Author
Robert Montesquiou-Fézensac
1855-1921
Robert Montesquiou-Fézensac (1855-1921) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Robert Montesquiou-Fézensac
Autels privilégiés
"Autels privilégiés" by comte de Robert Montesquiou-Fézensac is a literary critique written in the late 19th century. The text serves as an exploration and homage to the works of the poetess Marceline Desbordes-Valmore, celebrating her contributions to literature and her enduring influence. The author reflects on the depth, sensitivity, and multifaceted nature of Valmore's poetry, positioning her as an important, yet underappreciated figure in French literary history. The opening of the work presents a series of reverential acknowledgments to Valmore, intertwining her poetic legacy with references to her contemporaries and mentors. The narrator articulates the intimate connection shared with Valmore's verses and emphasizes the emotional resonance they evoke. The text suggests themes of love, suffering, and the transcendence of art, illustrating how Valmore’s poetry addresses universal human experiences. The prose itself is richly layered, suggesting a philosophy of literature that values the beauty in human vulnerability and the importance of preserving the legacy of undervalued artists.
La trépidation
"La Trépidation" by comte de Robert Montesquiou-Fézensac is a collection of social scenes written in the early 20th century. This work delves into the nuances of high society, exploring its characters and the intricacies of their interactions, often laced with satire and keen observations on contemporary issues. The narrative seems to focus on societal commentary through various anecdotes, featuring the intrigues and eccentricities of the Parisian elite. The opening of "La Trépidation" establishes a reflective tone, where the author introduces the theme of societal decay and evolution. As the narrative unfolds, we meet three main anecdotes: a bride's distress during a wedding ceremony, a glamorous party arranged by an outsider seeking elegance among the elite, and a commentary on the ephemeral and often superficial nature of high society. The author speaks as an observer, contemplating the shifting values and behaviors claimed as norms by the affluent, hinting at a broader commentary on the disillusionment of the era in which he writes. Throughout this introduction, there’s a palpable yearning for the past, accompanied by a sharp, almost cynical embrace of the present.
Diptyque de Flandre, triptyque de France le peintre aux billets, le pasteur de cygnes, le broyeur de fleurs, l'inextricable graveur, la porte ouverte au jardin fermé du roi
"Diptyque de Flandre, triptyque de France" by comte de Robert Montesquiou-Fézensac is a richly detailed collection of essays and artistic critiques written in the late 19th century. The work is centered around the exploration of artists, particularly focusing on Alfred Stevens and other notable figures such as Rodenbach and Monticelli, highlighting their paintings and contributions to art. The author's discerning observations and poetic language aim to pay homage to these artists, delving into the themes of femininity, beauty, and emotion portrayed in their works. The opening portion of the book introduces the author’s intentions and reflections on the relationship between art and life, setting the stage for a deeper exploration of the selected artists and their masterpieces. Montesquiou expresses his appreciation for Stevens while critiquing the intricate details found in Flemish paintings, notably the conversing reflections and rich emotional narratives within the art. He presents Stevens as a masterful painter of women and their emotional experiences, creating a bridge between art and personal sentiment. The section serves as an invitation for readers to appreciate the depth and beauty of visual art through the lens of literary critique, blending personal anecdotes with broader historical contexts.
La petite mademoiselle
"La petite mademoiselle" by Robert de Montesquiou is a fictional narrative written in the late 19th century. The story appears to revolve around the intricacies of life in a rural French chateau as it follows the experiences of the newly arrived governess, Miss Winter, and her interactions with the noble family, particularly the Comtesse and her children. The narrative hints at themes of class distinction, educational expectations, and the complexities of social relationships. The opening of the novel introduces the setting at a chateau in Touraine, during the late summer as the children prepare to enjoy their games after dinner. The family awaits the arrival of Miss Winter, the new governess, whose anticipated presence seems to stir a mix of excitement and concern among the adults. The narrative establishes a light-hearted yet revealing gameplay dynamic among the children, laying the groundwork for character interactions that explore the contrasts in social pretenses and familial expectations. Meanwhile, the Comtesse's increasing impatience hints at her rigid personality and controlling nature, suggesting that the governess's arrival could disrupt the established order within the household.
Félicité: Étude sur la poésie de Marceline Desbordes-Valmore
"Félicité: Étude sur la poésie de Marceline Desbordes-Valmore" by Comte Robert de Montesquiou-Fezensac is a scholarly examination of the poetry of Marceline Desbordes-Valmore, likely written in the late 19th century. The work delves into the life and poetic contributions of Desbordes-Valmore, who is described as a both remarkable and sublime poetess, often associated with themes of love, innocence, and emotional depth. The text aims to illuminate her legacy, which, despite being appreciated by contemporaries like Lamartine and Hugo, has been overshadowed in later periods. The opening of this study sets the stage for a comprehensive analysis of Desbordes-Valmore's poetry, emphasizing her unique voice and the emotional weight of her work. In the preface, the author acknowledges both the critical reception of Desbordes-Valmore and the misunderstandings surrounding her contributions to poetry. He discusses the challenges of adequately conveying the essence of her verses and outlines his intention to categorize her themes and inspirations, presenting her as a figure deserving of renewed recognition. Throughout, there is a tone of reverence and passionate defense of her artistry, as well as an exploration of her complex emotional landscape — a reflection of the poet's own struggles and triumphs.
Brelan des dames
"Brelan des dames" by comte de Robert Montesquiou-Fézensac is a literary work likely belonging to the early 20th century. This book appears to delve into the complexities of female characters in contemporary society, using the figure of the Comtesse d’Escarbagnas as a focal point to explore various archetypes of women, particularly through a critical lens on their societal roles and artistic pursuits. The opening of "Brelan des dames" sets the stage with a discussion centered on the Comtesse d’Escarbagnas and how her character reflects broader themes in the evolving role of women. The narrator examines various strong female figures in the present day compared to historical representations, hinting at a cultural critique of femininity and the expectations placed upon women in society. Montesquiou-Fézensac wittily critiques the pretensions of women striving for recognition in fields once dominated by men, all while drawing on literary reference points, and he proposes a lively dialogue about gender roles, artistry, and societal competition.