Author

William Morris

1834-1896

William Morris (1834-1896) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.

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Subjects

Books by William Morris

The House of the Wolfings
 A Tale of the House of the Wolfings and All the Kindreds of the Mark Written in Prose and in Verse

"The House of the Wolfings" by William Morris is a fantasy novel published in 1889. Written in a blend of prose and verse, it portrays Germanic Gothic tribes defending their homeland against the armies of imperial Rome. The story follows Thiodolf, a war leader whose fate becomes entwined with a cursed dwarf-made mail-shirt and the divine women who support him. Considered a pioneering work that united historical settings with supernatural elements, it directly influenced J.R.R. Tolkien's "The Lord of the Rings" and helped establish modern fantasy literature.

News from Nowhere; Or, An Epoch of Rest
 Being Some Chapters from a Utopian Romance

"News from Nowhere; Or, An Epoch of Rest" by William Morris is a novel published in 1890. When the narrator falls asleep after a Socialist League meeting, he awakens in a transformed future society without private property, money, government, or class divisions. Morris envisions a world where work becomes pleasurable and creative, blending seamlessly with art and life. Written as a libertarian socialist response to Edward Bellamy's industrialized utopia, the novel explores how this reimagined society organizes itself through common ownership and democratic control of production.

The Well at the World's End: A Tale

"The Well at the World's End: A Tale" by William Morris is a high fantasy novel first published in 1896. Ralph, the youngest son of a king, defies his father's wishes and embarks on a quest for adventure. His journey leads him through perilous encounters, forbidden love, and the pursuit of a legendary well whose waters grant extraordinary powers. Accompanied by the maiden Ursula, Ralph must navigate treachery, battle evil lords, and ultimately fight to reclaim his homeland and secure his destiny.

The Earthly Paradise: A Poem (Part II)

"The Earthly Paradise: A Poem (Part II)" by William Morris is an epic poem published between 1868 and 1870. The work features a frame story about medieval Norse wanderers who, failing to find eternal life, settle among Greek colonists. Together they exchange tales—twelve from classical mythology and twelve from Norse and medieval legends—across monthly feasts following the seasons. This ambitious collection of retellings established Morris as a leading Victorian poet and later influenced Tolkien's use of frame narratives in his legendarium.

The Wood Beyond the World

"The Wood Beyond the World" by William Morris is a fantasy novel published in 1894. When Golden Walter flees his unfaithful wife, a mysterious vision leads him to an enchanted wood ruled by a powerful Lady. There he encounters the Maid, a captive who begs for his help to escape. As Walter becomes entangled in a web of seduction, magic, and deadly intrigue, he must choose between loyalty and love—while dark forces conspire around him in this pioneering work of modern fantasy literature.

Hopes and Fears for Art

"Hopes and Fears for Art" by William Morris is a collection of lectures delivered in the late 19th century. The work primarily explores the importance of decorative arts and their relationship to daily life, the labor process, and society as a whole. Morris highlights the need for art to be accessible and meaningful to the general populace, rather than being confined to the elite or existing solely for decorative purposes. The opening of the text sets the stage for Morris' exploration of art and its significant impact on human existence. He emphasizes that while the so-called "greater arts" like architecture, painting, and sculpture may be noble, they have become divorced from the more practical, decorative arts that fill everyday life with beauty and meaning. Morris argues for a reintegration of these arts with daily labor and stresses that the creation of beauty in work enhances the dignity of labor itself. He challenges the current state of art, which he perceives as declining into triviality, and expresses a hopeful vision for the future where art and craftsmanship can regenerate and inspire a collective appreciation for beauty in life.

The Art and Craft of Printing

"The Art and Craft of Printing" by William Morris is a historical account written in the late 19th century. The work focuses on the founding principles and practices of the Kelmscott Press, which Morris established to produce beautiful and legible books that pay homage to the aesthetics of medieval print culture. It delves into the intricacies of typography and design, revealing Morris's dedication to craftsmanship in the art of bookmaking. The opening of the work reveals Morris's motivations for starting the Kelmscott Press and his admiration for medieval calligraphy and early printing techniques. He articulates his desire to create books that are aesthetically pleasing yet functional, stressing the importance of quality materials and thoughtful design elements, such as spacing, typeface selection, and decorative ornamentation. Morris provides insights into his processes, including the hand-crafted paper he deemed essential for durability and beauty, as well as his explorations into type design, all of which lay the groundwork for his vision of an ideal book.

