Author
Pierre Mille
1864-1941
Pierre Mille (1864-1941) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by Pierre Mille
Trois femmes
"Trois femmes" by Pierre Mille is a novel written in the early 20th century. The story explores complex themes of marriage, divorce, and familial expectations, particularly through the character of Berthe Wilden, who faces a dire situation with her husband, Jacques. The book delves into her struggles with love, tradition, and the societal pressures surrounding her choices. The opening of the novel introduces Berthe Wilden visiting her father, Monsieur Fauli, who is a traditional patriarch maintaining his religious routines. Berthe expresses her concerns about her husband’s failing business, indicating tension in their marriage. Fauli’s response reveals his disdain for Jacques, suggesting divorce as a solution to avoid familial disgrace. As Berthe wrestles with her emotions, including guilt and love for Jacques, the narrative starts to unfold the dynamics between her, her father, and her husband, setting the stage for a complicated exploration of loyalty, duty, and the challenges faced by women in navigating their identities and relationships in a shifting social landscape.
La détresse des Harpagon
No description available.
Le monarque
"Le monarque" by Pierre Mille is a fictional narrative written in the early 20th century. The story unfolds in a quaint Provençal village called Espélunque, where the central character, known as the Monarque, engages in various humorous escapades that illuminate the local culture and character dynamics. Through the lens of this community, Mille explores themes of social identity, personal ambition, and the whimsical nature of life. The opening of "Le Monarque" introduces readers to the picturesque setting of Espélunque and the charming yet lazy protagonist, Juste-Claude Bonnafoux, nicknamed the Monarque. As he navigates village life and shares amusing anecdotes with his friend Cazevieille, the Monarque depicts a character who embodies a carefree spirit yet harbors dreams of grandeur. His experiences, including encounters with local fishermen and his disdain for work, highlight his whimsical perspective on life. This leisurely tone not only establishes the setting but also piques interest in the Monarque's future exploits and interactions within the close-knit community.
La biche écrasée
"La biche écrasée" by Pierre Mille is a novel written in the early 20th century. The narrative likely revolves around a group of men whose carefree drive leads to a tragic encounter with a wounded deer, igniting reflections on life, violence, and the responsibilities of masculinity. The book appears to delve into complex themes of morality and the juxtaposition of joy and suffering. The opening of the novel introduces three men—Béville, Bottiaux, and Jalin—who have just dined and are preparing to drive home in their automobile. As they speed through the countryside, their exhilaration is suddenly interrupted when Jalin, the driver, discovers a deer lying wounded in their path. This unexpected encounter with the vulnerable creature starkly contrasts their thrill-seeking adventure and prompts a moment of introspection about their actions. The scene sets a somber tone, highlighting the moral complexities faced by the characters, especially as Béville later tries to reconcile his feelings of thrill and guilt after a night of reckless indulgence.
Monsieur Barbe-Bleue... et Madame
"Green Eyes" by Pierre Mille is a novel written in the early 20th century. The story is a complex narrative centered around the character Abraham Plattner, who is embroiled in a series of murders. Plattner, a charismatic figure, faces trial and reveals dark, twisted truths about his past, manipulating perceptions of guilt and innocence in a world governed by harsh judgments. The opening of the novel introduces the background of Abraham Plattner, a notorious character linked to a series of disappearances and presumed murders. As he stands trial, he claims to have only committed eight of the alleged sixteen murders attributed to him, asserting that the justice system has erred in placing the blame of multiple victims on him. The narrative unfolds with absurdity and irony, particularly as Plattner discusses his motives and methodology for his actions, alongside revealing a chilling romantic entanglement with one of his victims, Daisy Beaumont. The tone combines humor and horror, setting the stage for a deep exploration of morality and human depravity, capturing the reader's interest with its blend of suspense and dark wit.
