Author
Robert Graves
1895-1985
Robert Graves (1895-1985) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by Robert Graves
Good-bye to all that : $b An autobiography
"Good-bye to all that: An autobiography" by Robert Graves is an autobiography first published in 1929. Written at age 34 as a "bitter leave-taking of England," it chronicles Graves's family history, childhood, public school years, and harrowing service as an officer in the Royal Welch Fusiliers during World War I. Through unsentimental and often darkly comic prose, Graves depicts trench warfare's brutal realities, near-fatal wounds, and lasting trauma, while examining the conventions he broke and the old order that perished in war's aftermath.
Lawrence and the Arabs
"Lawrence and the Arabs" by Robert Graves is a historical account written in the early 20th century. This work focuses on the life and adventures of T.E. Lawrence, famously known as Lawrence of Arabia, detailing his influence on the Arab Revolt against the Ottoman Empire during World War I. The narrative aims to paint a complex picture of Lawrence's character, his motivations, and his relationships with the Arab leaders he worked alongside. The opening of the book introduces the author's intent behind writing a comprehensive account of Lawrence after obtaining his consent. Graves describes Lawrence's multifaceted identity, emphasizing his self-imposed labels over time and his disdain for the glorification of his persona. The narrative reveals details about Lawrence's upbringing, his academic interests, particularly in archaeology, and his initial travels that ultimately set the stage for his critical involvement in the revolt. Lawrence's deep connection to the Bedouin culture, his remarkable physical prowess, and his psychological struggles between his dual identities as a Westerner and a companion to the Arabs are sketched out, laying a foundation for a deeper exploration of his role in shaping Middle Eastern history.
On English poetry : $b being an irregular approach to the psychology of this art, from evidence mainly subjective
"On English Poetry" by Robert Graves is a literary critique written in the early 20th century, specifically looking at the nature and psychology of poetry. The book explores the complex relationship between spontaneity and craft in poetic creation, while also delving into how poetry operates as both an art form and an expression of the poet's emotional and psychological conflicts. At the start of the work, Graves presents his thoughts on poetry and its dual nature. He distinguishes between poetry that arises spontaneously from the subconscious and poetry that is crafted with conscious intention, discussing how both aspects are integral to the poetic process. He uses engaging metaphors to illustrate the inner workings of a poet's mind and explains the importance of emotional conflict in the creation of true poetry, setting the tone for a deeper exploration of poetic theory throughout the text. Overall, Graves aims to dissect and understand the enigmatic qualities of poetry while acknowledging its profound impact on human emotion and expression.
Fairies and Fusiliers
"Fairies and Fusiliers" by Robert Graves is a collection of poems written during the early 20th century, around the time of World War I. This work juxtaposes the whimsical and fantastical elements represented by fairies with the harsh realities of war as experienced by soldiers in the trenches. The poems reflect on themes of nature, the innocence of childhood, the brutality of conflict, and the deep emotional experiences associated with both. The collection features a variety of voices and perspectives, often shifting from the lighthearted imagination of childhood to the solemnity of life in wartime. Graves explores the absurdity of war, the camaraderie among soldiers, and the stark contrast between the idealism of youth and the grim experiences of battle. Notable poems include "To Lucasta on Going to the War," which reflects a soldier's sense of duty mixed with pride, and "The Last Post," which poignantly communicates the fear of death in combat. Through vivid imagery and sharp contrasts, Graves masterfully captures the spirit of an era marked by profound change and loss.
Country Sentiment
"Country Sentiment" by Robert Graves is a collection of poetry that likely emerged in the early to mid-20th century. This compilation presents a variety of themes and emotions, encapsulating reflections on the rural life, nature, love, and human experiences. Through his verses, Graves explores sentiments rooted in the countryside, capturing the essence of both beauty and the more poignant aspects of life. The collection features a rich assortment of poems that vary in tone and subject matter. It includes works such as "A Frosty Night," which delves into the delicate emotions of a mother and child, and "The Boy out of Church," presenting a young boy's thoughts on faith and freedom. Graves also touches on themes of love and longing in poems like "True Johnny" and "Loving Henry." Other pieces, such as "Country at War," juxtapose the harsh realities of conflict against the backdrop of serene landscapes, reflecting the tension between nature's beauty and human strife. Together, these poems create a tapestry that captures the nuances of life in the country, evoking both nostalgia and contemplation.
