Author

Walter Savage Landor

1775-1864

Walter Savage Landor (1775-1864) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.

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Subjects

Books by Walter Savage Landor

Imaginary Conversations and Poems: A Selection

"Imaginary Conversations and Poems: A Selection" by Walter Savage Landor is a prose work begun in 1823 and published between 1824 and 1829. This celebrated collection features dramatic dialogues between historical figures from various eras—classical heroes, statesmen, literary figures, and famous women—exploring philosophical, political, and moral themes. In the tradition of dialogues with the dead, Landor brings contrasting personalities into conversation, creating what critics called "one-act dramas" that showcase the strength and dignity of his prose style across nearly 150 imagined encounters.

Citation and Examination of William Shakspeare, Euseby Treen, Joseph Carnaby, and Silas Gough, Clerk

"Citation and Examination of William Shakspeare" is a historical account written in the late 19th century, rediscovered from original papers. This work is a dramatized depiction of an actual event where a young William Shakespeare is brought before Sir Thomas Lucy, a magistrate, to be examined for deer-stealing. The book combines elements of wit and humor while portraying the social dynamics and legal practices of Elizabethan England, exploring themes of justice, reputation, and ambition through Shakespeare's character. At the start of the book, the youthful William Shakespeare is humorously introduced as he stands accused of deer-stealing before Sir Thomas Lucy. The atmosphere is tense yet playful, as Shakespeare engages in witty exchanges with the magistrate and his chaplain, Silas Gough, creatively defending himself while avoiding serious consequences. The examination unfolds with Shakespeare's clever wordplay and repartee, overshadowing the gravity of the charges against him. Through the early dialogues and interactions among the characters, readers are treated to a lively exploration of Shakespeare's personality and the societal norms of the period, setting the stage for a unique blend of historical fiction and comedic commentary.

Gebir, and Count Julian

"Gebir and Count Julian" by Walter Savage Landor is a poetic work consisting of narrative poems likely written in the early 19th century. The piece intertwines mythological elements with historical narratives, primarily revolving around Gebir, a prince of Boetic Spain, who grapples with themes of ambition, love, and conflict while preparing to invade Egypt, and Count Julian, whose story reflects betrayal and loss amidst the Moors' invasion of Spain. The opening portion introduces Gebir, a strong and contemplative character living in a mountainous region. As he prepares for war, he is drawn into a complex interplay of personal desires and epic ambitions. He encounters Charoba, a young queen whose approach evokes both fear and fascination within him. Meanwhile, his brother Tamar reveals his own romantic woes involving a mystical nymph. The initial scenes establish a tension between Gebir's ambitions for glory and his personal struggles, setting the stage for the tragic and contemplative undertones that will define the overarching narrative. The themes introduced hint at a rich exploration of human emotion, ambition, and the pursuit of love, reflecting Landor's lyrical style and engagement with classical traditions.

Count Julian

"Count Julian" by Walter Savage Landor is a tragedy written during the early 19th century. The play revolves around Count Julian, who is depicted as a tragic character grappling with deep personal and national grievances. The narrative unfolds in a tumultuous time for Spain, exploring themes of honor, betrayal, and familial love against the backdrop of historical conflict with the Moors. At the start of the play, Count Julian is introduced to us in a state of emotional turmoil as he confronts his past actions and the plight of his daughter, Covilla. The dialogue between Julian and Opas, the Metropolitan of Seville, reveals Julian's agony over his daughter's suffering and his quest for vengeance against King Roderigo, whom he holds responsible for their misfortunes. The tension is palpable as Julian wrestles with feelings of betrayal, guilt, and the desire for justice, leading to a heated and passionate discourse on honor and duty. This opening effectively sets the stage for the ensuing drama, character conflicts, and the exploration of Julian's profound internal struggle as he navigates the treacherous waters of his personal and national loyalty.