Author
Remy de Gourmont
1858-1915
Remy de Gourmont (1858-1915) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Remy de Gourmont
Esthétique de la langue française
"Esthétique de la langue française" by Remy de Gourmont is a linguistic treatise written in the late 19th century. The work delves into the aesthetic principles that govern the French language, exploring themes of word purity, beauty, and the influence of foreign elements on its evolution. Gourmont emphasizes the importance of maintaining the intrinsic beauty of the language against the encroachment of foreign terms and constructions. The opening of the text introduces Gourmont's thesis, which posits that the French language must evolve to preserve its original beauty and purity. He articulates concerns about the introduction of exotic and barbaric terms, drawing parallels to artistic principles where intrusions disrupt the aesthetic quality of a work. The author outlines his intent to merge scientific inquiry and literary appreciation to advocate for linguistic beauty, indicating that his exploration will extend to examining various mechanisms of linguistic transformation, including metaphors and the roles of borrowed words. This foundation sets the stage for a deeper analysis of words and their forms, and particularly, how they can be refined to enhance the overall elegance of the language.
The Book of Masks
"The Book of Masks" by Remy de Gourmont is a collection of critical essays written in the late 19th century. This work presents a series of critical portraits of various influential poets, particularly those associated with the Symbolist movement in France, analyzing their contributions to modern poetry. Through these essays, Gourmont explores the nature of art, individuality, and the creative spirit, aiming to provide readers with a deeper understanding of the aesthetics and philosophies that shaped contemporary literature. The opening portion of the book features an introduction that emphasizes the importance of individual expression in literature, arguing against rigid classifications and moralistic judgments. It discusses the evolution of literary critique, praising Gourmont's approach as representative of the New Criticism. The introduction honors the Symbolists, highlighting figures such as Stéphane Mallarmé and others, and outlines the significance of their work in the context of emerging modern poetic forms. Through this lens, Gourmont sets the tone for exploring the unique characteristics and contributions of these poets, all while advocating for the value of personal experience in artistic expression.
Very woman (Sixtine) : $b a cerebral novel
"Very Woman (Sixtine): A Cerebral Novel" by Remy de Gourmont is a fiction work likely written in the early 20th century. The novel centers around the complex interactions and philosophical discussions between two main characters, Sixtine Magne, a widow, and Hubert d'Entragues, a man of letters. Their conversations delve into themes of desire, identity, and the nuances of love and human connection, all set against a backdrop rich with literary and existential reflection. The opening of the novel introduces Sixtine and Hubert during a walk beneath ancient fir trees, where their flirtation unfolds through an exchange of clever repartees and introspective musings. As they engage in their intellectual banter, glimpses of their backgrounds and personalities emerge. Hubert is drawn to Sixtine's enigmatic charm, while she navigates her own feelings and the dynamics of their budding relationship. The atmosphere is heightened by discussions on emotion and truth, culminating in a moment of tension as Sixtine expresses her fears and frustrations with past experiences. This opening serves as a foundation for the book's exploration of the dualities within relationships and the nature of desire.
The Natural Philosophy of Love
"The Natural Philosophy of Love" by Remy de Gourmont is a philosophical essay written in the early 20th century. This work delves into the complex subject of love from a naturalistic and psychological perspective, exploring its biological underpinnings, its implications in animal behavior, and its connection to human existence. Gourmont's analysis aims to provide a comprehensive understanding of love as a fundamental instinct shared across species, thus situating human emotions within the broader context of life's evolutionary processes. The beginning of the essay sets the stage for an expansive exploration of love's dynamics, starting with the assertion that love's psychology should be examined through natural laws. Gourmont critiques earlier moralistic views on love, proposing that understanding love involves recognizing its animal nature and rooting it in sexual selection and reproduction. He argues that, rather than being an isolated human phenomenon, love is deeply entwined with existence itself, manifesting analogously in human and animal behaviors. The opening chapters indicate a blend of philosophical inquiry and biological examination, raising questions about the nature of gender roles and the evolutionary significance of love and reproduction.
