Author

Albert Mordell

1885-1965

Albert Mordell (1885-1965) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.

Subjects

Books by Albert Mordell

The Erotic Motive in Literature

"The Erotic Motive in Literature" by Albert Mordell is a psychoanalytic literary criticism written in the early 20th century. The work seeks to explore the underlying erotic motives present in literature, positing that these motives arise from the author's unconscious. The analysis focuses on how personal experiences, emotions, and memories influence literary expression across various genres. The opening of the volume presents the author's ambition to apply psychoanalytic methods to literary analysis, advocating for a deeper examination of texts to uncover aspects of the author's psyche. Mordell introduces the idea that literature serves as a personal reflection of the author, revealing hidden emotions and traumas that shape their narratives. He draws parallels between dreams and literary works, suggesting that both can illuminate unconscious desires and conflicts that drive human behavior and creativity, laying the foundation for further explorations into the erotic undercurrents that permeate literary masterpieces.

The Literature of Ecstasy

"The Literature of Ecstasy" by Albert Mordell is a treatise on poetic expression written in the early 20th century. The author explores the concept of poetry, advocating for a broad interpretation that encompasses not just traditional verse but also emotional prose that captures the essence of ecstasy. The work aims to redefine poetry beyond conventional metrics, arguing that the emotional intensity and personal expression of the writer should be the primary criteria for what constitutes poetry. At the start of the book, Mordell critiques traditional views of poetry, which often equate it exclusively with form and rhythm. He argues that true poetry is rooted in emotional experience and can manifest in prose as well as verse. He emphasizes that poetry should not be limited by academic standards but instead recognized for its ability to evoke deep emotional responses. The opening chapters lay the groundwork for an expansive definition of poetry, suggesting that much of our prose literature contains "poetic" elements when it stirs the reader's emotions and connects with the human experience of ecstasy.