Author
Alexandre Dumas
1802-1870
Alexandre Dumas (1802-1870) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Alexandre Dumas
Twenty years after
"Twenty years after" by Alexandre Dumas and Auguste Maquet is a novel serialized from January to August 1845. D'Artagnan, still a lowly lieutenant after two decades, is summoned by the despised Cardinal Mazarin during France's brewing rebellion. Tasked with reuniting the legendary musketeers, he tracks down his old friends—now scattered across vastly different lives. As political turmoil engulfs both France and England during the English Civil War, the four heroes must navigate their conflicting loyalties and set aside their differences for one last mission.
The Count of Monte Cristo
"The Count of Monte Cristo" by Alexandre Dumas and Auguste Maquet is an adventure novel serialized from 1844 to 1846. When sailor Edmond Dantès is falsely accused and imprisoned on his wedding day, he spends fourteen years in solitary confinement. After a daring escape and the discovery of a vast hidden treasure, he reinvents himself as the wealthy Count of Monte Cristo. Returning to Paris, he methodically infiltrates high society to confront the three men who destroyed his life, exploring themes of justice, vengeance, mercy, and forgiveness.
The three musketeers
"The three musketeers by Alexandre Dumas and Auguste Maquet" is a historical adventure novel written and published in 1844. Set in 1625 France, it follows young d'Artagnan who travels to Paris hoping to join the elite Musketeers of the Guard. Though unable to join immediately, he befriends three legendary musketeers—Athos, Porthos, and Aramis—and becomes entangled in dangerous affairs of state involving Cardinal Richelieu, Queen Anne, and the Duke of Buckingham. This swashbuckling tale of heroic swordsmen fighting for justice launched Dumas's celebrated d'Artagnan Romances.
Celebrated Crimes (Complete)
"Celebrated Crimes (Complete)" by Alexandre Dumas is a historical account written during the early 19th century. This collection presents a series of narratives centered around infamous historical crimes, intertwining facts with dramatic storytelling. Dumas selects notorious figures and events, such as the Borgia family, to explore themes of power, ambition, and moral ambiguity. At the start of this work, we encounter the prologue discussing the dying moments of Lorenzo de' Medici and his spiritual confrontation with the Dominican friar Savonarola, who challenges Lorenzo to consider his sins and the state of Florence. This opening sets the tone for the subsequent exploration of notorious characters and their crimes, as Dumas provides both historical context and moral insight, emphasizing the interplay between personal ambition and the greater political landscape. The introduction signals the depth and complexity of the narratives to follow, inviting readers to delve into the violent and intricate histories that shaped Europe.
Camille (La Dame aux Camilias)
"Camille (La Dame aux Camilias)" by Alexandre Dumas is a novel first published in 1848. This semi-autobiographical story follows the tragic romance between Marguerite Gautier, a Parisian courtesan suffering from consumption, and Armand Duval, a young bourgeois who falls deeply in love with her. When Armand convinces her to leave her former life behind, their idyllic countryside existence faces interference from his disapproving father, concerned about family scandal. The tale explores forbidden love, sacrifice, and the harsh morals of 19th-century French society.
Le comte de Monte-Cristo, Tome I
"Le comte de Monte-Cristo, Tome I" by Alexandre Dumas and Auguste Maquet is a novel published beginning in 1844. Young sailor Edmond Dantès is betrayed by jealous rivals on the eve of his wedding and imprisoned without trial in the Château d'If. After fourteen years of captivity, he escapes with knowledge of a hidden treasure and transforms himself into the wealthy, mysterious Count of Monte-Cristo. He then methodically pursues revenge against those who destroyed his life while rewarding the few who remained loyal.
The Hero of the People: A Historical Romance of Love, Liberty and Loyalty
"The Hero of the People: A Historical Romance of Love, Liberty and Loyalty" by Alexandre Dumas is a historical novel written in the late 19th century. The narrative unfolds during the tumultuous period of the French Revolution, focusing on the events surrounding the royal family and the populace's response to their rule. The story introduces several characters, including a locksmith and a gunsmith, who engage in conversations that unveil the revolutionary fervor and class tensions of the time. The opening of the novel sets the scene in France during the Revolution, highlighting the moment when King Louis XVI and Queen Marie Antoinette return to Paris amid rising unrest. Through the eyes of various characters, the text explores their emotions and motivations, painting a vivid picture of life during this significant historical moment. A locksmith and a gunsmith engage over wine, discussing recent events with a mix of camaraderie and tension while suggesting their involvement in the broader narrative of revolution and loyalty. This sets the stage for a rich exploration of the struggles between the monarchy and the people's quest for freedom.
