Author
William Hazlitt
1778-1830
William Hazlitt (1778-1830) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by William Hazlitt
Table Talk: Essays on Men and Manners
"Table Talk: Essays on Men and Manners" by William Hazlitt is a collection of essays published in two volumes beginning in April 1821. This acclaimed work explores topics including art, literature, and philosophy through Hazlitt's masterful familiar essay style. From reflections on painting that blend aesthetic theory with intimate memories of his late father, to philosophical meditations on genius and greatness, these essays showcase the English critic's personal voice and cultural insight. Considered by scholars as the pinnacle of Hazlitt's literary achievement.
The collected works of William Hazlitt, Vol. 07 (of 12)
"The Collected Works of William Hazlitt, Vol. 07 (of 12)" by William Hazlitt is a collection of essays and literary critiques likely written in the early 19th century. This volume features a rich array of Hazlitt's reflective and passionate prose, focusing on themes such as the nature of poetry versus prose, the insights of dream psychology, and the conversation styles of authors. Hazlitt is recognized for his acute observations and often innovative commentary on literary style and human psychology. At the start of this volume, Hazlitt explores the distinctions between the prose of poets and prose writers, critiquing how the former often struggles with rhythm and coherence when departing from verse. He illustrates this discussion with references to various authors, analyzing how their unique styles affect their communication and the reader's experience. Additionally, the opening essays touch on the complexity of dreams and their interpretative challenges, underscoring Hazlitt's interest in the intersection between literature and the human psyche. Through his incisive commentary, Hazlitt sets the tone for a collection that promises to engage readers with its depth and critical insight into literary expression and thought.
The collected works of William Hazlitt, Vol. 09 (of 12)
"The Collected Works of William Hazlitt, Vol. 09 (of 12)" by William Hazlitt is a compilation of essays on fine arts written in the early 19th century. This volume primarily explores various picture galleries in England and includes Hazlitt's notes on a journey through France and Italy, as well as miscellaneous essays on art. The book serves to illuminate Hazlitt's deep appreciation and critique of visual art, underlining his philosophical reflections on beauty and aesthetics. The opening of this volume presents an engaging introduction to Hazlitt's exploration of the principal picture galleries in England, starting with Mr. Angerstein’s collection. As Hazlitt describes the atmosphere and allure of art, he expresses admiration for the intrinsic value of genuine works over mere reproductions. The opening chapter invites readers into a contemplative space, where the emotional resonance triggered by art allows for an escape from mundane concerns. Hazlitt reflects on his personal experiences with notable artworks, emphasizing how these pieces captivate the viewer’s imagination and evoke profound feelings, establishing a connection between the observer and timeless beauty.
An index to the collected works of William Hazlitt
"An Index to the Collected Works of William Hazlitt" by William Hazlitt is a detailed index crafted as a reference guide, likely written during the early 20th century. This work serves as an anthology of Hazlitt’s writings, meticulously organized to allow readers easier access to his essays and critiques. The index reflects the growing appreciation for Hazlitt's contributions to literature, focusing on the arrangement of names and topics covered in his extensive 12-volume collected works. The opening of this index presents a preface by A. R. Waller, explaining the rationale and process behind the compilation. Originally intended as a supplementary section to the twelfth volume of Hazlitt's works, it was expanded into a standalone index due to the discovery of numerous previously unrecognized writings. Waller notes the collaborative effort involved in its creation, acknowledging the contributions of Arnold Glover, who passed away during the project. The text sets up the format of the index, which categorizes names and quotations from Hazlitt’s essays, providing insights into the depth of his literary engagements and the breadth of subjects he wrote about.
The collected works of William Hazlitt, Vol. 06 (of 12)
"The Collected Works of William Hazlitt, Vol. 06 (of 12)" by William Hazlitt is a collection of essays written during the early 19th century. It includes contributions under the title "Table Talk: or, Original Essays on Men and Manners" alongside conversations about the artist James Northcote, showcasing Hazlitt's reflections on art, nature, and the human condition. The volume is characterized by personal and philosophical musings, offering insights into Hazlitt's views on painting and the creative process. The opening of this volume presents an essay on "The Pleasure of Painting," where Hazlitt extols the joys and challenges of the artistic endeavor. He vividly describes the peaceful yet intense engagement with nature that painting entails, contrasting it with the more contentious nature of writing. The passage emphasizes the tranquility found in the practice of art and reflects on the personal growth and insights gained through the act of painting. Hazlitt shares anecdotes from his early attempts at painting, expressing the profound satisfaction and sense of discovery he experienced, thus setting an introspective tone for the essays to follow.
