice regarding family structures. Its narrative is driven by the critique of legal frameworks that often fail to protect the vulnerable, showcasing the emotional turmoil experienced by its characters in the wake of tragedy. The story centers around Hélène, a grieving widow whose partner, Louis Charbonnier, has died in an industrial accident. Despite their seven years of companionship and their son, Charles, being practically a family, Hélène finds herself excluded from legal protections and inheritance due to their unmarried status. Dupont, a supportive neighbor, tries to advocate for Hélène but faces the cold reality of the law that privileges formal marriages. As the play unfolds, it highlights the struggle between moral obligations and rigid legal definitions, ultimately depicting Hélène's desperate situation and emotional breakdown due to her lack of societal recognition and impending homelessness, drawing attention to broader themes of injustice and the need for legal reform.
Paternité
"Paternité" by Max Du Veuzit is a one-act play written in the early 20th century. The work examines the themes of familial relationships and parental responsibilities, particularly focusing on the bond between a father and his daughter. Through the characters’ interactions, the play explores the emotional struggles that arise from societal and legal definitions of parenthood. In the play, Lucienne Villers, a 16-year-old girl, finds herself caught in a conflict between her biological father, Maurice Villers, and her stepfather, Paul Romagny, who has raised her since childhood after her mother’s divorce. Following her mother’s death, Maurice reclaims his paternal rights, seeking to bring Lucienne into his life despite having been absent for many years. Lucienne is torn, feeling an emotional bond with Romagny, whom she regards as her true father. The narrative delves into the powerful themes of love, loss, and the complexities of familial ties, culminating in an emotional decision where Lucienne must choose between the two men, highlighting that love and connection may sometimes transcend legal and biological definitions.
Le Noël des Petits Gueux
"Le Noël des Petits Gueux" by Max Du Veuzit is a one-act realist play written in the early 20th century. The storyline unfolds during a bleak Christmas Eve, centering around themes of poverty and familial struggles. It examines the grim realities faced by a family suffering from the father's alcoholism, highlighting the impact of this on the children's lives. The play introduces three main characters: an alcoholic father, an adolescent daughter named Maria, and her younger brother, Charlot. As the scene opens, the father is found inebriated and oblivious to his children's plight. Maria and Charlot, struggling with hunger and the harshness of their living conditions, are depicted as they confront the disappointment of not having enough to eat for their holiday meal. Although they find some alcohol left by their father, it serves as a temporary escape from their misery. The story reflects their longing for better times and the innocence of childhood against the backdrop of their harsh reality, ultimately painting a poignant picture of resilience amidst adversity.
Le Sentier
"Le Sentier" by Max Du Veuzit and Robert Nunès is a three-act play written in the early 20th century. The work centers around the life of Andrée, an artist struggling to navigate her relationships and societal expectations, particularly in the context of her unconventional living situation with Pierre Belval, which raises eyebrows in their community. The play seems to delve into themes of love, freedom, and the criticism of traditional marriage. The opening of the play introduces us to an artist's studio where Andrée is painting and interacting with her model and friends, including Loret and Paul Rouss. Their playful banter touches on their personal lives and the precarious nature of relationships, emphasizing Andrée's past marriage and her apprehension toward the institution of marriage itself. As the discussion evolves, it becomes clear that Andrée has a complicated relationship with Pierre Belval, who is expected to arrive soon. The conversation foreshadows the tension surrounding their living situation, which defies societal norms and ultimately leads to gossip and criticism, setting the stage for conflict later in the play.
L'Aumone
"L'Aumone" by Max Du Veuzit is a one-act comedy written in the early 20th century. The play explores themes of social class, compassion, and familial ties, set against the backdrop of a rural French community. It follows characters who represent different aspects of society, centered around the encounter between a wandering vagabond and a young woman, Jeanne. The storyline unfolds in a countryside kitchen, where Jeanne, along with her mother, Madame Servois, engages in conversation about a recent misfortune befalling a neighbor. A vagabond enters, seeking water, which leads to a poignant exchange with Jeanne. As the vagabond reveals his troubled past and expresses a desire for redemption, he inadvertently discloses that he is indeed Jeanne's long-lost father. This revelation complicates Jeanne's understanding of familial bonds, as her feelings of pity and compassion clash with the reality of her father's choices that led to their separation. Just as she begins to empathize with him, the situation becomes urgent when her potential suitor, Morand, returns, culminating in a decision that reflects the complexities of love, duty, and social acceptance.