Author
Judith Gautier
1845-1917
Judith Gautier (1845-1917) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
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Books by Judith Gautier
The Usurper: An Episode in Japanese History
"The Usurper: An Episode in Japanese History" by Judith Gautier is a historical fiction novel written in the late 19th century. Set in 1615 during the tumultuous period of feudal Japan, the narrative unfolds around the lives of significant characters woven into a tale of political intrigue, friendship, and romance. The story centers on the young Shogun Fide-Yori and his close friend, the Prince of Nagato, as they navigate dark conspiracies threatening their reign and uncover plots that could alter the fate of Japan. The opening of the novel introduces the vibrant city of Osaka as the dawn breaks, capturing the tranquil beauty and intricate details of the landscape. The narrative follows Fide-Yori, who leads his friend Iwakura on a surprise visit to a blooming lemon grove, showcasing their camaraderie and the simpler pleasures amidst their lavish lives. Soon, the plot thickens with the entrance of Omiti, a mysterious girl who reveals a prophecy about a conspiracy against Fide-Yori's life, urging him to avoid the upcoming feast of the God of the Sea. This early interaction sets the stage for unfolding tensions as the main characters grapple with loyalty, danger, and the burdens of power, hinting at a tumultuous journey ahead.
Wagner at Home
"Wagner at Home" by Judith Gautier is a biographical account written in the early 20th century. The book provides an intimate glimpse into the life and character of the renowned composer Richard Wagner through the eyes of Gautier and her companions as they prepare to meet him in Lucerne. The narrative beautifully captures the fervent excitement and reverence they feel for Wagner, highlighting their deep admiration for his music and artistry. The opening of the work sets the tone for an exhilarating journey as a group of French admirers, filled with impatience and excitement, makes their way to Lucerne to meet Wagner for the first time. Gautier describes the slow train journey that only heightens their anticipation as they reflect on Wagner’s music and his influential role in their lives. The characters express a zealous enthusiasm, intermingled with nerves about how they would be received by the composer, whose genius they venerate. The narrative also hints at personal interactions with Wagner and reveals the close-knit camaraderie among Gautier and her companions as they embark on this artistic pilgrimage.
Le Dragon Impérial
"Le Dragon Impérial" by Judith Gautier is a novel written in the late 19th century. The story unfolds in a richly imagined imperial China, focusing on two primary characters: the ambitious young laborer Ta-Kiang and the playful poet Ko-Li-Tsin, who are both navigating personal and societal challenges. Themes of ambition, fate, and the interplay between tradition and individuality seem to be central to the narrative. The opening of the novel introduces the desolate landscape of Chi-Tse-Po and the contrasting characters of Ko-Li-Tsin, a poet struggling with his creative pursuits, and Ta-Kiang, a laborer who harbors a deep-seated hatred for the earth he works. A mystical connection between Ta-Kiang and the image of a dragon hints at greater things to come, as the laborer dreams of greater ambitions beyond his humble origins. The narrative sets the stage for a transformative journey, as Ta-Kiang decides to leave behind his old life in search of glory and fortune, accompanied by the poet and a youthful fiancée, Yo-Men-Li, both of whom express their loyalty amidst their uncertainties. As they travel towards the capital, the dynamics of their relationships and their individual quests become key elements in this unfolding tale.
Mémoires d'un Éléphant blanc
"Mémoires d'un Éléphant blanc" by Judith Gautier is a fictional narrative written in the late 19th century. The story follows Iravata, a remarkable white elephant, who recounts his extraordinary life filled with glory and trials across the realms of Asia, particularly focusing on Siam and India. As Iravata learns to write, he reflects on his adventures, deep relationships, notably with Princess Parvati, and the emotional turmoil that both joy and sorrow bring into his life. The opening of the narrative establishes the premise of Iravata's memoirs, beginning with his introspective thoughts on the rarity of an elephant capable of writing and his late discovery of this skill. We learn of his observation of schoolboys and their lessons that spark his desire to learn the alphabet, which culminates in a moment of triumph when he successfully writes for the astonished children. Through vivid descriptions and whimsical details, Gautier sets the stage for Iravata's adventures, revealing the blend of innocence and wisdom in his character as he navigates through life's complexities alongside his beloved princess. This engaging opening invites readers into a richly imagined world where an elephant embodies both nobility and the yearning for connection.
