Author
Washington Matthews
1843-1905
Washington Matthews (1843-1905) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by Washington Matthews
The Mountain Chant, A Navajo Ceremony Fifth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1883-84, Government Printing Office, Washington, 1887, pages 379-468
"The Mountain Chant: A Navajo Ceremony" by Dr. Washington Matthews is an ethnographic account written in the late 19th century. The work focuses on the ceremonial practices of the Navajo tribe, particularly the Mountain Chant, which involves intricate rituals performed by shamans or medicine men. The text provides insights into the cultural and spiritual beliefs of the Navajo people, showcasing their connection to the land and the supernatural through various ceremonies and myths. The opening of the text introduces the Mountain Chant ceremony, describing its significance as one of the major Navajo rites intended for healing and invoking blessings for good harvests. Matthews notes that while the ceremony features a series of public performances, it also comprises numerous secret rituals that span several days. He begins by recounting a myth that explains the ceremony's origins and the importance of the characters involved, particularly a family that discovers a life-sustaining spring and their subsequent adventures. As the narrative unfolds, readers encounter themes of survival, spirituality, and the transmission of knowledge within the Navajo community, setting the stage for a deeper exploration of these cultural practices throughout the text.
Navajo Silversmiths Second Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-1881, Government Printing Office, Washington, 1883, pages 167-178
"Navajo Silversmiths" by Washington Matthews is an ethnographic study written in the late 19th century. This scholarly work explores the art of silversmithing among the Navajo Indians, detailing the techniques, tools, and cultural significance of their craftsmanship. The book provides insight into the historical context and evolution of this art form, suggesting that it may have developed independently or with influences from neighboring cultures. The book delves into the practical aspects of Navajo silversmithing, describing the basic tools and materials utilized, such as forges, bellows, crucibles, and molds. Matthews highlights the processes involved in creating various silver objects, from simple buttons to intricate jewelry, showcasing the skill and creativity of Navajo artisans. The narrative includes detailed observations of smiths at work, illustrating their methods of soldering, polishing, and ornamentation. Additionally, it discusses the cultural significance of their designs, which often reflect individual expression and community identity. Through Matthews' portrayal, readers gain a deeper appreciation for the artistic and cultural contributions of the Navajo people.
Navajo weavers Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1881-'82, Government Printing Office, Washington, 1884, pages 371-392.
"Navajo Weavers" by Washington Matthews is a scholarly publication produced as part of the Bureau of Ethnology's reports, likely written in the late 19th century. This ethnographic work primarily examines the intricate art of weaving practiced by the Navajo Indians of New Mexico and Arizona, detailing their techniques, materials, and the cultural significance of their craftsmanship. The book offers valuable insights into a traditional craft that showcases the Navajo's unique artistic identity and their interaction with both native and European influences. The contents of "Navajo Weavers" provide a thorough exploration of the weaving process, focusing on the techniques utilized, materials sourced, and the cultural implications of the Navajo blankets and textiles. Matthews describes how Navajo women engage in creating textiles primarily from sheep wool, explaining the spinning and dyeing processes, as well as the looms and tools involved in weaving. He highlights the distinct designs and patterns that characterize Navajo fabrics, emphasizing that each blanket produced is unique, reflecting both individual artistry and the broader cultural heritage of the community. The book serves as an informative account that preserves the knowledge and tradition of Navajo weaving, advocating for its artistic merit and its evolution over time.