Author
José Echegaray
1832-1916
José Echegaray (1832-1916) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaBooks by José Echegaray
The son of Don Juan an original drama in 3 acts inspired by the reading of Ibsen's work entitled 'Gengangere'
"The Son of Don Juan" by José Echegaray is a dramatic work in three acts, written in the late 19th century. This original drama explores the themes of inheritance, mental illness, and the legacy of the infamous character Don Juan through the experiences of his son, Lazarus. The thread of the narrative weaves a tale of familial ties mixed with the shadow of the father's notorious past. At the start of the play, we are introduced to an aging Don Juan, whose jovial facade begins to crack with self-reflective insights about aging and fatherhood. Surrounded by his companions, he whimsically reconciles his past as a libertine with the pride of having a son like Lazarus, whom he believes possesses great intellectual talent. Meanwhile, we see Lazarus struggle with his mental state amid the expectations and burdens that come with being the son of such a notorious figure, alongside his love for Carmen. The opening sets the stage for a complex interplay of relationships and societal expectations, suggesting deeper conflicts that will unfold as the drama progresses.
The great Galeoto; Folly or saintliness two plays done from the verse of José Echegaray into English prose by Hannah Lynch
"The Great Galeoto; Folly or Saintliness" by José Echegaray is a dramatic work that consists of two plays, first translated into English prose by Hannah Lynch, written in the late 19th century. The plays explore profound social and moral issues, challenging the audience to reflect on the nature of love, loyalty, and the human condition. Central to the story is Don Julian, whose relationships with those around him—especially his wife Teodora and his charge, the young Ernest—spark themes of affection, duty, and the complexities of honor. At the start of the play, we are introduced to the central characters in Don Julian's home. Teodora expresses her affection for her husband and her concern for their friend Ernest, who struggles with his sense of indebtedness and purpose. Don Julian reveals his intention to help Ernest find a way to support himself and distance from the sense of humiliation derived from his reliance on them. However, lurking beneath the surface is the tension of societal perceptions and rumors about their relationships, which are heightened by the entrance of Doña Mercedes, who brings alarming news about the gossipy nature of their society. This opening sets the stage for complex interplays of love, morality, and societal judgment that will unfold throughout the dramatic narrative.
O locura o santidad : $b Drama en tres actos y en prosa
"O locura o santidad : Drama en tres actos y en prosa" by José Echegaray is a drama written in the late 19th century. Set in Madrid, it follows Don Lorenzo de Avendaño, a rigorously principled intellectual, whose daughter Inés loves Eduardo, son of the Duchess of Almonte. When the dying nurse Juana reveals that Lorenzo’s name and fortune are not truly his, he must choose between proclaiming a devastating truth or safeguarding his child’s happiness. The play tests honor, identity, and parental love to ask whether uncompromising virtue is sanctity—or madness. The opening of the play unfolds in Don Lorenzo’s study: after meditating on Don Quixote, he learns from Dr. Tomás that Inés’s fragile health hinges on a quick marriage to Eduardo, and he resolves to appeal to the Duchess. Inés rejoices, but the arrival of Juana brings a letter confessing that Lorenzo is not the biological son of his supposed parents and that his wealth is illegitimate; Juana, near death, reveals herself as his true mother. Overwhelmed, Lorenzo rejects the Duchess’s proposal, and Inés collapses. At the start of Act II, Eduardo presses his mother to consent and to hush the scandal while quietly restoring the fortune, Ángela urges silence for Inés’s sake, and Lorenzo—torn between duty and love—insists on declaring the whole truth even if it ruins them.