The collected works of William Hazlitt, Vol. 05 (of 12)
"The Collected Works of William Hazlitt, Vol. 05 (of 12)" by William Hazlitt is a collection of lectures on English poetry and dramatic literature from the early 19th century. This volume primarily examines the works of various poets, particularly focusing on their techniques and contributions to English literature. The collection serves both as a critical analysis of significant poets and an exploration of the nature and impact of poetry in relation to human experience and emotion. The opening of the volume introduces Hazlitt's reflections on poetry itself, where he asserts that it embodies the natural impressions of objects and events, stirring emotions through vivid imagery and sound. He believes that poetry is not a trivial pastime but rather an essential language that connects humanity to nature and reflects deep feelings of joy, sorrow, and every emotion in between. Hazlitt emphasizes the universality of poetry, arguing that it is intrinsic to human experience and accessible in even the simplest of forms, setting the stage for a deeper analysis of individual English poets in the subsequent lectures.
Hazlitt on English Literature: An Introduction to the Appreciation of Literature
"Hazlitt on English Literature: An Introduction to the Appreciation of Literature" by Jacob Zeitlin is a critical anthology written in the early 20th century. This work aims to celebrate and present the influential writings of William Hazlitt, one of England's greatest literary critics, while providing insights into his critical approach to English literature spanning from the Elizabethan age to the Romantic period. The book seeks to familiarize readers and students with Hazlitt's unique perspectives on literary figures and the broader landscape of literary criticism. The opening of the book includes a preface by Zeitlin, which articulates the dual purpose of the anthology: to evaluate Hazlitt's contributions to literary criticism and to serve as a resource for teaching literature in academic settings. Zeitlin outlines the structured content of the volume, highlighting various critical essays that provide an appreciation of significant English writers and their works. With a focus on Hazlitt's energizing critique, the opening also establishes the anthology's chronological framework, aiming to reveal Hazlitt's personal connections with literature and its authors, enriching the reader's understanding of the critical landscape during Hazlitt's time.
The collected works of William Hazlitt, Vol. 01 (of 12)
"The Collected Works of William Hazlitt, Vol. 01 (of 12)" by William Hazlitt is a comprehensive collection of essays and critiques written in the early 19th century. This volume serves as a compilation of Hazlitt's significant writings, including his thoughts on literature, philosophy, and cultural commentary, reflecting the intellectual currents of his time. The general focus of the work is on the intricacies of human experience, artistic expression, and the nuances of society. At the start of this volume, the introduction provides a characterization of Hazlitt's life and contributions, emphasizing his spirited intellect and his contentious relationship with contemporary literary figures and politics. It describes his early background, notable influences such as Coleridge, and his journey from aspiring painter to acclaimed writer. As the opening unfolds, it touches on his philosophical musings regarding life and action, questioning the nature of human attachment to existence and the essence of passion. It sets the stage for a deeper exploration of Hazlitt's perspectives on life’s motivations, the complexity of human emotions, and societal reflections, hinting at the engaging essays that follow.
The collected works of William Hazlitt, Vol. 12 (of 12)
"The Collected Works of William Hazlitt, Vol. 12 (of 12)" by William Hazlitt is a collection of essays and writings likely composed in the early 19th century. This volume features a range of topics reflecting Hazlitt's personal observations and critiques on various aspects of life, literature, and society. It embodies Hazlitt's signature style—rich, engaging prose that often intertwines philosophical musings with sharp social commentary. The opening of this volume presents a vibrant narrative that sets the stage for Hazlitt's explorations. It begins with a detailed account of the author's anticipation and excitement about attending a boxing match, a reflection of the social dynamics of the time. As he navigates his way to the fight, Hazlitt provides insights into the characters he encounters, their interactions, and the atmosphere of eager anticipation among spectators. Through lively descriptions and humorous asides, he captures the essence of the event, while also hinting at deeper philosophical themes concerning human nature, competition, and the spectacle of public life. The beginning establishes a tone that invites readers into Hazlitt's distinct worldview, making them eager to delve further into the essays that follow.
The collected works of William Hazlitt, Vol. 08 (of 12)
"The Collected Works of William Hazlitt, Vol. 08 (of 12)" by William Hazlitt is a collection of essays written in the early 19th century. This volume includes notable lectures on English comic writers, reflections on the English stage, and dramatic essays previously published in 'The London Magazine.' Hazlitt delves into the nature of humor and wit, exploring various authors and aspects of comedy, making this work essential for those interested in literary criticism and humor. The opening of the volume begins with Hazlitt’s introductory lecture on wit and humor, where he examines the complexities behind the concepts of laughter and tears. He suggests that laughter arises from incongruity and the unexpected, while tears reflect deeper emotions and discontent. By using a series of engaging examples and astute observations—ranging from the reactions of children to absurdities in life—he sets the stage for a thoughtful discourse on comedic literature. Hazlitt's approach establishes both a philosophical and practical foundation for understanding humor in the works of literature that follow in this collection.