Child Christopher and Goldilind the Fair

"Child Christopher and Goldilind the Fair" by William Morris is a fantasy novel published in 1895. Set in the forested land of Oakenrealm, this reimagining of a medieval tale follows two displaced royal heirs who are forced into marriage. Christopher, unaware of his true noble identity, struggles with his love for Goldilind while believing their social stations are impossibly different. When an assassination attempt exposes hidden truths, Christopher must decide whether to challenge the usurper who stole his heritage and claim his rightful place.

The Roots of the Mountains
 Wherein Is Told Somewhat of the Lives of the Men of Burgdale, Their Friends, Their Neighbours, Their Foemen, and Their Fellows in Arms

"The Roots of the Mountains" by William Morris is a fantasy romance novel published in 1889. Set in the fictional Germanic settlement of Burgdale, the story follows interdependent communities of Dalemen, Woodlanders, and Shepherds whose peaceful existence faces disruption from invading Dusky Men and the arrival of the Sons of the Wolf—descendants of warriors driven from their homeland. As these refugees attempt to integrate while defending their new home, five lovers from both peoples navigate romance and survival. Recognized as pioneering work that influenced J.R.R. Tolkien's "The Lord of the Rings," Morris's novel helped establish modern fantasy literature.

The Defence of Guenevere and Other Poems

"The Defence of Guenevere and Other Poems" by William Morris is a collection of poetry written in the late 19th century. The work primarily explores themes related to Arthurian legend, with a focus on the tragic figure of Guenevere, the queen who is caught in a web of love, betrayal, and honor. The collection features rich, lyrical language and delves into the emotional complexities of its characters, particularly Guenevere and her relationships with knights such as Launcelot. The opening of "The Defence of Guenevere" presents a powerful monologue from Guenevere as she stands before a court of knights who demand her confession and judgment. She grapples with her feelings of shame, love, and despair, as she recounts her passionate history with Launcelot while defending her actions against a backdrop of accusations. The poem captures the inner turmoil of being a queen whose desires and choices lead to dire consequences, highlighting the struggle between her public role and private heartache. Guenevere's voice is both poignant and defiant, setting the stage for her complex portrayal throughout the rest of the collection.

A Dream of John Ball; and, A King's Lesson

"A Dream of John Ball; and, A King's Lesson" by William Morris is a novel published in 1888. It tells the story of a time-traveller who meets the medieval rebel priest John Ball during the Great Revolt of 1381. Through their encounter, Morris contrasts the ethics of medieval and modern worlds, exploring why Ball's dreams of an egalitarian society remain unfulfilled centuries later. Unlike other depictions of the era, Morris portrays the Middle Ages as a golden period of prosperity and happiness.

A Selection from the Poems of William Morris

"A Selection from the Poems of William Morris" by William Morris is a collection of poetic works written in the late 19th century. The text presents various poems that reflect Morris’s engagement with themes of love, myth, and the natural beauty found in both classical and medieval lore. This selected compilation captures the essence of Morris's literary voice, showcasing his mastery of rhythm and imagery alongside his deep appreciation for art and beauty. The opening of this collection introduces readers to Morris’s rich poetic style through selections from earlier works. It presents a glimpse into his inspirations drawn from the Arthurian legends and classical tales. Through vivid imagery and historical references, Morris immerses the reader in a world of knights, queens, and ethereal beauty, as seen in his depiction of Guenevere’s defense and the poignant moments shared with Lancelot. With lyrical language, the selected poems convey emotional depth, setting the stage for a comprehensive exploration of Morris's themes and stylistic nuances throughout the collection.

The Story of Sigurd the Volsung and the Fall of the Niblungs

"The Story of Sigurd the Volsung and the Fall of the Niblungs" by William Morris is an epic poem published in 1876. Spanning over 10,000 lines, it tells the tragic tale of the Norse hero Sigmund, his son Sigurd, and Sigurd's wife Gudrun. Drawing from ancient Icelandic sagas, the poem weaves together divine intervention, family vengeance, dragon-slaying, a cursed treasure, and star-crossed love. Through betrayal and bloodshed, the story follows the doomed Volsung lineage to its devastating conclusion.

