Author
Ferenc Molnár
1878-1952
Ferenc Molnár (1878-1952) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
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Books by Ferenc Molnár
Az ördög : $b Vígjáték három felvonásban
No description available.
Liliom : $b a legend in seven scenes and a prologue
"Liliom: a legend in seven scenes and a prologue" by Ferenc Molnár is a play written in 1909. A tough carousel barker falls in love with a maid in Budapest, but their relationship spirals into bitterness and tragedy. When circumstances push him toward crime, Liliom makes choices that seal his fate. Sixteen years later, he returns from the afterlife for one day, attempting redemption through his daughter—a chance that will determine his eternal destiny. This Hungarian drama later inspired the beloved musical "Carousel."
A vörös malom : $b Színjáték két részben, 26 képben
No description available.
A Pál-utcai fiúk: Regény kis diákok számára
"A Pál-utcai fiúk: Regény kis diákok számára" by Ferenc Molnár is a novel first published in 1906. Set in Budapest in March 1889, it follows two rival gangs of schoolboys—the Pál Street Boys and the Red-Shirts—battling for control of their beloved playground, the "grund." At the center stands Nemecsek Ernő, a small, blond boy often underestimated by his peers, whose courage and loyalty will determine the outcome. This tale of childhood honor, betrayal, and sacrifice has become Hungary's most internationally celebrated novel.
Egy haditudósító emlékei : $b 1914 november - 1915 november
"Egy haditudósító emlékei: 1914 november - 1915 november" by Ferenc Molnár is a historical account written in the early 20th century. The narrative chronicles the experiences of a war correspondent during World War I, capturing the tumultuous atmosphere of the time along with personal observations from the front lines. The book not only documents the events of the war but also delves into the emotions and struggles faced by those involved. The opening of this work sets the scene in Budapest during a hot summer's day, leading into an unexpected tension as rumors of impending war swirl around the characters. The narrator provides vivid descriptions of the oppressive heat, the mundane chatter of café patrons, and the palpable sense of anticipation in the air. As news of the crisis unfolds, the protagonist reflects on the dramatic shift from a peaceful life to the reality of conflict, painting a picture of the chaotic yet deeply human experiences during this troubling time. The narrative style blends sensory details with a philosophical awareness, hinting at the transformation the war will bring to society and personal lives alike.
A hattyú : $b Vígjáték három felvonásban
No description available.
Andor: Regény
"Andor: Regény" by Ferenc Molnár is a novel written in the early 20th century. The story seems to follow the character Andor, a young man navigating his responsibilities and relationships in Budapest, particularly in the context of significant changes in his life, the loss of his parents, and the complexities of young love. The opening of the novel sets a somber and reflective tone as it introduces Andor during the early hours of dawn, crossing the Margit Bridge from Pest to Buda. Alone and tired, he contemplates the tranquility around him while grappling with his loneliness in the wake of his mother's death and his father's declining health. The narrative then shifts to Andor's home, where he reflects on his past, his relationships, particularly with Turnovszky Ella, and his impending move to a new apartment. As he prepares to leave his childhood home, the emotional weight of farewell looms large, underscored by memories of love, family tension, and the anxiety of stepping into adulthood. With layers of introspection and developing character dynamics, the beginning lays a strong foundation for the narrative's exploration of personal growth and the inevitabilities of life.
Szinház : $b Három egyfelvonásos
No description available.
The Devil
"The Devil" by Ferenc Molnár is a play written in the early 20th century. The story takes place primarily in Vienna and revolves around a group of characters including an artist named Karl Mahler, his model Mimi, and Olga Hofmann, the wife of a banker. As the characters navigate their relationships, the enigmatic figure known as the Devil, who masquerades as Dr. Miller, enters the scene, stirring desires and tensions among them, particularly focusing on themes of love, temptation, and moral dilemmas. At the start of the play, the scene is set in Karl's studio where tension arises between Karl and his model Mimi, who expresses her sadness over his apparent emotional distance. Karl is preparing for an evening event (a ball) while inside his studio, he is confronted by the arrival of the Devil, whose presence brings an unsettling yet fascinating dynamic. As discussions evolve, Olga and her husband Herman also enter the scene, establishing further complexities in their relationships. The Devil's charm and manipulative nature become evident as he interacts with the characters, suggesting themes of love versus obligation, while foreshadowing events that may lead to romantic entanglements and personal conflicts at the upcoming ball.