The collected works of William Hazlitt, Vol. 10 (of 12)
"The Collected Works of William Hazlitt, Vol. 10 (of 12)" by William Hazlitt is a collection of essays and literary critiques written in the early 19th century. This volume focuses on Hazlitt’s contributions to the Edinburgh Review, engaging with topics such as fiction, literary figures, and societal reflections through the lens of literature. It provides a rich commentary on the nature of narrative, storytelling, and the evolution of literature over epochs. The opening of this volume introduces Hazlitt's thoughts on the value of fiction, contrasting its imaginative appeal with the often dry recounting of history. He posits that the narrative arts provide a more engaging insight into human experiences, allowing readers to empathize with fellow beings embroiled in struggles and triumphs. Hazlitt discusses the historical progression of literary forms, the blending of truth and exaggeration in storytelling, and the importance of understanding the past to appreciate the development of fiction in society. This section sets the stage for a deeper exploration of his critiques on various literary works that follow in the collection.
The collected works of William Hazlitt, Vol. 02 (of 12)
"The Collected Works of William Hazlitt, Vol. 02 (of 12)" by William Hazlitt is a literary collection written in the early 19th century. In this volume, Hazlitt presents a mix of biographical memoirs, personal reflections, and critical writings that explore themes such as individual experience and the nature of art and literature. It features the "Memoirs of Thomas Holcroft," which recounts the life of the playwright and novelist, showcasing the trials and adventures he faced. The opening of the volume introduces the memoirs of Thomas Holcroft, detailing his early childhood and the tumultuous life he led. Holcroft reflects on his family's struggles, his father's entrepreneurial spirit, and the hardships they faced, including moving away from London and venturing into the world as itinerant pedlars. Through vivid anecdotes, Holcroft shares his impressions of childhood experiences, touching upon his education, family dynamics, and interactions with various characters that shaped his early years. The beginning sets a foundation for examining the development of Holcroft's character and the significant events that influenced his later life choices, emphasized by Hazlitt's engaging narrative style.
The collected works of William Hazlitt, Vol. 04 (of 12)
"The Collected Works of William Hazlitt, Vol. 04 (of 12)" by William Hazlitt is a collection of essays and critiques written in the early 19th century. This volume includes notable works such as “A Reply to Malthus’s Essay on Population” and “The Spirit of the Age,” showcasing Hazlitt's engagement with social philosophy and political economy. Hazlitt's writings often explore the intersection of human thought, societal conditions, and moral philosophy, making this collection particularly relevant for those interested in debates about class, social welfare, and the ethics of economic theory. At the start of the volume, Hazlitt introduces his critique of Thomas Malthus' theories, particularly his perspective on population control and its implications for the poor in Britain. He argues that Malthus’s views serve to perpetuate societal indifference toward poverty and are fundamentally flawed in their logical construction. The opening letters set the tone for a deep, analytical discourse that not only challenges Malthus's conclusions but also emphasizes the need for genuine compassion and actionable reforms to alleviate the suffering of the poor. Hazlitt expresses his disdain for the abstractions that neglect human experience, urging a more humane approach to socio-economic issues, which lays the groundwork for the richer discussions in the essays that follow.
Characters of Shakespeare's Plays
"Characters of Shakespeare's Plays" by William Hazlitt is a work of literary criticism published in 1817. This pioneering study examines all thirty-five plays Hazlitt considered genuine, focusing on Shakespeare's characters with psychological insight and memorable observations. Written in reaction to neoclassical criticism, it followed the approach of German critic August Wilhelm Schlegel and helped revolutionize Shakespeare appreciation. Initially acclaimed, then harshly criticized for political reasons, the book later regained recognition as a major Romantic-era interpretation that continues to provoke thought alongside the work of Coleridge.
The collected works of William Hazlitt, Vol. 11 (of 12)
"The Collected Works of William Hazlitt, Vol. 11 (of 12)" by William Hazlitt is a collection of essays and philosophical writings compiled posthumously in the early 20th century. This volume brings together works that were either unpublished during Hazlitt's lifetime or were not included in earlier editions, showcasing his thoughts on topics such as abstract ideas, general philosophy, and critiques of other writers like Hobbes and Locke. The opening of the volume sets the stage for an exploration of abstract ideas, where Hazlitt aims to delve into the nature of generalization and reasoning, contrasting modern conceptions with those of historical figures such as Locke and Hobbes. He defends the necessity and existence of abstract thought against the criticisms posed by philosophers such as Hume and Berkeley. Hazlitt expresses skepticism about the idea that human understanding can be fully grounded in sensory experience alone, suggesting that the complexity of thought transcends simple material impressions, and intimates at a deeper philosophical inquiry into the nature of ideas and knowledge itself.