Decadence, and Other Essays on the Culture of Ideas
"Decadence, and Other Essays on the Culture of Ideas" by Remy de Gourmont is a collection of philosophical essays written in the late 19th century. This work explores the interplay of ideas and the notion of decadence in relation to contemporary culture and thought. The essays delve into themes such as the nature of beauty, education, and the role of women in language, questioning established beliefs and examining the underlying currents of ideas that shape perception and society. The opening of the collection introduces Gourmont's concept of the "disassociation of ideas," where he contrasts the traditional acceptance of ideas with the notion of creating new associations or disassociations. He discusses the creative intelligence required to reframe old ideas and challenges the durability of commonly held beliefs, referring to them as "commonplaces." Gourmont employs analytical reasoning to dissect how ideas associate and disassociate, emphasizing individual thought's role in challenging societal norms and suggesting that the process of disassociation is necessary for intellectual liberation. Throughout, he presents a provocative critique of established truths, setting the stage for a deeper exploration of the complexities of human thought in the subsequent essays.
Le songe d'une femme: roman familier
"Le songe d'une femme: roman familier" by Remy de Gourmont is a fictional narrative written in the late 19th century. The novel explores themes of love, sensuality, and the complexity of women's lives through the correspondence between its main characters, Anna des Loges and Claude de La Tour, as well as others in their social circle. The work presents an intimate look into the thoughts and emotions of these characters, predominantly focusing on their experiences of happiness, melancholy, and societal expectations. The opening portion of the novel introduces a series of letters exchanged between the characters, revealing their introspective views on love and happiness. Anna expresses her exuberant happiness and carefree approach to life, while Claude reflects on the fleeting nature of such joy and grapples with a sense of ennui. The narrative unfolds as they discuss their respective experiences and the nature of love, juxtaposed with observations of beauty and sensuality in the world around them. Their correspondence creates a rich tapestry of thoughts, desires, and philosophical musings that set the tone for the novel's exploration of passionate relationships and emotional complexity.
Lettres d'un satyre
"Lettres d'un Satyre" by Remy de Gourmont is a fictional work written in the early 20th century. The book presents a first-person narrative from the perspective of Antiphilos, a satyr who reflects upon his experiences, desires, and observations of human life, love, and society. Through his eyes, readers encounter a world that critiques the complexities and hypocrisies of civilization, exploring themes of innocence, pleasure, and the nature of humanity. The opening of "Lettres d'un Satyre" introduces Antiphilos, the satyr, as he communicates his indignation over the mischaracterization of satyrs in the press. He conveys a poignant blend of innocence and desire, expressing a longing for a simpler, more instinctual existence free from societal constraints. We witness his perspectives on love and morality, especially in his recounting the fleeting encounter with a young couple in love and the resulting societal repercussions. Antiphilos's narrative is infused with humor and a sense of longing for an age uncorrupted by the complexities of modern life, setting the stage for further exploration of his adventures and insights as a satyr navigating the human world.
Physique de l'Amour: Essai sur l'instinct sexuel
"Physique de l'Amour: Essai sur l'instinct sexuel" by Remy de Gourmont is a philosophical treatise written in the early 20th century. The work explores the psychology of love and sexual instinct, aiming to situate human sexuality within a broader understanding of universal reproduction in nature. Gourmont examines the connections between human and animal behavior, challenging traditional views of love with a thorough analysis grounded in biological and psychological principles. At the start of the text, the author lays the foundation for his exploration by discussing the general psychology of love and the natural laws governing sexuality. He critiques earlier moralistic perspectives on love that failed to integrate scientific findings. By linking human sexuality to the instincts observed in the animal kingdom, he argues that love, often seen as a complex human experience, is fundamentally rooted in basic biological imperatives. Gourmont suggests that elements of human behavior can be mirrored in various species, emphasizing that the instinctual drive to reproduce is universal, bridging the gaps between humans and other animals.
Histoires magiques
"Histoires magiques" by Remy de Gourmont is a collection of short stories likely written in the early 20th century. The author weaves together elements of the supernatural and the whimsical, often exploring themes of desire, guilt, and innocence, through the lives of various characters. The opening portion introduces us to Douceline, a complex and troubled young girl, whose experiences hint at the dark interplay between innocence and corruption. The beginning of "Histoires magiques" delves into Douceline's early years, marking her as a precocious child infused with strange desires and a burgeoning awareness of sensuality. She engages in innocent yet forbidden actions, such as kissing and playing with the children around her, demonstrating a curiosity that evolves into a deeper conflict between her overwhelming instincts and societal expectations. As she grapples with her feelings of devotion to religious imagery and her involvement with the enigmatic figure Péhor, the narrative sets the stage for the unfolding of her tumultuous journey through adolescence, pleasure, and sin. Douceline's experiences reflect a complicated relationship with desire, ultimately leading to the darker themes that characterize Gourmont's stories.