A jó tündér : $b Vígjáték három felvonásban, utójátékkal
No description available.
Ismerősök (feljegyzések, krónikák)
"Ismerősök (feljegyzések, krónikák)" by Ferenc Molnár is a collection of reflections and chronicles written in the early 20th century. The text presents a series of anecdotes, criticisms, and social observations that explore the nuances of Hungarian life during the years leading up to World War I. Through a lens that intertwines personal narratives with broader societal commentary, Molnár sheds light on the quirks and intricacies of his contemporaries, including memorable characters like the compassionate Urs Nándor and the amusing Salamon Ödön. At the start of the work, the author introduces readers to a series of diary-like entries filled with vignettes of daily life in Budapest. The opening sections feature anecdotes about figures from the city, such as Urs Nándor, a police commissioner known for his surprising kindness towards wayward children. These reflections blend humor with a poignant awareness of societal issues, giving voice to the complex social dynamics at play in pre-war Hungary. Each anecdote serves as a window into the life and character of the city, painting a vivid picture of its people and their stories, while also hinting at the darker undercurrents of the time.
Ketten beszélnek : $b (Tárczák, rajzok)
"Ketten beszélnek: tárcák, rajzok" by Ferenc Molnár is a collection of literary sketches written in the early 20th century. The book delves into various themes of relationships, emotions, and social observations through dialogue-driven stories, illustrating the complexities of human interaction. Central characters include a husband and wife whose conversations reveal their insights and struggles within their marriage. At the start of the collection, we witness an intimate dialogue between a husband and wife seated by the Danube on a sunny April day. The wife reflects on the various aspects of their life together, recognizing that the harmony and predictability she once provided have begun to bore her husband. What follows is a clever interplay of thought and emotion, as she devises a playful scheme to rekindle his interest, which leads to him developing a newfound excitement for her presence, revealing deeper truths about their relationship dynamics. This engaging conversation sets the tone for an exploration of the intricacies of love, desire, and the search for novelty in long-term partnerships.
Az éhes város
"Az éhes város" by Ferenc Molnár is a novel written in the early 20th century. The narrative centers around Orsovai Pál, a young bank clerk dealing with his health issues and financial constraints while navigating the social landscape of Budapest. The themes of ambition, love, and societal expectations are likely explored through his interactions, particularly as he encounters the wealthy American railway magnate's daughter, Elly. The opening of the book introduces us to Orsovai Pál visiting a doctor for a concerning health issue. The doctor informs him he must go to Abbáziá for treatment, which raises Orsovai’s fears of how to finance this trip. As he leaves the medical office, he contemplates his dire financial situation, reflecting on the distinct social strata in Budapest. He is portrayed as a seemingly ordinary young man with dreams of a better life, particularly as he plans to seek a loan from his bank. The scene sets the stage for his character's struggle between desire and reality, hinting at the complexities and challenges he will face as he encounters the wealth and allure of the Hutkinson family.
A farkas : $b Vigjáték három felvonásban
"A farkas: Vigjáték három felvonásban" by Ferenc Molnár is a play written in the early 20th century, specifically in the year 1912. The story revolves around the complex relationship between Dr. Kelemen and his wife, Vilma, alongside an array of characters that includes military officers and other townsfolk. Themes of jealousy, suspicion, and social dynamics in a setting that appears to be a Budapest eatery form the backdrop of the narrative. The opening of the play introduces the characters Zágon and Mikhál, who engage in a lighthearted conversation about beautiful women while at a restaurant, as the stage is set for an evening filled with tension and intrigue. The story quickly transitions to Dr. Kelemen and Vilma, showcasing their tumultuous relationship marked by Kelemen's insecurity and jealousy regarding Vilma's interactions with men, particularly military officers. The dialogue reveals their marital strife, with emotions escalating as Kelemen's suspicions lead to a confrontation. The scene sets a vivid atmosphere, establishing the conflict and drawing the audience into the challenges faced by the couple against the societal backdrop of early 20th-century Hungary.