The Sundering Flood

"The Sundering Flood" by William Morris is a fantasy novel published in 1897. Osberne and Elfhild are lovers separated by an immense, uncrossable river. When Elfhild vanishes during a brutal invasion, Osberne takes up his magical sword and joins a quest to overthrow a tyrannical regime. His journey leads him through war and adventure as he searches desperately for his lost love. This posthumous work, completed on Morris' deathbed, is recognized as a landmark in fantasy literature—possibly the first to include a map of an entirely imagined world.

The Story of the Glittering Plain
 Which Has Been Also Called the Land of Living Men or the Acre of the Undying

"The Story of the Glittering Plain" by William Morris is a fantasy novel published in 1891. When Hallblithe's fiancée is kidnapped by pirates, his quest to rescue her leads him to a mysterious utopian realm known as the Land of the Glittering Plain, where inhabitants are said to be immortal. Set in a world resembling northern Europe's distant past, this groundbreaking work helped establish modern fantasy literature while exploring socialist themes that fascinated Morris throughout his career.

The Water of the Wondrous Isles

"The Water of the Wondrous Isles" by William Morris is a fantasy novel published in 1897. Stolen by a witch as a child, Birdalone escapes in a magical boat and journeys through mysterious islands. She encounters three imprisoned maidens awaiting rescue by their knight-lovers and seeks help from the paladins of the Castle of the Quest. What follows is an adventure of rescue, love, loss, and unexpected betrayals, as destinies intertwine and hearts are won and broken.

Old French Romances, Done into English

"Old French Romances, Done into English" by William Morris is a collection of medieval tales adapted into English, likely penned in the late 19th century. The compilation features a selection of romances that explore themes of love, adventure, and the heroic deeds of noble characters, transporting readers back to the enchanting world of the Middle Ages. At the start of the work, the introduction contextualizes the origins of these stories, tracing their roots back to Byzantine models and the impact of the Crusades on European literature. The opening tale recounts the story of King Coustans, an emperor of Byzantium, whose fate is intertwined with themes of prophecy and identity, as he was born under dire circumstances yet destined for greatness. A Christian child's birth foretold in prophecy sets the stage for political intrigue and mystical elements, illustrating the charm and rich narrative fabric typical of medieval romance. Morris's translation seeks to capture the vividness of the original tales while making them accessible to English readers.

Poems By The Way & Love Is Enough

"Poems By The Way & Love Is Enough" by William Morris is a collection of poetry written in the late 19th century. The book explores themes of love, nature, yearning, and justice, combining lyrical beauty with a reflection on the human experience. Through a variety of poems, Morris delves into the complexities of romantic love and the often harsh realities of life, revealing a deep appreciation for both the joys and sorrows that accompany it. The opening of the collection introduces several poems that set the tone for the themes explored throughout. One poem reflects on the beauty and fleeting nature of spring, highlighting a romantic encounter filled with tenderness and desire. Another poem shares a narrative about love faced with adversity and the struggles of poor knights in times of feudal strife. These initial pieces intertwine vivid imagery and emotional depth, establishing a poignant atmosphere that resonates with readers, inviting them to ponder the relationships between love, loss, and the passage of time.

Signs of Change

"Signs of Change" by William Morris is a collection of seven lectures delivered during the late 19th century. The text addresses various social, political, and economic issues of the time, reflecting Morris's views on the need for profound societal transformation toward a more equitable system, advocating for socialism and critiquing the capitalist framework that governs society. The opening of the work introduces the central theme of revolution versus reform, as Morris argues that true societal progress requires a fundamental change rather than mere superficial adjustments. He delves into the dynamics of class relations, the nature of work, and the existing social order, exploring how fear and hope are pivotal emotions driving people toward or away from change. Through his essayistic style, he engages with notions of oppression, the wastefulness of capitalism, and the necessity for collective action and consciousness among the working class to achieve a harmonious and just society.