D'un pays lointain: Miracles; Visages de femmes; Anecdotes
"D'un pays lointain: Miracles; Visages de femmes; Anecdotes" by Remy de Gourmont is a collection of short stories written in the early 20th century. The work delves into the themes of perception and existence, exploring the internal and external landscapes of its characters. Characters grapple with profound concepts such as identity, beauty, and the often dark experiences of life, showcasing Gourmont's unique narrative style. At the start of the collection, the narrator tells a haunting tale of a distant land where the inhabitants, including the narrator's parents, are blind, living in a gray and dark environment. The narrator's struggle against conformity leads to a significant moment when he flees to a vibrant, luminous forest that contrasts sharply with his previous existence. As the story unfolds, the focus shifts to the narrator's relationship with Armelle, a captivating figure whose innocence is eventually engulfed in tragedy, revealing Gourmont's exploration of love, beauty, and loss in a world that can be both enchanting and perilous. The opening establishes a tone of introspection and delves into philosophical musings, setting the stage for the themes that will resonate throughout the collection.
Le chat de misère: Idées et images
"Le chat de misère: Idées et images" by Remy de Gourmont is a collection of essays and reflections written in the early 20th century. The work presents various observations about society and human nature through a blend of imaginative storytelling and critical commentary. The opening piece, which revolves around a poor, weary cat, sets the stage for a deeper exploration of themes such as compassion, societal indifference, and the complexities of life. The opening of the work introduces us to a dilapidated cat found in a salon, reflecting a profound indifference toward both its physical state and the human interactions surrounding it. This cat, illustrating the despair and neglect of the outcast, evokes a sense of pity from Gourmont. He contrasts the plight of the cat with that of humans, pondering how the cat’s mere existence, devoid of the burdens of societal expectations and burdens, might be seen as more fortunate in some aspects. This reflection serves as an entry point into a meditative exploration of broader social issues, showcasing Gourmont's acute sensitivity to suffering in both animals and humans, and setting the tone for the thought-provoking essays that follow.
A Night in the Luxembourg
"A Night in the Luxembourg" by Remy de Gourmont is a philosophical romance written in the early 20th century. This novel intertwines romantic narrative with deep philosophical discussions, exploring themes such as love, divinity, and human existence. The story appears to center on a character who experiences a profound encounter with a divine figure while reflecting on the essence of life and its pleasures. The opening of the narrative introduces a character who, feeling intoxicated yet lucid, begins to recount an extraordinary experience he had in the Luxembourg Gardens. He is captivated by a mysterious figure, who turns out to be a divine entity, leading to a series of profound conversations that delve into philosophy, love, and the nature of existence. The protagonist is enraptured by the beauty of the gardens and the divine figure’s insights, which include reflections on the relationship between gods and mortals, the fleeting nature of happiness, and the pursuit of pleasure. This opening sets the stage for a rich exploration of life, love, and philosophical inquiry through the lens of a transcendent experience.
Couleurs. Contes nouveaux; suivis de Choses anciennes
"Couleurs. Contes nouveaux; suivis de Choses anciennes" by Remy de Gourmont is a collection of short stories written in the late 19th century. The book explores a series of interconnected narratives that delve into themes of desire, beauty, and human relationships, often intertwined with nature and color symbolism. The opening portion introduces various characters and their interactions, setting the stage for a contemplative exploration of emotions and experiences. At the start of the collection, Gourmont presents a vivid tapestry of life through the lenses of color and human connection. The opening narratives focus on a young couple who communicate their growing affection in wordless exchanges, alongside the contemplations of a hunter on their encounters. The setting is rich with descriptions of natural beauty, suggesting an idyllic yet complex backdrop for their emotions. As the stories progress, we encounter different characters, each navigating their own emotional landscapes, reflecting Gourmont's intent to fuse the poetic with the ordinary, ultimately illustrating the nuanced interplay of love and life.
Divertissements: poèmes en vers
"Divertissements: poèmes en vers" by Remy de Gourmont is a collection of poems written in the early 20th century. This diverse and eclectic work combines various themes of love, nature, and introspection, reflecting the author’s contemplative style and rich imagination. Gourmont, a notable symbolist poet, offers readers a glimpse into his emotions and thoughts, intertwining personal experiences with vivid imagery throughout his verses. The poems within "Divertissements" explore a range of sentiments and themes, often focusing on the nuances of love, beauty, and the passage of time. Each piece serves as a reflection on fleeting moments, encapsulating feelings of joy and melancholy alike. The collection is organized into sections, including tributes to saints and meditations on nature, where figures like "Simone" and the "Dame de l'Été" appear, drawing on both tangible and ethereal elements. With its musical rhythm and evocative language, the poetry invites readers to engage deeply with the themes of existence, longing, and the intricacies of the human experience.
