Author
Henry Arthur Jones
1851-1929
Henry Arthur Jones (1851-1929) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by Henry Arthur Jones
Dolly Reforming Herself: A Comedy in Four Acts
"Dolly Reforming Herself: A Comedy in Four Acts" by Henry Arthur Jones is a play written in the early 20th century. The narrative centers around Dolly, a charming and somewhat frivolous young woman who is determined to better her life by resolving to pay off her debts and eliminate her bad habits after a rousing sermon. The play explores themes of moral reformation within the context of personal relationships as seen through the interactions of Dolly, her husband Harry, and their family and friends. The opening of the play introduces Dolly, her father Matthew, and her husband Harry as they discuss their New Year's resolutions. Dolly, preoccupied with her bills, is urged by her family to reflect on her financial habits. Humor and tension arise as they navigate their commitments to change, with the arrival of Captain Wentworth adding a layer of complexity to the dynamics within their country-house setting. As the characters prepare for an enlightening yet chaotic New Year, conflicts about loyalty, temptation, and personal growth begin to unfold, setting the stage for the comedic and insightful situations that will arise throughout the play.
Michael and His Lost Angel: A Play in Five Acts
"Michael and His Lost Angel: A Play in Five Acts" by Henry Arthur Jones is a dramatic work written in the late 19th century. The play explores complex themes of morality, temptation, and the interplay between mundane life and spiritual aspirations. The protagonist, Reverend Michael Feversham, grapples with the conflicting influences of duty, love, and his own ascetic ideals as he encounters the flirtatious and morally ambiguous Audrie Lesden. At the start of the play, we are introduced to the tension within Michael’s character as he deals with his parishioners and their struggles, particularly the case of a young girl, Rose Gibbard, who has been ruined by a man. Michael’s insistence on public confession as a means of redemption reveals his own rigid moral standards. Simultaneously, Audrie enters the scene with a provocative air; she displays a desire to engage with Michael in a spiritual and sensual manner. Their interactions set the stage for a deeper exploration of personal desires contrasted against societal expectations and religious duty. The opening portion presents a rich tapestry of emotional and moral dilemmas that will likely resonate with readers who appreciate character-driven drama.