Caillou et Tili
"Caillou et Tili" by Pierre Mille is a fictional work written in the early 20th century. The story revolves around the nuances of childhood through the lens of the two main characters, Caillou and his sister Tili, as they navigate their early experiences and emotions. The narrative blends elements of whimsical imagination with deeper reflections on innocence, gender dynamics, and the misinterpretations of childhood feelings and behaviors. The opening of the book sets a contemplative tone, focusing on the arrival of spring, which the narrator feels deeply connected to. It describes how the change in season affects not just nature but also human emotions and appearances, especially regarding children. Caillou is introduced as an imaginative little boy who perceives himself as a ‘caillou’ or rock, underscoring the imaginative and symbolic world he inhabits. The text moves into his friendship with Tili, highlighting their growing awareness of themselves and the world around them, revealing both the joys and confusions of early childhood as they grapple with their identities amidst familial expectations and societal norms.
Paraboles et diversions
"Paraboles et diversions" by Pierre Mille is a collection of literary fables written in the early 20th century. The work explores various timeless themes through creative narratives that touch on philosophical reflections and critiques of human nature, often invoking biblical allusions and allegorical figures. The opening of the volume presents a satirical take on the biblical story of Creation, focusing on the character of Satan, who invents literary and artistic criticism as a means to curb God's creative power. Surprisingly, rather than succumbing to despair, God continues to create various elements of the world, prompting an increasingly frustrated Satan who continually remarks on the supposed "progress" in God's work. This whimsical narrative not only introduces a unique perspective on a familiar biblical tale but also sets a tone of playful irony that suggests a deeper commentary on human pride and the nature of criticism itself.
L'Écrivain
"L'Écrivain" by Pierre Mille is a literary work likely written in the early 20th century. This text navigates the intricacies of writing and the profession of a writer through the lens of its central character, Pamphile, who aspires to become an author. The narrative explores themes of ambition, societal expectations, and the changing perceptions of writers in contemporary society. At the start of the novel, we are introduced to Pamphile’s mother, who seeks advice on her son’s ambition to become a writer. The conversation between her and an unnamed narrator setting the scene illustrates the tension and comedy surrounding Pamphile's aspirations. The narrator reflects on how the bourgeoisie’s attitudes toward writers and other professions have shifted over time, noting that while there was once disdain for certain roles, writers have gradually become accepted in society. As Pamphile emerges in his pursuit of literature, the narrator offers insights into the struggles of writers in contemporary France, hinting at their societal roles and the complexities of gaining recognition as an author. The opening sets the stage for an exploration of creativity, ambition, and the arts within the context of a rapidly changing world.
L'ange du bizarre
"L'ange du bizarre" by Pierre Mille is a collection of fictional narratives written in the early 20th century. The work explores the themes of beauty and bizarre through a series of intriguing tales and characters, including a dancer, a man in existential struggle, and a deluded individual who believes he is God. Mille’s writing promises to delve into the human experience, emphasizing contrasting perspectives on beauty, society, and identity. The opening of the book introduces a grand dance performance, where a mesmerizing dancer captivates an audience filled with different characters, including a man named Marlis, who reflects on beauty's perception through his own experiences. As he watches the performance, Marlis contemplates the nature of beauty and the feelings of inadequacy and disdain that arise both from himself and from the audience around him. Meanwhile, he recalls his past ventures into a sordid cabaret, revealing his struggle with self-identity and society's norms. The scene offers a vivid tableau that raises questions about societal values, the human condition, and the relationship between beauty and the grotesque.
Histoires exotiques et merveilleuses
"Histoires Exotiques et Merveilleuses" by Pierre Mille is a collection of fictional tales written in the early 20th century. The book explores the experiences of characters in exotic locales, providing a glimpse into diverse cultures and settings. Particularly, it introduces the young protagonist Nâne, who navigates the complexities of life as a colonial child familiar with both her European roots and the indigenous cultures around her. The opening of the work sets the stage for Nâne's journey as she embarks on a journey with her mother aboard a ship, the "Polynésien", from French Indochina to France. Nâne expresses her disdain for the unfamiliar and cramped space of the ship, longing for the gardens and playgrounds of her home in Madagascar. Despite the enchanting memories of her past, she is haunted by fears of the journey, particularly related to the loss of her sister during a previous voyage. Her adventures onboard reveal her youthful innocence as she grapples with the unique mix of cultures that shape her identity, setting the tone for the intriguing tales that will unfold throughout the collection.