Over the Brazier
"Over the Brazier" by Robert Graves is a collection of poems written during the early 20th century, specifically around the time of the First World War. The poems reflect on themes of war, nature, and personal introspection, showcasing Graves's poignant and vivid imagery. The work captures the complexities of life during and after the war, as the poet grapples with the aftermath of conflict. The collection opens with a nostalgic reflection on envisioned peaceful life post-war, contrasted with the disillusionment faced by Graves and his peers. Each poem conveys varied moods, from the innocence of youth and nostalgia in "The Poet in the Nursery" to the darker, harrowing realities of war found in "The Dying Knight and the Fauns" and "The Morning Before the Battle." The recurring motif of longing for peace amidst chaos underscores the collection, highlighting the emotional turmoil and uncertainty of a generation deeply affected by war. Ultimately, "Over the Brazier" serves as a powerful testament to both the beauty and tragedy of human experience during a tumultuous era.
Whipperginny
"Whipperginny" by Robert Graves is a collection of poetry written in the early 20th century, specifically around the time of the 1920s. The book explores a variety of themes, including love, nature, and existential reflections, often influenced by the aftermath of World War I and the author’s personal experiences. Graves’s work is known for its lyrical quality and deep emotional resonance, capturing the complexities of human emotions and relationships. The collection features a diverse range of poems that delve into different aspects of life and human experience. For instance, in pieces like "The Bedpost" and "A Lover since Childhood," Graves reflects on love and intimacy through imaginative storytelling and vivid imagery. The poems also touch on psychological and philosophical themes, with a blend of wistfulness and introspection characterizing the later works. Through rich symbolism and a keen sense of observation, Graves invites readers to ponder the deeper meanings of love, pain, and the passage of time, making "Whipperginny" a reflective and engaging read for those interested in early 20th-century poetry.
The Pier-Glass
"The Pier-Glass" by Robert Graves is a collection of poetry written in the early 20th century. This volume encompasses a rich tapestry of themes, exploring human emotions, the interplay of nature, and reflections on life and loss. The poetry is characterized by Graves's distinctive linguistic style that weaves together personal experiences with broader existential questions. The content of "The Pier-Glass" features a variety of poems that delve into subjects like love, memory, and the often-uncertain nature of existence. In pieces such as "The Pier-Glass," the poet grapples with identity and self-perception, using the metaphor of a cracked mirror to evoke feelings of melancholy and introspection. Other poems, like "The Finding of Love," celebrate the transformative power of love amidst past grievances, while darker pieces, such as "Lost Love," express profound grief and yearning. Overall, the collection captures the essence of human experience, marked by an intricate balance between joy and sorrow, time, and memory.
The Feather Bed
"The Feather Bed" by Robert Graves is a poem written in the early 20th century, reflecting the author's literary style that often combines intricate psychological themes with rich imagery. This work explores the conflict within the mind of a young man grappling with love, loss, and the societal expectations imposed upon him. It intricately weaves together themes of faith, temptation, and the internal struggle between personal desires and traditional beliefs. In "The Feather Bed," the speaker reflects on a tumultuous relationship with a woman named Rachel, who is embarking on a path to become a nun. The poem delves into the speaker's feelings of anger, jealousy, and loss as he contemplates their past love and Rachel's choice to renounce the world for a life of religious devotion. The narrative oscillates between vivid imagery and a stream-of-consciousness style, highlighting the psychological turmoil of the speaker as he grapples with notions of faith, love, and his longing for Rachel. The poem culminates in an exploration of the nature of love and the consequences of separation, ultimately leaving the speaker in a moment of despair and resignation, as he confronts the harsh reality of their divergent paths.
Lars Porsena : $b or, the future of swearing and improper language
"Lars Porsena: or, the future of swearing and improper language" by Robert Graves is a thought-provoking treatise written in the early 20th century. The book explores the evolution, significance, and social implications of swearing and improper language in society. Through a detailed examination, Graves delves into the cultural and historical context surrounding the use of oaths, blasphemies, and obscenities, presenting a unique perspective on how language reflects societal values and taboos. In this essay, Graves argues that the decline of swearing in England during the early 20th century may be symptomatic of broader cultural shifts, particularly relating to authority, religious belief, and societal norms. He analyzes the role of various taboos—religious, sexual, and otherwise—in shaping language and how these restrictions impact human expression. By citing historical examples, literary references, and contemporary observations, Graves suggests that the need for swearing arises from a complex interplay between emotion, societal pressures, and the human penchant for rebellion against established norms. Overall, the book serves as both an exploration of language and a cultural commentary on the changing nature of communication in modern society.