The Story of Sigurd the Volsung

"The Story of Sigurd the Volsung" by William Morris is an epic poem published in 1876. Drawing from Norse legend, it tells the tragic tale of the hero Sigmund, his son Sigurd, and Sigurd's wife Gudrun. The story follows Sigurd's quest to slay the dragon Fafnir and claim a cursed treasure, his fateful love for the warrior maiden Brynhild, and the deception that leads to betrayal and death. Spanning over 10,000 lines, this retelling of ancient saga weaves themes of loyalty, vengeance, and doomed romance.

Chants for Socialists

"Chants for Socialists" by William Morris is a collection of poems and verses created during the late 19th century, a time marked by social and political upheaval in Europe. This work serves as a rallying cry for social change, reflecting Morris’s commitment to socialism and emphasizing the collective struggle of the working class against oppression. The book likely aims to inspire hope and action among laborers, calling for a vision of a just society where work is fulfilling and equally shared. In this collection, Morris articulates the plight of the toiling masses while envisioning a future where social equity prevails. Poems such as "The Day is Coming" and "The Voice of Toil" articulate a vivid image of a transformed society, devoid of class oppression, where labor is valued and all people can enjoy the benefits of their toil. Morris calls for unity among workers, urging them to rise against their masters in pursuit of justice and a life of dignity. Through powerful lyrical expression, the book conveys a sense of urgency for revolution while celebrating the indomitable spirit of solidarity among the oppressed.

The Pilgrims of Hope and Chants for Socialists

"The Pilgrims of Hope and Chants for Socialists" by William Morris is a collection of poetry and lyrical pieces written during the late 19th century, first published in serial form between 1885 and 1886. This work encapsulates Morris's socialist ideologies and reflects his concerns about the socio-economic conditions of his time, as well as the hope for a better future born from collective action and social justice. The opening portion of the collection introduces the overarching themes of hope, love, and struggle against the backdrop of societal decay and class disparity. In "The Message of the March Wind," the speaker and their beloved roam the land, experiencing the poignant beauty of nature while simultaneously confronted by the grim realities faced by the working class in London. As the couple reflects on their love and the burdens of a world filled with sorrow, the wind carries a message of awakening hope, urging them to rise and take part in the fight for a just future. This intimate juxtaposition of personal emotion and broader social issues sets the tone for the ensuing poetical explorations of the harsh realities of life and the quest for liberation and fulfillment among the oppressed.

Poems By the Way

"Poems By the Way" by William Morris is a collection of poetry written in the late 19th century. The work reflects Morris's romantic sensibilities, encompassing themes of nature, love, and the interplay between reality and myth. It may appeal to readers who appreciate lyrical poetry that evokes strong emotions and vivid imagery. The opening of the volume introduces the poem "From the Upland to the Sea," where the speaker expresses a longing for a shared moment with a beloved, wandering through nature as spring unfolds. The imagery captures the beauty of the changing seasons, highlighting the joy and melancholy intertwined with love. Following this, the excerpt transitions into "Of the Wooing of Hallbiorn the Strong," a narrative piece that tells the story of a character's pursuit of love against the backdrop of Icelandic lore. This mixture of personal reflection and storytelling sets a tone that invites readers to explore the broader explorations of human experience found throughout the collection.

Some Notes on Early Woodcut Books, with a Chapter on Illuminated Manuscripts

"Some Notes on Early Woodcut Books, with a Chapter on Illuminated Manuscripts" by William Morris is a scholarly publication focused on the artistic qualities and historical significance of woodcut books produced in the late Middle Ages, specifically during the 15th century. The book examines the craftsmanship of early printing techniques, illuminating both the aesthetic and narrative elements of these works, which served as significant art forms of their time. Morris's analysis encompasses the development of these books and their ornamental designs, with a particular emphasis on the Ulm and Augsburg printing schools. In this detailed exploration, Morris provides a comprehensive overview of various notable woodcut books, discussing specific titles and their illustrators, such as the works of Gunther Zainer and John Zainer. He highlights the artistic characteristics of these books, noting their intricate designs and the interplay of text and ornamentation. Morris addresses how woodcut illustrations combined storytelling with decoration, revealing the cultural and artistic contexts of the period. The book serves as both an appreciation of this early form of printmaking and a critical examination of its impact on literature and art, ultimately illustrating how these creations reflect the values and aesthetics of medieval society.