Les trois mousquetaires
"Les trois mousquetaires" by Alexandre Dumas and Auguste Maquet is a French historical adventure novel written and published in 1844. Young d'Artagnan leaves home for Paris, hoping to join the elite Musketeers of the Guard. Though initially unable to join, he befriends three legendary musketeers—Athos, Porthos, and Aramis—and becomes entangled in dangerous affairs of state and court intrigue. Set between 1625 and 1628, this swashbuckling tale follows heroic swordsmen fighting for justice amid political conspiracies and forbidden romance in a turbulent France.
La dame aux camélias
"La dame aux camélias" by Alexandre Dumas is a novel first published in 1848. Based on the author's own love affair with a courtesan, it tells the tragic story of Marguerite Gautier, a consumptive courtesan, and Armand Duval, a young bourgeois who fall deeply in love. When they retreat to the countryside together, Armand's father intervenes, fearing scandal will ruin the family's reputation. The novel explores forbidden love constrained by society's moral expectations in nineteenth-century Paris.
My Memoirs, Vol. V, 1831 to 1832
"My Memoirs, Vol. V, 1831 to 1832" by Alexandre Dumas is a memoir written in the early 20th century. This volume continues Dumas's personal recounting of significant historical events, particularly focusing on the politics and sociocultural climate in France during the tumultuous early years of the July Monarchy. The narrative features Dumas's own experiences within the Parisian artillery, alongside notable historical figures such as Odilon Barrot and Benjamin Constant, blending personal reflections with broader political discourse. The opening of the memoir describes Dumas's new life as a member of the artillery, detailing his transition from a mounted national guardsman to an artillery uniform. He introduces key characters like General La Fayette and several other officers, illustrating the dynamics within the artillery and their politically charged environment. Dumas evokes a sense of camaraderie and anticipation as he recounts plans to "seize the Chamber," highlighting the fervent spirit of activism and the complexities of political alliances during this vibrant period in French history. The narrative is rich in historical context, setting the stage for the unfolding events that will shape the following chapters.
The Man in the Iron Mask
"The Man in the Iron Mask" by Alexandre Dumas is a novel published between 1847 and 1850. This thrilling conclusion to the d'Artagnan Romances follows the aging musketeers during Louis XIV's early reign in 1660s France. As d'Artagnan becomes Captain of the King's Musketeers, political intrigue swirls around the ambitious Nicolas Fouquet. Meanwhile, Aramis discovers a mysterious prisoner in the Bastille who bears an uncanny resemblance to the king himself—a secret that could reshape the fate of France and test the musketeers' loyalty forever.
My Memoirs, Vol. VI, 1832 to 1833
"My Memoirs, Vol. VI, 1832 to 1833" by Alexandre Dumas is a personal memoir written in the early 20th century. This volume serves as a vivid reflection of Dumas's life during a period marked by creativity, friendship, and the cultural climate of his time. The book documents the preparations for a lavish fancy dress ball, showcasing Dumas's social circle and interactions with prominent artists of the era, which offers rich insights into the art and literature scene of early 19th century France. At the start of the memoir, Dumas candidly describes the chaotic yet thrilling preparations for his much-anticipated fancy dress ball, a social event that promises to pull together the artistic community. He recounts the logistical challenges of accommodating hundreds of guests in his modest lodgings, the efforts of his artist friends like Eugène Delacroix and Louis Boulanger who contribute their talents to decorate the venue, and the excitement surrounding the festivities. Scenes of hunting for provisions provide a blend of humor and nostalgia, as Dumas reflects on his youthful exuberance and the camaraderie shared with his friends in an atmosphere filled with laughter and creativity.
My Memoirs, Vol. III, 1826 to 1830
"My Memoirs, Vol. III, 1826 to 1830" by Alexandre Dumas is an autobiographical account written in the early 20th century. This volume provides personal reflections on Dumas's life experiences and historical events, particularly during a significant period in France. Dumas delves into various encounters with notable figures of his time, including the dramatic life and career of Lord Byron, offering readers insight into both his personal journey and broader cultural contexts. The opening of the memoir introduces us to Dumas's transition from a minor clerk to a fully fledged employee in Paris, highlighting his longing for his mother after months of separation. He reflects on his education, including studies with a doctor named Thibaut, and his burgeoning literary interests, particularly influenced by renowned authors such as Walter Scott, Cooper, and Byron. The narrative sets a vivid backdrop against which Dumas navigates his professional aspirations, attempts to understand his environment, and engages with the literary scene of the time, all while hinting at the interplay of personal ambition and societal expectations in his life.
