Author
Paul Keller
1873-1932
Paul Keller (1873-1932) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaBooks by Paul Keller
Ferien vom Ich
"Ferien vom Ich" by Paul Keller is a novel written in the early 20th century. The story revolves around a protagonist, Fritz, who embarks on a quest to find his estranged brother, Joachim, after a family tragedy. The narrative delves into themes of homecoming, loss, and the desire for personal transformation, focusing on Fritz's emotional journey intertwined with the rich backdrop of his hometown and the tensions it faces with a neighboring town. At the start of the book, Fritz reflects on his childhood in the town of Waltersburg and his recent return after years of absence. He grapples with memories of his family, particularly the strained relations due to his brother's disappearance following a tragic incident involving a woman. As Fritz reconnects with his past, he rekindles a sense of belonging and contemplates the changes in his life, particularly his aspirations to become a doctor. His mother urges him to seek out Joachim, prompting Fritz to take on the mantle of a healer, not just in the medical sense but also for his fractured family. This opening section sets the stage for the exploration of familial bonds, societal conflicts, and the protagonist’s evolving identity amid the pressures of modern life.
Die alte Krone: Ein Roman aus dem Spreewald
"Die alte Krone: Ein Roman aus dem Spreewald" by Paul Keller is a novel written in the early 20th century. The narrative is set against the backdrop of the Spreewald region, exploring the lives and traditions of the Sorben, a Slavic people whose history and culture are slowly being eroded by modernity and German influence. The opening sets the stage for a tale rich in cultural identity, potentially revolving around the connections and struggles of characters within this unique landscape. The opening of the novel introduces readers to the serene yet hauntingly beautiful Spreewald, describing both its natural allure and the impoverished lives of its inhabitants. It depicts a stark contrast between the vibrant, superficial life in Berlin and the quiet desperation of the Sorben, who are feeling the societal changes that come with modern progress. Key elements such as folklore and spirituality interweave with daily existence, as characters face both personal and communal trials symbolized by the presence of the mythical Smjertniza, the goddess of death. The narrative foreshadows themes of loss, tradition, and the search for identity amidst a backdrop of impending cultural transformation.
Die fünf Waldstädte: Ein Buch für Menschen, die jung sind
"Die fünf Waldstädte: Ein Buch für Menschen, die jung sind" by Paul Keller is a fictional work likely written in the early 20th century. The book presents a whimsical exploration of childhood adventures through five imaginative cities, experienced by the narrator and his friends Heinrich and Ludwig. Each city is depicted as a unique realm filled with wonder and mystery, suggesting a broader theme of the innocence and curiosity of youth. The opening of the story introduces the five magical cities situated in a vast forest, with the main characters reminiscing about their happy childhood spent there. The narrator vividly describes their adventures, particularly highlighting their excursions with Heinrich's mother, whom they affectionately call their "dear fairy." The narrative takes us through their experiences in these cities, starting with Ameisenfeld, a bustling kingdom of industrious ants, and introduces an intriguing plot involving a mystical hedgehog visitor. This enchanting atmosphere sets the tone for the story, rich with imaginative landscapes and childhood camaraderie, promising readers a profound journey into the world of dreams and youthful escapades.
Die Heimat: Roman aus den schlesischen Bergen
"Die Heimat: Roman aus den schlesischen Bergen" by Paul Keller is a novel written in the early 20th century. The story is set in the picturesque Schlesian mountains and revolves around the lives of the Raschdorf family, particularly focusing on the character Heinrich Raschdorf, a young boy navigating the trials of youth against the backdrop of rural life and familial obligations. Themes of innocence, tradition, and the harsh realities of life are likely central to this narrative, exploring both the joys and adversities faced by the inhabitants of the region. At the start of the narrative, the scene is set in a small village where a comical incident involving the suspected murder of a chicken introduces the main characters—Heinrich Raschdorf and his playful friend Hannes. Their light-hearted discussions about holding a mock funeral for the dead chicken display their youthful exuberance and the innocence of childhood. Meanwhile, the novel also touches upon the adult world's troubles, as seen through Heinrich's father's struggles with financial debts and personal losses, hinting at the deeper, more serious themes that will unfold. The interplay between the carefree life of children and the burdens of adult responsibilities creates an intriguing dynamic, setting the stage for the emotional and societal challenges that will be explored throughout the novel.
Das Königl. Seminartheater — Altenroda — Grünlein : $b Novellen
"Das Königl. Seminartheater — Altenroda — Grünlein: Novellen" by Paul Keller is a collection of short stories (novellas) written in the early 20th century. The book opens with fond reminiscences of student days and idealistic youth, vividly portraying the camaraderie, artistic enthusiasm, and small rebellions of a group of young men at a teacher seminary in Breslau. The central figures are Keller himself (as narrator) and his close friends Heilgans, Bartsch, Böttger, and others, whose collective escapades in forming an amateur theater troupe blend humor, nostalgia, and personal growth. Overall, the collection likely explores rural and small-town life, youthful dreams, and human connections in Silesia, combining autobiographical elements with local color. The opening of the book is divided between two stories: the first, "Das Königliche Seminartheater," recounts the narrator’s entrance into the Breslau seminary and the formation of a wildly passionate—and often comical—student theater. Through a series of humorous and heartwarming anecdotes, the boys endure examinations, dream up dramatic productions, navigate friendships, rivalries, pranks, and the challenges of adolescence. The second story, "In den Grenzhäusern," shifts to a rural, mountainous borderland, depicting the narrator's youthful adventures among innkeepers, border guards, and villagers. Here, he observes village life, folk customs, and the petty—and sometimes poignant—smuggling that shapes local existence, culminating in a moving scene of love and loss. Taken together, the beginning of the book offers affectionate, richly characterized vignettes of youthful ambition and the everyday dramas of Silesian life.