Author
Garrick Mallery
1831-1894
Garrick Mallery (1831-1894) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by Garrick Mallery
Picture-Writing of the American Indians Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822
"Picture-Writing of the American Indians" by Garrick Mallery is a scholarly publication written in the late 19th century. The work likely serves as an extensive study of the pictorial communication systems used by various Native American tribes, focusing on their significance and methodologies. The author aims to provide a comprehensive analysis of pictographs, exploring their cultural context, the materials used, and how they relate to Indigenous languages and practices. The opening of the text consists primarily of prefatory materials, including a letter of transmittal and an introduction that situates the work within the broader context of the investigations conducted by the Bureau of Ethnology during the fiscal year of 1888-89. It outlines the organizational structure of the report and acknowledges contributions from various individuals involved in anthropological fieldwork and studies related to pictography. Mallery’s work follows earlier publications and aims to deepen the understanding of pictographs and signs, laying a foundation for further exploration of this unique form of communication among Native American cultures.
Pictographs of the North American Indians. A preliminary paper Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
"Pictographs of the North American Indians" by Garrick Mallery is a scientific publication written in the late 19th century. The work explores the significance of pictographs created by North American Indigenous peoples, focusing on their cultural implications and evolutionary aspects of communication through imagery. Throughout the text, Mallery aims to provide a detailed examination of how these pictographs reflect various facets of Indigenous life, from daily activities to spiritual beliefs. At the start of the work, Mallery introduces the concept of pictographs as a form of visual language that conveys ideas and experiences without the use of written words. He discusses how these early forms of graphic art serve as a bridge between oral traditions and the later development of written language. The opening portion also emphasizes the importance of studying these images not only for their artistic value but also for the insights they provide into the history and culture of the tribes that created them. Mallery specifies that his investigation will primarily focus on the pictographs produced by tribes north of Mexico, setting the groundwork for deeper exploration into their meanings and contexts within Indigenous societies.
Sign Language Among North American Indians Compared With That Among Other Peoples And Deaf-Mutes First Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1879-1880, Government Printing Office, Washington, 1881, pages 263-552
"Sign Language Among North American Indians Compared With That Among Other Peoples and Deaf-Mutes" by Garrick Mallery is a scientific publication likely written in the late 19th century. This work focuses on the study of sign language, particularly among Native American tribes, as well as comparing their gestures with those used by other cultures and deaf-mute communities. The text aims to compile and classify a significant body of research on this form of non-verbal communication, highlighting its complexities and its evolutionary significance. The opening of the work introduces Mallery’s dedication to the research on sign language over a two-year period, outlining the necessity of original investigation due to the lack of detailed knowledge on the subject. He emphasizes the potential richness of gesture communication among North American tribes and notes the ongoing collection of data from various contributors worldwide. Mallery seeks to clarify that his paper is a progress report rather than a complete analysis, underscoring the interconnectedness of bodily gestures and facial expressions in conveying meaning. The distinctions between emotional and intellectual gestures are discussed, serving as a precursor to more extensive discussions on the origins and utilization of sign language throughout history.