Rabok
"Rabok" by Ferenc Molnár is a novel written in the early 20th century. The book centers around the complex lives of individuals in a setting that hints at themes of confinement and relationships, primarily focusing on a young girl named Lenke as she navigates her connection to a prison through her father’s position and her interactions with various characters, including the mysterious Riza. The opening of "Rabok" introduces us to a snowy scene at a train station where a carriage awaits, carrying a group of characters that includes the young Lenke and an elderly woman. As they travel towards an ambiguous destination, their discussion reveals a mix of excitement and melancholy regarding the winter landscape and the impending reunion with Lenke's father, who is a prison warden. Initial impressions of the setting, particularly the somber atmosphere surrounding the prison, are contrasted with the innocence and curiosity of Lenke, who seems to crave the beauty of nature rather than the confinement associated with the prison. The narrative establishes a poignant contrast between hope and despair, setting the stage for Lenke's journey in this emotionally charged environment.
Játék a kastélyban : $b Anekdota három felvonásban
"Játék a kastélyban: Anekdota három felvonásban" by Ferenc Molnár is a play likely written in the early 20th century. This theatrical work unfolds in an elegant seaside castle on the Italian coast and centers around characters who are intertwined in the workings of love, ambition, and drama, revolving around the young composer Ádám and his complicated relationship with the primadonna Annie, as well as the seasoned playwrights Turai and Gál who find themselves caught in the web of secrets and aspirations. The opening portion introduces us to a stylish guest room filled with conversation among three men dressed in tuxedos—Turai, Gál, and Ádám—as they discuss the intricacies of starting a play and the challenges of introducing characters to an audience. Their contemplation is interrupted by references to Annie, who appears to hold significant influence over them, especially over the young composer who admits to being in love with her. As the conversation develops, it becomes evident that there are underlying complexities involving jealousy, creativity, and the night’s hidden surprises that simmer just beneath the surface, setting the stage for the unfolding drama and the ensuing interactions with Almády, Annie’s past lover, and the potential consequences of their entangled relationships.
A csókok éjszakája és egyéb elbeszélések
"A csókok éjszakája és egyéb elbeszélések" by Ferenc Molnár is a collection of short stories written in the late 19th century. The tales explore themes of love, betrayal, and societal customs, with a notable focus on a unique celebration known as "the night of kisses," where women are permitted to be unfaithful to their husbands for one night in honor of a martyred woman named Illi. The stories are rich in philosophical musings and depict the complexities of human relationships and societal expectations. The opening of the collection introduces the mystical legend surrounding the "night of kisses," which takes place in the Kingdom of Abomár. We learn about Illi, a virtuous woman who suffered at the hands of her brutal husband, leading to the establishment of this annual event as a form of cosmic justice for women. The narrative shifts to Nikola, a young scholar who is not interested in the festivities, as he discovers a document that could change the fate of the upcoming celebrations by proving Illi's alleged guilt. As he contemplates the implications of this discovery, a mysterious woman arrives at his door, setting the stage for a night filled with unexpected encounters and moral dilemmas.
Muzsika: Elbeszélések
"Muzsika: Elbeszélések" by Ferenc Molnár is a collection of short stories written in the early 20th century. The work intertwines themes of love, music, and human emotion, providing a glimpse into the lives of its characters, often set against the backdrop of village life and societal norms. Through its narratives, Molnár explores relationships, personal aspirations, and the influence of music on human sentiments. The beginning of the collection opens with a serene spring day in a small village, where a teacher and a girl prepare for a wedding ceremony in the local church. As they rehearse a wedding march on the organ, a sense of nostalgia and unspoken emotions fills the air, particularly from the teacher, who reflects on his feelings as the girl prepares to marry another man, Lajos. Their interaction evokes a bittersweet atmosphere where the teacher battles his inner turmoil while cherishing their last moments together. This poignant introduction sets the stage for the collection, highlighting the significance of music as a conduit for both celebration and personal sorrow.
The play's the thing
"The play's the thing" by Ferenc Molnár and P. G. Wodehouse is a comedic play adapted in 1926. When young composer Albert overhears his fiancée Ilona in a compromising late-night conversation with another actor, their engagement hangs in the balance. Enter his uncle Sandor Turai, a veteran playwright with a theatrical solution: he frantically writes an entire play overnight, transforming the overheard dialogue into scripted lines. Can this elaborate deception convince Albert that nothing happened, or will the charade unravel?