My Memoirs, Vol. IV, 1830 to 1831
"My Memoirs, Vol. IV, 1830 to 1831" by Alexandre Dumas is an autobiographical account written in the early 20th century. This volume delves into Dumas's personal experiences and reflections during a critical period of his life, touching on the vibrant artistic scene of Paris and the theatrical world that he was deeply intertwined with. The narrative likely involves detailed observations of both his fellow artists and the socio-political context of the time, blending personal anecdotes with broader historical references. The opening of this memoir introduces readers to Mademoiselle Georges's household, where a colorful cast of characters includes Harel, a man of witticisms, and young family members involved in the theatrical arts. It paints a vivid picture of the bohemian lifestyle of artists struggling against censorship and societal expectations. There is humor and tragedy intertwined, as exemplified by the story of Popol, a child who lightheartedly prays for the misfortune of those around him while ultimately facing a tragic demise during a cholera outbreak. As Dumas navigates through personal narratives and theatrical developments, the memoir sets the stage for reflections on fame, artistry, and the intricate dance between public and private life, hinting at the tumultuous events leading to the July Revolution in France.
My Memoirs, Vol. I, 1802 to 1821
"My Memoirs, Vol. I, 1802 to 1821" by Alexandre Dumas is an autobiographical account written in the early 19th century. This volume explores Dumas's early life, his illustrious lineage, and the life of his father, who was a notable general during the French Revolution. The memoir sets the stage for a rich tapestry of personal history and historical events that shaped the author's formative years, allowing readers to glimpse into the origins of one of France's greatest literary figures. The opening of the memoir introduces Dumas's birth in Villers-Cotterets and delves into the complexities surrounding his identity, including disputes over his name and legitimacy. He offers certificates that establish both his and his father's legitimacy, asserting pride in his lineage despite societal prejudices. Dumas recounts tales of his father's adventurous youth, his accomplishments as a soldier, and anecdotes that highlight the striking contrasts between their lives. This biographical sketch not only sets a personal context for Dumas's future endeavors but also reflects the larger cultural and political shifts occurring in France, making for a compelling narrative in the opening chapters.
The black tulip
"The Black Tulip" by Alexandre Dumas and Auguste Maquet is a historical novel written in the mid-19th century. The narrative unfolds in the backdrop of 17th-century Holland, revolving around the tumultuous political landscape characterized by the rivalry between the Orange party, led by Prince William of Orange, and the De Witts, two brothers who represent a more republican approach to governance. The story centers on the political machinations and brutalities faced by these characters, particularly Cornelius and John de Witt, as well as the fervor for a mythical black tulip that becomes symbolic within the plot. The opening of "The Black Tulip" introduces a charged atmosphere in The Hague, where the populace is roused against the De Witts and their supposed crimes against the new Stadtholder, William of Orange. As Cornelius de Witt faces brutal accusations of plotting William's assassination, tensions rise dramatically when the public gathers to witness his exile. At the same time, the narrative presents John de Witt, heartbroken yet determined to protect his brother. Their impending doom is accentuated by rising mob anger and a political climate filled with betrayal and intrigue. Amidst this chaos, a subplot surrounding the pursuit of the black tulip begins to emerge, setting the stage for a intertwining tale of passion, politics, and the quest for beauty in a world torn apart by hatred.
Ten Years Later
"Ten Years Later" by Alexandre Dumas is a novel published between 1847 and 1850. The third and final installment of The d'Artagnan Romances follows the legendary musketeers during the 1660s as young King Louis XIV transforms from uncertain monarch to the Sun King. D'Artagnan and his companions navigate court intrigue, romantic entanglements, and political machinations while a mysterious prisoner in the Bastille bears a striking resemblance to the king himself. Love, loyalty, and power collide in this sprawling tale of France's most turbulent era.
The Vicomte de Bragelonne
"The Vicomte de Bragelonne" by Alexandre Dumas and Auguste Maquet is a novel published between 1847 and 1850. The final installment of The d'Artagnan Romances follows the aging musketeers as they navigate the treacherous court of young Louis XIV in 1660s France. D'Artagnan returns to service while political intrigue swirls around the ambitious Nicolas Fouquet. Romantic entanglements complicate loyalties as Raoul de Bragelonne loses his beloved Louise to the king himself. Meanwhile, Aramis discovers a mysterious prisoner in the Bastille who bears an uncanny resemblance to Louis XIV.
The Companions of Jehu
"The Companions of Jehu" by Alexandre Dumas is a historical novel written during the early 19th century. Set against the backdrop of post-Revolutionary France, the narrative revolves around a group of bandits known as the Companions of Jehu, who are depicted as avengers of the royal cause while engaging in daring robberies of government funds. Through the characters, such as Roland and his enigmatic companion, the novel explores themes of loyalty, bravery, and the tumult of the times. At the start of "The Companions of Jehu," Dumas offers a detailed introduction to the historical context that shapes his story, focusing on the volatile political landscape of France during the late 18th century. As two travelers arrive in Avignon, they quickly become embroiled in discussions about the notorious highwaymen who are actively robbing government transports. The dialogue reveals the fear and excitement surrounding these bandits, framing them not simply as criminals but as outlaws with a purpose. The opening portion sets the stage for the impending adventures and moral complexities the characters will navigate as France grapples with its revolutionary identity.