The Daughter of Heaven
"The Daughter of Heaven" by Pierre Loti and Judith Gautier is a historical drama written in the early 20th century. The narrative unfolds in the tumultuous context of late imperial China, exploring themes of power, identity, and society during a time when the Ming Dynasty faces Tartar oppression. The main character is the Chinese Empress, referred to as the Daughter of Heaven, who is set to restore the Ming throne while navigating the political tensions of her time. The opening of the play introduces the rich historical backdrop of China, hinting at the complexities of the Chinese-Tartar relationship following the Ming dynasty's fall. It opens with the prefatory remarks highlighting China's national mourning and revolutionary fervor caused by Tartars' rule. As the act begins in the garden of the Nanking Palace, the workers discuss their lives while preparing for a grand festival tied to the Empress's official ascendancy. Amidst this, we meet various characters, including palace officials and ladies-in-waiting, all eagerly anticipating the forthcoming festivities and the personal dramas that will unfold as power dynamics shift within the court. Through a blend of conversations about love, politics, and social roles, the opening sets the stage for the tension and conflict that will characterize the Empress's reign.
Le collier des jours: Le second rang du collier
"Le collier des jours: Le second rang du collier" by Judith Gautier is a novel written in the early 20th century. The story centers around the life of two sisters, navigating their relationship with their strict governess, Mlle Honorine Huet, as they transition from the freedom of summer in Enghien back to the confines of Paris. Through a blend of childhood escapades and the poignant exploration of personal dynamics, the narrative hints at deeper themes of authority, rebellion, and the bittersweet nature of growing up. At the start of the narrative, we are introduced to the sisters and their governess, Mlle Huet, whose rigid demeanor and love for escargots irritate the girls and spark their rebellious spirits. Their summer in Enghien has afforded them a sense of freedom, but as they return to Paris, the tension begins to mount. The girls engage in mischief to lighten the oppressive atmosphere of their home, leading to humorous incidents that showcase the friction between childhood playfulness and adult authority. The dynamics shift further as the governess's eccentricities and passion for the supernatural emerge, hinting at a deeper characterization that promises to complicate the sisters' lives.
The Memoirs of a White Elephant
"The Memoirs of a White Elephant" by Judith Gautier is a fictional narrative written in the late 19th century. The story unfolds through the perspective of a white elephant named Iravata, who recounts his remarkable life in Asia, especially in Siam and India, detailing his experiences as a royal elephant and his bond with Princess Parvati. The tale promises adventure, emotion, and a unique exploration of the world through the eyes of a creature often revered and misunderstood. At the start of the memoir, Iravata reflects on how he learned to write, which is a rare achievement for an elephant. He lives in the Palace of Golconda, where he enjoys relative freedom and observes the antics of children attending school nearby, igniting his curiosity about human language and education. His passion for learning leads him to sneak peek at their lessons, eventually allowing him to craft the alphabet on a schoolmaster's tablet. Subsequently, his unique talent is revealed to Princess Parvati, affirming their bond and setting the stage for his many adventures, including serving as a guardian and companion to the princess, and later finding himself in complex scenarios filled with joys and challenges.
Le paravent de soie et d'or
"Le paravent de soie et d'or" by Judith Gautier is a historical fiction narrative written in the early 20th century. The story, set against the backdrop of Annam (modern-day Vietnam), introduces readers to themes of heroism, honor, and the struggles of a kingdom under duress. The main characters include the noble prince Lée-Line and the fierce warrior queen Fleur-Royale, who embody courage and leadership in the face of tyranny and war. The opening of the narrative depicts serene natural scenes juxtaposed with an impending sense of conflict. A young buffalo herder enjoys the tranquil rhythm of his song, unaware of the distant rumblings of war. This tranquility is shattered by the arrival of two weary warriors, one of whom bears a wound, revealing a connection to the royal lineage and hinting at deeper struggles within the Annamese court. As the narrative unfolds, elements of suspense and myth intertwine with personal conflict, hinting at the epic battles and personal sacrifices that are expected to form the crux of the story. The engaged dialogue among characters further indicates a rich narrative ahead, involving themes of love, loyalty, and destiny against the backdrop of cultural history.
