Author
Mary H. (Mary Henderson) Eastman
1818-1887
Mary H. (Mary Henderson) Eastman (1818-1887) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by Mary H. (Mary Henderson) Eastman
Aunt Phillis's Cabin; Or, Southern Life As It Is
"Aunt Phillis's Cabin; Or, Southern Life As It Is" by Mary H. Eastman is a plantation fiction novel published in 1852 as a direct response to Harriet Beecher Stowe's "Uncle Tom's Cabin." Drawing from her Virginia upbringing, Eastman portrays slavery as a benign institution where plantation owners and enslaved people coexist in mutual respect and happiness. The story follows various characters in rural Virginia, demonstrating what the author presents as the "essential happiness" of enslaved people compared to free blacks in the North.
Dahcotah: Life and Legends of the Sioux Around Fort Snelling
"Dahcotah: Life and Legends of the Sioux Around Fort Snelling" by Mary H. Eastman is a historical account written in the mid-19th century. It explores the culture, customs, and experiences of the Sioux Indians living around Fort Snelling, drawing from the author's intimate observations and interactions during her seven-year residence among them. The work aims to preserve the rich tapestry of Sioux legends and to highlight the moral and social challenges faced by this Indigenous group in the midst of encroaching civilization. At the start of the book, the author introduces her connection to the Sioux, expressing her intentions to share their stories and traditions. She reflects on her experiences at Fort Snelling, noting the beautiful landscapes and the complex interactions between the Sioux and whites. The opening also lays the groundwork for the themes of cultural preservation and the contrast between the romanticized visions of Native Americans and their real struggles. It is evident that the author aims to provide a nuanced portrayal of the Sioux people, emphasizing their humanity amidst the attributes often assigned by colonial perspectives. In particular, she hints at the bond she has formed with them, capturing their individual and collective narratives that make up their identity and traditions.