Author
Hope Mirrlees
1887-1978
Hope Mirrlees (1887-1978) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by Hope Mirrlees
Lud-in-the-Mist
"Lud-in-the-Mist" by Hope Mirrlees is a novel published in 1926. In the orderly city of Lud-in-the-Mist, rational citizens have banished all thoughts of the neighboring land of Faerie from their lives. But when forbidden fairy fruit begins infiltrating their world, the respectable mayor Nathaniel Chanticleer must confront what his society has denied. To restore balance, he must abandon convention and seek reconciliation between the prosaic and the fantastic.
The Counterplot
"The Counterplot" by Hope Mirrlees is a novel published in 1924. Set in post-World War I England, it follows Teresa Lane, a twenty-eight-year-old woman who observes her own family life as material for artistic transformation. Teresa studies her relationships with her Spanish mother and younger sister, ultimately crafting a play that mirrors her family dynamics. Described by its publisher as "a study of the literary temperament," the novel explores the complex intersection between lived experience and artistic creation through Teresa's ambitious literary project.
Madeleine: One of Love's Jansenists
"Madeleine: One of Love's Jansenists" by Hope Mirrlees is a novel written in the early 20th century. The story is set in the middle of the 17th century and follows the life of Madeleine Troqueville, a young girl navigating her desires, family expectations, and societal conventions in Paris. Central to the narrative is Madeleine's internal conflict as she grapples with her romantic aspirations and her philosophical inclinations toward Jansenism, which is significantly entwined with her character arc and interactions. At the start of the novel, we are introduced to the Troqueville family, who have recently relocated from Lyons to Paris, driven by the father's ambition to reclaim his place in the legal arena. The family dynamic, especially the relationship between Madeleine and her mother, hints at both love and tension over Madeleine's pursuits. She yearns to connect with influential figures in Parisian society, particularly the renowned Mademoiselle de Scudéry and Madame de Rambouillet. This longing is complicated by her youthful inexperience and philosophical musings, leading to moments of both drama and humor, particularly during the dinner at Madame Pilou’s, where she is faced with social complexities that reflect her broader quest for meaning and acceptance. The beginning sets the stage for a rich exploration of love, identity, and the artistic struggles of Madeleine as she seeks to carve her own path amid the constraints of her world.