Il Conte di Monte-Cristo
"Il Conte di Monte-Cristo" by Alexandre Dumas and Auguste Maquet is a novel published between 1844 and 1846. Young sailor Edmond Dantès is falsely accused of conspiracy and imprisoned in the Château d'If on his wedding day. After fourteen years, he escapes with knowledge of a hidden treasure and returns to France as the wealthy Count of Monte Cristo. Assuming multiple identities, he methodically orchestrates revenge against those who betrayed him while rewarding those who remained loyal.
Massacres of the South (1551-1815) Celebrated Crimes
"Massacres of the South" by Alexandre Dumas is a historical account written in the early 20th century, specifically around the 1910 era. The book examines the violent history of religious conflicts between Catholics and Protestants in the south of France from 1551 to 1815, detailing the bloodshed and chaos that marked this turbulent period. It focuses on the significant city of Nîmes, which became a critical battleground for these religious disputes, highlighting key figures and events that shaped the era. The opening portion of "Massacres of the South" introduces the historical context surrounding the religious struggles in Nîmes, where the tensions between Catholic and Protestant factions resulted in severe persecution. Dumas sets the stage with vivid descriptions of the brutalities inflicted upon heretics and the societal consequences of these conflicts, such as the transformation of Nîmes from a Catholic stronghold to a center of Protestant influence. He introduces key figures like Maurice Secenat and Guillaume Moget, recounting their martyrdoms and how their actions influenced the religious landscape of the city. The reader is drawn into a narrative that reflects the complexities of faith, authority, and rebellion during a time of ardent religious fanaticism.
My Memoirs, Vol. II, 1822 to 1825
"My Memoirs, Vol. II, 1822 to 1825" by Alexandre Dumas is a memoir series written in the early to mid-19th century. This volume captures a personal narrative filled with anecdotes and reflections, detailing Dumas' experiences between 1822 and 1825. The likely subjects include his early romantic pursuits, relationships with friends and family, and his observations on society, particularly in Villers-Cotterets, his hometown. The opening of this memoir introduces the author during his time at Maître Mennesson's office, where he overhears a humorous conversation about himself and his romantic misadventures involving a beautiful woman named Doña Lorenza. As he listens to the amusing recounting of his embarrassing youthful interactions and aspirations, Dumas experiences a mix of shame and nostalgia for his first love. From detailed anecdotes featuring a mix of playful banter among friends, the vivid portrayal of youthful innocence, and the delightful charm of small-town life, the beginning sets the tone for a blend of humor and introspection that likely characterizes the rest of this volume.
Louise de la Vallière
"Louise de la Vallière" by Alexandre Dumas and Auguste Maquet is a historical novel likely written in the mid-19th century, as part of the larger series known as the D'Artagnan Romances. The story follows the adventures and intrigues surrounding D’Artagnan and his friends, delving into their lives intertwined with the French court, particularly focusing on themes of love, betrayal, and power. The main character introduced is D’Artagnan, a loyal musketeer who navigates the complexities not only of duty but also of romantic entanglements. The opening of the novel sets the stage at Fontainebleau, where D’Artagnan finds himself feeling neglected and bored amidst the social flutter of the court. He engages in banter with his friend Planchet, revealing his restlessness as he seeks to escape the ennui of court life. D’Artagnan’s thoughts are preoccupied with his old friends, and signs of their previous adventures loom large, foreshadowing the upcoming revelations of secrets that will entwine them once again in plots of love and loyalty. The narrative hints at political intrigue between figures like Fouquet and Colbert, setting a backdrop of tension that promises drama as the story unfolds.
The Borgias Celebrated Crimes
"The Borgias" by Alexandre Dumas is a historical account written in the early 20th century. The work explores the notorious Borgia family during the late 15th and early 16th centuries, a period marked by corruption, power struggles, and intrigue in Italy. Central figures include Lorenzo de' Medici, the influential statesman, and Roderigo Borgia, who later becomes Pope Alexander VI, as well as his children, Lucrezia and Cesare Borgia, each embroiled in scandal and politics. At the start of the book, Dumas presents a gripping prologue detailing the deathbed confession of Lorenzo de' Medici. Surrounded by close associates, he wrestles with his moral failings and the impending arrival of the austere monk Savonarola, who is poised to offer absolution with grave conditions regarding the legitimacy of his rule and the state of Florence. The opening chapters then shift focus to the political climate of Rome as the papacy faces a power vacuum following the death of Pope Innocent VIII, highlighting the ensuing papal conclave and revealing the plans of Roderigo Borgia to secure the papal throne. The narrative sets the stage for the Borgia family's rise to power amid the chaos of political machinations and familial ambitions.