Le chemin de velours; Nouvelles dissociations d'idées
"Le chemin de velours; Nouvelles dissociations d'idées" by Remy de Gourmont is a collection of philosophical essays written in the early 20th century. The work explores themes of morality, free will, and the influence of religious doctrine on human behavior, specifically through the lens of Jansenism and Jesuit philosophy. The opening portion of the text sets the stage by discussing the interplay between French societal morals and the teachings of the Jesuits and Jansenists. Gourmont presents a critical view of both groups, noting the French inclination towards contradiction and an enjoyment of moral disobedience. He examines the philosophical underpinnings of these religious doctrines, suggesting that while the Jesuit approach is marked by a desire for happiness through obedience, the Jansenist view resonates with a more severe interpretation of morality. Gourmont’s reflections venture into the complexities of human nature, questioning the validity and application of religious tenets in society.
Lettres à l'Amazone
"Lettres à l'Amazone" by Remy de Gourmont is a collection of epistolary writings crafted in the early 20th century. The text appears to explore themes of desire, memory, and the complex interplay of emotions in the context of relationships, particularly through the lens of a conversation between a male narrator and the enigmatic figure referred to as "Amazone." The correspondence hints at a profound intellectual and emotional connection, addressing philosophical musings on love and human experiences. The opening of the work presents the premise of a series of letters, each touching on various facets of love, desire, and memory. The narrator expresses a longing to articulate thoughts that elude him in casual conversations, using writing as a medium to delve deeper into his feelings. The first letter serves as a meditation on memory and sentiment, discussing how the passage of time affects recollections of love and experiences, while also hinting at the dynamic nature of the relationship between the narrator and his subject. Gourmont's rich prose invites readers to reflect on the complexities of human connection, setting the tone for an exploration of love both ephemeral and eternal.
La fin de l'art
"La fin de l'art" by Remy de Gourmont is a philosophical treatise written in the early 20th century. The work explores the evolution and perceived decline of art in modern society, delving into themes such as the value of artistic expression versus tangible economic results. Gourmont employs various characters and references to contemporary cultural figures to illustrate his critiques of modern aesthetic sensibilities. At the start of the text, the author engages with a character inspired by the writings of another philosopher, positing a view that modernity has eclipsed the intrinsic values of art. This character embodies a rejection of spiritual and emotional dimensions in favor of measurable outcomes, expressing disdain for traditional masterpieces and cultural heritage. Gourmont critiques this mindset through sardonic commentary on various subjects, including municipal decisions regarding monuments and cultural artifacts, ultimately questioning whether humanity can survive the end of art as a meaningful endeavor.
La petite Ville; Paysages
"La petite Ville; Paysages" by Remy de Gourmont is a collection of poetic and reflective essays written in the early 20th century. The book provides an intimate exploration of life in a small provincial town, capturing moments of beauty and decay in the natural landscape and urban settings. In its pages, Gourmont reflects on themes of nostalgia, the passage of time, and the contrast between nature and human endeavors. In this collection, the author paints vivid scenes from the small town, such as the railway station as a hub of activity set against the backdrop of crumbling architecture and the silent church towers. Each essay brings forth a different aspect of the town's character, showcasing its landscapes, the rhythms of life among its inhabitants, and the lingering presence of history in its ruins and institutions. Gourmont's writing is perceptive and imbued with a sense of wistfulness, emphasizing the juxtaposition of fleeting moments and the deeper, often melancholic, connections to place and memory that define human existence in a rapidly changing world.
Philosophic Nights in Paris Being selections from Promenades Philosophiques
"Philosophic Nights in Paris" by Remy de Gourmont is a collection of philosophical essays written in the early 20th century. The work showcases de Gourmont's thoughts on a range of topics, reflecting on happiness, free will, the nature of existence, and the significance of perception. As a member of the Symbolist movement, the author blends literary artistry with profound philosophical inquiry, offering readers insights into both the human condition and the complexities of modern life. The opening portion of "Philosophic Nights in Paris" introduces Remy de Gourmont's literary significance and philosophical approach. The text begins with an overview of de Gourmont's background, emphasizing his role as an interpreter of the Symbolist movement and his unique perspective on life and literature. It highlights key themes such as the struggle for happiness and the impact of perception on reality, while also setting the stage for the subsequent essays. The narrative captures de Gourmont's avant-garde spirit, as he navigates philosophical questions with a rich stylistic flair, inviting readers into his contemplative world.