Egy gazdátlan csónak története : $b Regény
"Egy gazdátlan csónak története: Regény" by Ferenc Molnár is a novel written in the early 20th century. The story takes place on a summer night by the Danube River, where themes of youth, friendship, and the beginning of romantic feelings are explored through the interactions of the characters. The narrative introduces Pirkó, a thoughtful and observant young girl, and her friend Bella, who engage in conversations that reflect their innocent curiosity about life and love. The opening of the novel sets a serene atmosphere as two young girls enjoy an evening on an island, absorbing the sights and sounds of nature while discussing their thoughts and feelings. The passage unfolds with vivid descriptions of their surroundings, highlighting the beauty of the summer night, the blooming flowers, and the peaceful ambiance. As Pirkó and Bella share a moment of contemplation, their dialogue reveals their distinct personalities and perspectives on love, identity, and the world of adults. The emergence of their friendship, characterized by both playful teasing and deep conversations, lays a foundation for further developments in their experiences and interactions with the enigmatic adult figures in their lives.
Az óriás és egyéb elbeszélések
"Az óriás és egyéb elbeszélések" by Ferenc Molnár is a collection of short stories written during the early 20th century. This work likely delves into various themes, exploring the lives of characters facing social issues, emotional struggles, and human experiences against a backdrop of Hungarian culture. Central to one of the stories is a character named Zájen Abdallah, a three-meter-tall African giant who performs in a panopticon, illustrating the intersection of entertainment, race, and societal perception. The opening of the collection introduces readers to a lively scene in a fairground as three young men accompany ladies home from a dinner. They venture into the festivities of May Day, where they encounter vibrant attractions and a bustling crowd. The energetic atmosphere soon leads them to a performance featuring Zájen Abdallah, whose striking appearance and story of hardship capture the attention of onlookers. Abdallah's struggle for acceptance and the stark contrast between his entertainment persona and personal suffering are poignantly depicted as he performs while battling illness, ultimately eliciting both laughter and empathy from the audience. This initial glimpse sets the stage for deeper explorations of human emotion and societal commentary throughout the collection.
Olympia : $b Vígjáték három felvonásban
"Olympia: Vígjáték három felvonásban" by Ferenc Molnár is a dramatic comedy written in the late 1920s. The play unfolds against the backdrop of an Austrian spa before the war, focusing on the intertwined lives of the aristocracy, particularly centered around characters such as the titular Olympia, her family, and their interactions with a charismatic hussar captain. The themes likely explore social class, romance, and the intricate dynamics of personal relationships. At the start of the play, we are introduced to a gathering at the Palace Hotel where a celebration of the emperor's birthday is underway, setting a festive yet tense atmosphere. Key characters, including the grumpy Albert and the equally assertive Lina, engage in heated discussions about Olympia's behavior, hinting at an inappropriate relationship with Captain Kovács, which raises concerns about royal propriety and potential scandal. The opening establishes an impending sense of drama as the characters navigate social expectations, romantic entanglements, and the looming threat of exposure that could ripple through their elevated ranks in society.
Az üvegcipő : $b Vígjáték három felvonásban
No description available.
Riviera : $b Vígjáték két felvonásban
"Riviera: Vígjáték két felvonásban" by Ferenc Molnár is a theatrical comedy written in the early 20th century. The play unfolds in a large department store in Budapest, capturing the interactions among various characters, particularly focusing on the complex dynamics of love, ambition, and societal expectations. The main character, Misch, is a shop assistant who grapples with his feelings towards Lujza, a fellow worker, while navigating the changing landscape brought about by the arrival of a wealthy and charming entrepreneur named Casella. At the start of the play, we are introduced to Misch, who finds himself alone in the store after closing, feeling a mix of nostalgia and anxiety about his life and career. Misch's conversation with two firefighters touches on themes of ambition and dissatisfaction with his current situation. When Lujza enters, their exchanges reveal the friction in their relationship, primarily driven by Misch's jealousy over Casella, who has designs on Lujza. As the scene unfolds, Misch's inner turmoil becomes evident as he confronts his fears of losing Lujza to the alluring and successful Casella, setting the stage for the comedic and dramatic tensions that will develop throughout the play.