Barnavaux et quelques femmes
"Barnavaux et quelques femmes" by Pierre Mille is a work of fiction written in the early 20th century. The narrative centers around Marie-faite-en-Fer, a complex female character navigating life as a woman in colonial Africa, whose experiences intertwine with themes of duty, survival, and the harsh realities faced by women in oppressive environments. The story likely explores social themes and the impact of colonialism on personal lives. The opening of the novel introduces us to Marie-faite-en-Fer, a woman brought to the colonial outpost of Port-Ferry under false pretenses, expecting a life mirroring Paris. Instead, she finds herself amidst despair and death, as her companions Carmen and Pasiphaé succumb to the harsh conditions of their new home, while Marie remains resolute and defiant. As she confronts the challenges of the fever-stricken environment, her sheer will and innate strength allow her to adapt, assume a role of leadership, and even earn respect from the men around her. The narrative promises an exploration of her journey, including her relationships and eventual fate, hinting at a deeper commentary on love, sacrifice, and the societal roles imposed upon women in such settings.
Sur la vaste Terre
"Sur la vaste Terre" by Pierre Mille is a novel written in the early 20th century. Set against the backdrop of Madagascar, the narrative explores the lives of its characters amidst the rich cultural tapestry of the island and the complexities of colonial interactions. The focal characters appear to include the narrator and his friend Galliac, as well as the Malagasy women Kétaka and Ramary, who are drawn into the lives of the foreigners while navigating their own identities and cultural heritage. The opening of the novel immerses the reader in the lush environment of Tananarive, highlighting the beauty of its landscapes and the simplicity of daily life through the perspectives of both the narrator and the local characters. As the story unfolds, humorous and poignant moments arise, such as Kétaka's playful fishing and her conversations with Ramary, revealing their youthful innocence and emotional depth amidst underlying tension. The narrative hints at the tensions of colonialism through interactions between the Malagasy and the Europeans, foreshadowing deeper conflicts and personal developments that will emerge as the pressures of colonial rule intensify. The beginning establishes a vibrant and complex world, laying the groundwork for the unfolding relationships and cultural exchanges to come.
Le bol de Chine; ou, divagations sur les beaux-arts
"Le bol de Chine; ou, divagations sur les beaux-arts" by Pierre Mille is a philosophical work that delves into aesthetics and the nature of beauty, written in the early 20th century. The text contemplates various forms of art, particularly focusing on the profound and often underappreciated sense of touch, using tactile experiences as a means to explore deeper emotional and artistic impressions. The author's engagement with both traditional and modern artistic expressions poses questions about sensory perception and artistic interpretation. The opening of the work introduces a simple Chinese bowl as a symbol of beauty and craftsmanship, emphasizing how its tactile qualities evoke deep emotions that transcend visual appreciation. As the narrator reflects on the interplay of touch and sight, the discussion expands to include various artistic mediums, exploring how words often fall short in expressing the complexities of tangible beauty. Through the lens of personal experience, the text sets the stage for a broader discourse on the role of different senses in understanding and appreciating art, inviting readers to consider the richness of their own sensory encounters.
Le Diable au Sahara
"Le Diable au Sahara" by Pierre Mille is a fictional work, likely written in the early 20th century. The narrative centers on the experiences of the main character, Barnavaux, as he grapples with questions of existence, dreams, and supernatural elements while traversing the Sahara post-war. The book delves into themes of reality versus illusion and the mystical forces that influence human lives. At the start of the story, the narrator reflects on Barnavaux's life and his past encounters, particularly concerning his obsession with understanding the mysteries of dreams and the supernatural. Barnavaux recounts vivid dreams of peculiar landscapes and abandoned houses, hinting at profound significance beneath their surface. The narrative also introduces various characters, including the father d'Ardigeant, an explorer, and a priest, who discuss occult ideas and spiritual beliefs, setting a compelling backdrop for the exploration of psychological and metaphysical themes as they journey across the desert.