Lectures on the English Poets; Delivered at the Surrey Institution
"Lectures on the English Poets; Delivered at the Surrey Institution" by William Hazlitt is a collection of critical lectures focused on English poetry, likely written in the early 19th century. The work serves as an exploration of the nature of poetry, its emotional resonance, and its various manifestations through notable poets from Chaucer to contemporary writers of Hazlitt's time. Through its series of lectures, the author delves into the profound impact of poetry on human experience, creating a dialogue that seeks to elevate the genre beyond mere amusement. The beginning of this work introduces the notion of poetry as an intrinsic expression of human emotions and the imagination. Hazlitt emphasizes that poetry reflects the profound connections people have with nature and their inner lives, transcending rigid forms and conventions. He argues that all feelings—whether love, despair, or admiration—are poetic in nature, illustrating his claims by referencing historical and literary figures. He sets the stage for an in-depth analysis of individual poets and their works, presenting his foundational ideas regarding the essence of poetry, which resonates with the experiences of all people and, by extension, all poets.
The collected works of William Hazlitt, Vol. 03 (of 12)
"The Collected Works of William Hazlitt, Vol. 03 (of 12)" by William Hazlitt is a collection of political essays and reflections written in the early 19th century. This volume focuses on Hazlitt's critique of politics, patriotism, and the nature of liberty, drawing on contemporary issues and political characters of his time. It offers insights into the political landscape of early 19th-century Britain through the lens of Hazlitt’s passionate advocacy for individual rights and critiques of governmental authority. The opening of this work sets the tone with a letter entitled "Free Thoughts on Public Affairs," where Hazlitt addresses a member of the Old Opposition and reflects on the essence of true patriotism. He contrasts genuine love for one’s country with false patriotism characterized by self-interest and support for oppressive measures. Hazlitt articulates concerns about the ongoing wars and their justifications, emphasizing the need for a critical and honest evaluation of government actions. Throughout this section, he establishes a framework for understanding political responsibility, the importance of liberty, and the moral imperative to resist tyranny, aiming for a persuasive yet reflective dialogue on the state of the nation and its leadership.
Liber Amoris, Or, The New Pygmalion
"Liber Amoris, Or, The New Pygmalion" by William Hazlitt is a romantic narrative, likely written in the early 19th century. The work explores themes of unrequited love and the emotional turmoil that accompanies deep attachments, centering around the complex relationship between the main character and a woman referred to as Sarah. Hazlitt's prose captures the nuances of longing, devotion, and torment, offering readers an intimate look at the struggles of the heart. At the start of the narrative, we are introduced to the context of the main character's experiences, which emerge from a romantic and painful relationship. The protagonist, referred to as H., has a profound attachment to Sarah, whom he recalls with idealization and despair. Their conversations reveal depths of emotion, where H. expresses his overwhelming feelings and fears of losing her, juxtaposed with his awareness of her reluctance to reciprocate his affection fully. Through dialogues filled with passion and vulnerability, Hazlitt sets the stage for a story steeped in longing, highlighting the protagonist's emotional conflicts and the impact of societal expectations on love. This opening portion establishes a poignant narrative where love is both an uplifting and a devastative force, inviting readers into a world of intimate and turbulent human emotions.
Winterslow: Essays and Characters Written There
"Winterslow: Essays and Characters Written There" by William Hazlitt is a collection of essays written in the early 19th century. In this work, Hazlitt reflects on various themes related to nature, literature, and personal experiences, inspired by his time spent in Winterslow, a village in Wiltshire. The essays exercise a blend of philosophical inquiry and personal anecdotes, bringing forth insights into Hazlitt’s literary acquaintances and his contemplations on the human condition. The opening of the collection begins with a heartfelt preface where Hazlitt sets the scene for the essays to follow. He writes about his father's fondness for Winterslow, describing the peaceful landscapes and the notable figures who visited, such as the poets Coleridge and Wordsworth. Hazlitt hints at the inspiration garnered from both the serene environment and the conversations that sparked new ideas and reflections, preparing readers for a rich exploration of topics that include poetry, the feeling of immortality in youth, societal dynamics, and personal identity in the subsequent essays. The essence of the opening serves as a welcome invitation into Hazlitt's reflective world, drawing attention to the significance of place in shaping thought.
The Spirit of the Age; Or, Contemporary Portraits
"The Spirit of the Age; Or, Contemporary Portraits" by William Hazlitt is a collection of character sketches published in 1825. Hazlitt portrays 25 prominent figures—poets, politicians, thinkers, and novelists—who embodied the defining trends of early 19th-century Britain. Drawing on his background as painter, critic, and social commentator, Hazlitt crafted vivid, personal portraits that pioneered a new literary form anticipating modern journalism. Though initially considered hastily assembled, the work is now recognized as his masterpiece, offering an enduring panorama of his era's intellectual and political landscape.