Dissociations
"Dissociations" by Remy de Gourmont is a collection of essays written in the early 20th century. The work presents a series of reflections on various topics, analyzing the complexity of human thought and emotion through a critical lens. Gourmont engages with themes such as art, morality, religion, jealousy, and the nature of happiness, encouraging readers to reconsider commonly accepted notions in society. The opening of "Dissociations" introduces the author's methodical approach to exploring the separation of ideas and sentiments that often remain tangled in public thought. Gourmont voices his observations on how people persist in uniting opposing ideas, such as the intertwining of art and morality. He expresses a sense of frustration at humanity's failure to disentangle these concepts, positing that his lifelong dissociation work might be in vain, as society continues to cling to the confusion. This sets the stage for a thought-provoking examination of societal norms and the dynamics of individual perception throughout the collection.
A Virgin Heart: A Novel
"A Virgin Heart: A Novel" by Remy de Gourmont is a work of fiction written in the early 20th century. The novel explores themes of innocence, desire, and the complexities of human emotions through its characters, particularly focusing on the young girl Rose and her interactions with M. Hervart, a man in his forties who grapples with his feelings towards her. At the start of the novel, readers are introduced to a rustic setting where Rose, a free-spirited young woman, spends her time in nature while M. Hervart, a somewhat older man, observes her and reflects on the nature of love and their emerging relationship. As they interact, an innocent flirtation develops, juxtaposed against M. Hervart's internal conflict between his desires and societal expectations. The opening portion sets the stage for a nuanced exploration of their relationship, with themes of innocence, desire, and the gradual progression from youthful games to more serious emotions hinting at the complexities ahead.
Un cœur virginal
"Un cœur virginal" by Remy de Gourmont is a novel written in the early 20th century. The story primarily revolves around the complex relationships between the main characters, M. Hervart, a middle-aged museum conservator, and Rose, a young girl full of innocence and budding emotions. The novel explores themes of sexuality, innocence, and the physiological aspects of love through their interactions. At the start of the novel, M. Hervart is observed in a rural setting, where he encounters the youthful Rose, who is picking blackberries. Their playful banter reveals Rose’s innocence and Hervart's conflicting feelings towards her, oscillating between admiration and a troubling desire. As their friendship blossoms, internal monologues from both characters hint at deeper emotional currents beneath their innocent exchanges, setting the stage for a poignant examination of love's complexities, attraction, and the inevitable loss of innocence. The opening establishes a rich, intimate atmosphere that invites readers to consider the fragile boundaries between friendship and romantic love.
Les chevaux de Diomède: Roman
"Les chevaux de Diomède: Roman" by Remy de Gourmont is a fictional novel written in the late 19th century. The story seems to revolve around a contemplative protagonist, Diomède, who engages in deep philosophical musings and explores his complex relationships, particularly with women like the elusive Christine and the lively Fanette. It examines themes of desire, individuality, and the search for meaning in existence. At the start of the narrative, Diomède is depicted in a solitary state, interrupted by the anticipated arrival of Christine. He reflects on the nature of love and relationships while expressing a sense of longing and existential dissatisfaction. Throughout his thoughts, he grapples with the tension between his desires for various women and his philosophical quest for a deeper understanding of life. As he awaits Christine, his reflections on solitude, love, and the essence of human connection are interspersed with vivid imagery and detailed character descriptions, setting the tone for a rich exploration of both sensuality and spirituality in a world that feels distant and conflicted.
Les femmes et le langage
"Les femmes et le langage" by Rémy de Gourmont is a philosophical and linguistic essay written in the early 20th century. The book explores the integral role of women in the development and preservation of language, positing that their contributions are foundational to communication and society itself. Gourmont examines the interplay between language and femininity, ultimately asserting that language, in essence, is feminine. In this work, Gourmont delves into the notion that women have been the primary educators in language, teaching children through their innate communication style and nurturing word formation. He argues that while women may not have created language in the formal sense, they have been pivotal in its evolution and maintenance. By presenting historical and psychological arguments, Gourmont highlights how women's social roles as caretakers and communicators shape not only the learning and development of language in children but also the wider societal understanding of communication itself. The essay reflects on cultural implications, proposing that the dynamics between men and women—coupled with their distinct approaches to language—enrich human expression and creativity overall.