Author
C. A. (Charles Augustus) Kincaid
1870-1954
C. A. (Charles Augustus) Kincaid (1870-1954) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by C. A. (Charles Augustus) Kincaid
Folk tales of Sind and Guzarat
"Folk tales of Sind and Guzarat" by C. A. Kincaid is a collection of folk stories written in the early 20th century. It gathers legends, saints’ lives, place-lore, and moral tales from Sind and Gujarat, retold in clear, engaging prose. The focus is on the region’s syncretic Hindu–Muslim spirituality, its river-and-desert settings, and the romance of shrines, ruins, and local heroes. It will appeal to readers interested in South Asian folklore and cultural history. The opening of the book frames the project with a preface noting these pieces first appeared in newspapers, a dedication, a Shah Latif epigraph, and a foreword praising Sind’s landscape, romance, and new archaeological discoveries, before moving into the Sind tales. Kincaid retells the miracles and cult of Lal Shahbaz of Sehwan; the river-born savior Udero Lal who protects Hindus and leaves a shared temple-mosque; Zinda Pir (Al-Khidr/Elijah) as guardian of Indus boatmen; the life of Shah Abdul Latif and the making of Shah jo Risalo; and Makhdum Nuh’s wonders, including realigning Tatta’s great mosque. He then gives origin legends: Hyderabad (Nerankot) through Shah Makai and Haidar Ali; and two contrasting accounts of Brahmanabad’s destruction, both blaming a wicked ruler. The section closes with a fairy-tale, The Eighth Key, where a loyal minister repeatedly saves his king at great cost and is restored, and it begins The Noose of Murad, explaining a ruined fort and a proverb through the rise of a bald grass-cutter favoured by fate.
Deccan Nursery Tales; or, Fairy Tales from the South
"Deccan Nursery Tales; or, Fairy Tales from the South" by C. A. Kincaid is a collection of fairy tales written in the early 20th century. This work comprises various stories that provide a glimpse into Indian folklore, particularly emphasizing cultural and religious themes unique to the Deccan region of India. The stories often feature characters such as Brahmans, queens, and gods from Hindu mythology, closely intertwining everyday life with spiritual beliefs and rituals. The opening of the book sets the stage for these tales by introducing the author’s affection for storytelling, inspired by the enchantment they can create for children. The first story, titled "The Sunday Story," narrates the tale of a poor Brahman who, after performing a series of rituals for the sun-god as instructed by nymphs, rises to wealth, experiences familial strife with his daughters, and ultimately sees the contrasting fates of both daughter and destiny play out. Through a blend of humor, morals, and divine intervention, the tales illustrate the teachings and cultural nuances passed down through generations in India, inviting readers to reflect on the values of respect, familial bonds, and the influence of divine forces in people's lives.