Author
Percy MacKaye
1875-1956
Percy MacKaye (1875-1956) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
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Books by Percy MacKaye
Caliban by the Yellow Sands: A Community Masque of the Art of the Theatre
"Caliban by the Yellow Sands: A Community Masque of the Art of the Theatre" by Percy MacKaye is a play published in 1916 to celebrate the 300th anniversary of Shakespeare's death. Loosely based on "The Tempest," it centers on Caliban's desire for knowledge and art, presenting mankind's quest through symbolic characters and interposed Shakespearean scenes. MacKaye conceived this massive community spectacle to unite audiences intellectually and civically, featuring thousands of performers and drawing audiences of over 135,000 across productions in New York and Boston.
The Scarecrow; or The Glass of Truth: A Tragedy of the Ludicrous
"The Scarecrow; or The Glass of Truth: A Tragedy of the Ludicrous" by Percy MacKaye is a play written in 1908. Based on Nathaniel Hawthorne's "Feathertop," it tells the story of a scarecrow brought to life by a witch and the Devil to seduce a young woman as revenge against her uncle. But the scarecrow develops genuine feelings of his own. When a magical mirror reveals his true nature, he must choose between his artificial existence and something far more meaningful.
Sanctuary: A Bird Masque
"Sanctuary: A Bird Masque" by Percy MacKaye is a lyrical theatrical piece likely written in the early 20th century. This unique work blends elements of drama, poetry, and nature study, focusing on the theme of bird conservation. Set in a fantastical sanctuary, it addresses the plight of wild birds amidst human encroachment and exploitation, calling for empathy and protection for these creatures. The narrative unfolds in a sylvan glade, where characters like Quercus the faun, Alwyn the poet, Shy the naturalist, and Ornis the bird spirit engage in a dialogue about nature and conservation. The quiet sanctuary is threatened by Stark, a plume hunter, whose actions symbolize the destructive forces of greed and exploitation. Through a series of interactions, the characters explore the interconnectedness of humans and birds, leading to Stark's eventual realization of the harm he has caused. The masque culminates in a celebration of unity and the promise of protecting the sanctuary, emphasizing the importance of compassion towards all living beings and highlighting the potential of art to inspire change.
The Canterbury pilgrims : $b A comedy
"The Canterbury Pilgrims" by Percy MacKaye is a comedy written in the early 20th century. This theatrical work draws inspiration from Chaucer's "The Canterbury Tales," featuring a diverse group of pilgrims embarking on a journey to Canterbury led by the notable poet Geoffrey Chaucer, who is also a character in the play. The humor and dynamics among the pilgrims, along with their interactions, set the stage for a vibrant exploration of themes like love, society, and the nature of storytelling. The opening of "The Canterbury Pilgrims" introduces readers to a lively scene at the Tabard Inn in Southwark, where various pilgrims gather before setting off on their journey. The atmosphere is filled with banter and camaraderie, with characters such as the Miller, Shipman, and Cook engaging in playful wrestling and playful insults. Chaucer is portrayed as a figure of wisdom and wit, amidst flirtations between characters like Alisoun, the Wife of Bath, and the Friar. The excitement culminates in the proposal of a storytelling contest for the journey to Canterbury, establishing the central framework of the play where each character will share their tale, promising a blend of humor and insight into their diverse perspectives.
A Thousand Years Ago: A Romance of the Orient
"A Thousand Years Ago: A Romance of the Orient" by Percy MacKaye is a dramatic play written in the early 20th century. This original comedy draws inspiration from Persian romance, particularly the themes found in "The Thousand and One Tales," exploring love, identity, and the clash between romance and reality. The opening features a rich tapestry of characters, including the conflicted Princess Turandot, the noble yet disguised Prince Calaf, and the comical group of Italian maskers led by the Capocomico, who adds whimsy and intrigue to the narrative. At the start of the play, the city gate of Pekin is established as a foreboding setting, adorned with severed heads of those who failed to win the heart of Turandot. As the story unfolds, the Capocomico and his fellow maskers arrive, lamenting their status as outcast performers. They encounter Calaf, who mourns the death of his father and harbors a passion for the elusive Turandot. The stakes rise when Calaf decides to confront the princess's deadly riddles for a chance at her love. The dramatic tension centers around Turandot's cold demeanor and the power struggles in a world where love is intertwined with perilous expectations, setting the stage for a tale filled with humor, romance, and psychological depth.
Fenris, the Wolf: A Tragedy
"Fenris, the Wolf: A Tragedy" by Percy MacKaye is a dramatic work written in the early 20th century. The play delves into themes drawn from Northern mythology, centering on the character Fenris, a fearsome wolf, exploring complex relationships within the pantheon of Norse gods, including Odin, Baldur, and Freyja. The narrative likely examines the struggles between freedom and fate, the nature of good and evil, and the transformative power of love and desire. The opening of "Fenris, the Wolf" establishes a stark and haunting atmosphere with Odin observing his son, Fenris, who is chained and restless in a frozen volcanic crater as dawn approaches. Odin expresses anguish and irony over his creation, contemplating the pain associated with Fenris's existence. As the scene transitions, the relationship between Fenris, his pack, and the godly figures is introduced, highlighting Fenris's desperation for freedom and the conflicting emotions of love and lust he feels for Freyja, which further complicates the divine dynamics at play. The beginning sets a tone of impending tragedy, foreshadowing the struggle between the primal instincts of the wolf and the higher realms of divine will.
The evergreen tree
"The Evergreen Tree" by Percy Mackaye is a community masque written in the early 20th century, specifically during the time of World War I. This book combines elements of drama and festive celebration, focusing on a Christmas theme that emphasizes communal participation and the spirit of togetherness. It unfolds as a lyrical and symbolic exploration of hope, love, and the resilience of human spirit amidst adversity. The narrative of "The Evergreen Tree" centers around the birth of Christ, as experienced by a variety of characters, including animals, outcasts, and the three wise men. Set against a backdrop of stark contrasts between the warmth of the Evergreen Tree, which symbolizes hope and joy, and the oppressive reign of King Herod, the masque portrays a rich tapestry of emotions through songs, carols, and choral performances. Characters such as Claus, the pedlar, and his family embody the struggles of the marginalized, while the Tree serves as a nurturing figure, welcoming all in a time of need. The interplay between joy and sorrow culminates in a celebration that culminates in the acknowledgment of Santa Claus as a symbol of communal love and generosity. Through its inclusive and optimistic message, the masque aims to bring people together in unity and joy, symbolizing the restorative power of community during difficult times.