Richard Wagner and His Poetical Work, from "Rienzi" to "Parsifal"
"Richard Wagner and His Poetical Work, from 'Rienzi' to 'Parsifal'" by Judith Gautier is a historical account written in the late 19th century. This work delves into the life and poetic contributions of the renowned composer Richard Wagner, tracing the evolution of his operatic texts from his early work "Rienzi" to his final masterpiece "Parsifal." Gautier offers both biographical insights and analyses of Wagner's operas, presenting a comprehensive tribute to his artistry. The opening of the book introduces readers to Richard Wagner, detailing his life from birth to his rise as a composer. It describes his early musical studies, significant works, and the societal challenges he faced, such as political exile. Gautier reflects on her personal encounters with Wagner, marking her evolution from a student to a devoted admirer. This initial segment sets the tone for a profound exploration of Wagner's impact on music and the arts, while also hinting at the complexities of his character and career, as well as his relationships with influential figures of his time.
La fille du ciel: Drame Chinois
"La fille du ciel: Drame Chinois" by Judith Gautier and Pierre Loti is a dramatic work set in modern-day China, written in the early 20th century. The narrative revolves around the themes of power, rebellion, and cultural conflict, primarily focusing on the character of an Empress who grapples with the restoration of the Ming dynasty amidst the looming presence of the usurping Tartars. Equally, the play reflects the clash of identities and aspirations between the Chinese and their conquerors. At the start of the story, the authors provide a historical backdrop of China’s political turmoil following the Tartar conquest, which has left deep scars in the national psyche. The opening details the excitement surrounding the Empress’s planned investiture ceremony, signaling a significant political event. Characters such as the Empress, the young Emperor of Nanking, and various Chinese courtiers are introduced, hinting at intricate relationships and the high stakes involved. The opposing forces are ever-present, with the Empress’s internal conflict and ambitions set against the external threats of the Tartar rulers, as foreshadowed by prophecies and dreams that unsettle her. The blend of personal and political drama establishes a gripping narrative ripe with tension and intrigue.
Le collier des jours: Le troisième rang du collier
"Le collier des jours: Le troisième rang du collier" by Judith Gautier is a fictional novel written in the late 19th century. The story follows a group of enthusiastic French admirers of Richard Wagner as they travel to Lucerne to meet the composer for the first time, reflecting their intense emotions and anticipations surrounding this encounter. It vividly portrays the excitement of the main character, Judith, and her companions as they journey through beautiful Swiss landscapes, delving into their passion for Wagner's music. The opening of the novel begins with a tranquil train ride, where a group of French literary figures, including Villiers de l'Isle-Adam, expresses their impatience due to the leisurely pace of the train as they approach Lucerne. They are brimming with excitement and anxiety about seeing Wagner, a figure they idolize, and their discussions reveal their intense devotion to his music. As the train progresses, the anticipation grows, blending nostalgia for the past and exuberance for the meeting ahead. Judith's memories illustrate not only her admiration for Wagner but also her own role in promoting his work, underscoring the novel's exploration of art, friendship, and the transformative power of music.
Le collier des jours: Souvenirs de ma vie
"Le collier des jours: Souvenirs de ma vie" by Judith Gautier is a autobiographical narrative likely written in the late 19th century. The work reflects on the early childhood experiences of the author, focusing on her relationships, emotions, and perceptions as she grows. It captures the innocence of childhood along with the complex feelings that surface during her formative years, particularly regarding her bond with her nurse and her understanding of social hierarchies. At the start of the narrative, Judith Gautier introduces herself and her initial experiences in life, mentioning an extraordinary passion that marked her entry into the world. She recounts a dramatic and passionate beginning, marked by a fierce desire to resist birth itself. This vivid recollection sets the tone for her reflections on her childhood, including her relationship with her nurturing nurse, Damon, and the familial dynamics around her. The scenes depicted show Judith's early memories with great clarity, showcasing the tender yet tumultuous nature of her emotional landscape, as she navigates her environment filled with tenderness, jealousy, and an awakening consciousness of her position in the world.
En chine: Merveilleuses histoires
"En Chine: Merveilleuses histoires" by Judith Gautier is an illustrated travelogue written in the early 20th century. The book explores the rich history and culture of China, emphasizing its ancient civilization and contributions to the world. Judith Gautier, a notable figure in French literature, presents a colorful account of various aspects of Chinese life, customs, and artistic achievements. The opening of the work sets the stage with reflections on the allure of travel, embedding the reader in a sense of wonder and anticipation for exploration. Gautier introduces the idea that the essence of journeying is rooted in hope and curiosity, capturing the importance of discovering new horizons. This initial portion also begins to delve into the ancient legacy of China, foreshadowing the detailed explorations of its history, language, and culture that will follow throughout the book. The preface by Jean Aicard further establishes the educational mission behind the colorful illustrations and the intent to captivate both young and older audiences.