Author

George Middleton

Born 1865

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Subjects

Books by George Middleton

The Student's Companion to Latin Authors

"The Student's Companion to Latin Authors" by George Middleton and Thomas Ross Mills is a reference work that serves as an informative guide about key Latin authors and their works, likely written in the late 19th century. The book aims to provide useful details regarding the lives and writings of significant literary figures in ancient Roman literature, serving as a companion to other historical analyses and critiques. It caters primarily to students and scholars of Latin, offering a thorough synthesis of facts to enhance understanding of classical texts. The opening portion of this work lays out its primary objective, which is to compile comprehensive information about the principal Latin authors in an accessible form. The authors explain that previous literature histories often prioritize critical evaluations over detailing facts about the authors’ lives and works. They focus on major figures, beginning with Livius Andronicus and detailing each author's contributions, alongside historical context and bibliographical references, while acknowledging the importance of lesser-known authors in illustrating the greater literary landscape of the time. The introduction establishes the companion's role as a valuable resource for students and educators alike.

Masks, with Jim's beast, Tides, Among the lions, The reason, The house
 one act plays of contemporary life

"Masks" by George Middleton is a collection of one-act plays of contemporary life written in the early 20th century. The opening play, "Masks," revolves around Grant Williams, a dramatist, and explores themes of artistic integrity and the struggles between personal ambition and the expectations of domestic life. This collection aims to reflect societal dynamics and may uncover deeper questions about identity, relationships, and the essence of art." "At the start of "Masks," we are introduced to Grant Williams and his wife, Jerry, who have recently celebrated the success of Grant's play, "The Sand Bar." As they revel in the newfound recognition, hints of Grant's internal conflict begin to surface—despite his commercial success, he grapples with questions about authenticity and artistic integrity. The domestic scene unfolds in their modest New York City apartment, showcasing their interactions that reflect both love and the underlying tensions tied to Grant's career and the changes it brings. This opening segment sets the stage for an exploration of the complex relationship between a creator and his characters, leading to the dramatic encounters that follow."