Louise et Barnavaux
"Louise et Barnavaux" by Pierre Mille is a novel written in the early 20th century. The story opens with a group of colonial infantry soldiers, including the character Barnavaux, who are enjoying a night out after re-enlisting. The narrative explores themes of camaraderie, personal struggle, and the often harsh realities of colonial life, hinting at tensions that will unfold among the characters as the plot progresses. The opening of the book introduces us to Barnavaux and his companions, who, after a day of celebration in Hanoï, decide to end the evening at the house of a woman named Ti-Ka. As they make their way there on horseback, they encounter another group of American sailors led by a man named Plévech, a former compatriot who has defected to their ranks. This unexpected meeting foreshadows conflicts about loyalty and identity, especially when Plévech reveals his inner turmoil over his actions and the personal consequences of his choices. The atmosphere is charged with camaraderie as well as unspoken tensions, setting a compelling stage for the unfolding drama centered around the lives of these men in a colonial setting.
Nasr'Eddine et son épouse
"Nasr'Eddine et son épouse" by Pierre Mille is a work of fiction, likely written in the early 20th century. The narrative follows the adventures of Nasr'Eddine, a historical figure turned comedic character, and his interactions with his wife, Zéineb, and other characters in their Turkish society. The story dives into themes of wisdom, skepticism, and the humorous aspects of human relationships. At the start of the story, we are introduced to Nasr'Eddine, a hodja, who is depicted as a wise but somewhat skeptical character living in Brousse during the era of Timour. The opening sets the stage for his everyday life, showcasing his interactions with other characters such as the pious silk merchant Hosséin and the lieutenant Ahmed-Hikmet. We quickly see the dynamics between Nasr'Eddine and Zéineb, filled with humorous banter as they navigate their marital challenges. As the plot unfolds, Nasr’Eddine’s witty skepticism plays a central role in highlighting the societal norms and expectations, particularly related to faith and women's roles, while also establishing a light-hearted tone laden with irony.
Images exotiques & françaises
"Images exotiques & françaises" by Pierre Mille is a collection of literary pieces likely written in the early 20th century. The book showcases a diverse spectrum of themes, primarily focusing on different aspects of human experience and colonial life, infused with a touch of humor and psychology. Mille’s writing style reflects an acute observation of characters and their environments, presenting a vivid portrayal of both exotic settings and familiar French contexts. The collection features various stories that explore the nuances of life, often highlighting cultural contrasts and the human condition. From the depiction of an execution in a distant colony to the intricate descriptions of nature and social dynamics, each narrative imbues a sense of introspection and depth. Characters such as Ti-Soï, the condemned pirate, and others are crafted with rich detail, making them relatable yet larger than life. Through humor laced with poignant social commentary, Mille elevates simple occurrences into profound reflections, ultimately inviting readers to engage with both the exotic and familiar in a uniquely insightful manner.
En croupe de Bellone
"En Croupe de Bellone" by Pierre Mille is a fictional work written in the early 20th century. The text captures the unfolding of a turbulent moment in history through various characters impacted by the approaching war. The narrative intertwines reflections on societal dynamics and individual stories, setting a tone for a deeper exploration of humanity amidst chaos. The opening of the book presents an intriguing blend of past and present, beginning with a fanciful account of a traveler who visits a remote land inhabited by the Chukchi, reflecting on democracy and autocracy in a future landscape. This tale serves as a prelude, transitioning to a village near Paris where residents anxiously await news of impending war, revealing their detachment from the broader conflict and contrasting their quiet lives with the looming turmoil. The narrative resonates with the villagers’ acceptance and resignation to potential upheaval, presenting a commentary on human resilience and the nature of war's impact on everyday life.
L'illustre Partonneau
"L'illustre Partonneau" by Pierre Mille is a novel written in the early 20th century. The book revolves around the life of Partonneau, a character who has returned to Paris after a colorful career spent in various colonial capacities, notably in Madagascar. It explores his peculiar outlook on life and relationships, particularly with women, as well as the contrasts between his experiences abroad and contemporary Parisian society. The opening of the novel introduces Partonneau as he returns from Madagascar and settles back into his modest Parisian life. He is depicted as a man of intriguing simplicity, dismissing his former high-ranking status with an air of nonchalance. The narrative hints at his past adventures while showcasing his current pursuits, particularly his relationships with women, notably Émilienne, whom he claims to enjoy but whose presence in his life seems superficial at best. His interactions suggest a blend of humor and critique of societal norms, as Partonneau navigates life with an outlook shaped by his unique experiences and practical philosophies.