Author
Ramón Pérez de Ayala
1880-1962
Ramón Pérez de Ayala (1880-1962) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Ramón Pérez de Ayala
Troteras y danzaderas: Novela
"Troteras y danzaderas: Novela" by Ramón Pérez de Ayala is a novel written in the early 20th century. The story follows Teófilo Pajares, a struggling poet marked by poverty and an acute sense of inadequacy, as he navigates the complexities of his emotions and relationships, particularly with a woman named Rosina. Themes of identity, social standing, and the challenges of artistic ambition are likely central to the narrative. The opening of the novel introduces Teófilo Pajares, who is depicted as a gaunt and disheveled man walking through a gritty Madrid neighborhood, lost in thought. The first encounter he has with the fierce portera (landlady) illustrates both his economic struggles and the social contempt he faces due to his status as a poet. Following a comical confrontation, he finds refuge in the home of Rosina, a woman from a more privileged background, leading to complex interactions filled with tension and unspoken feelings. As he grapples with the perception of his identity as a poet and his connection to Rosina, the narrative sets in motion a deeper exploration of love, existential concerns, and the quest for personal validation.
La pata de la raposa (Novela)
"La pata de la raposa" by Ramón Pérez de Ayala is a novel written in the early 20th century. The story unfolds in the decaying town of Pilares, where the atmosphere is suffused with a sense of melancholy and nostalgia, reflecting the societal transitions of its time. The book explores themes of ambition and the quest for identity through the lives of its characters, such as Manolo, a humble servant with aspirations of becoming a writer, and Alberto, a disillusioned artist wrestling with his choices and emotional entanglements. At the start of the novel, the scene is set on a late summer afternoon in 1905, capturing the tranquil yet somber ambiance of the town as its inhabitants begin to withdraw for the season. We meet Teresuca, a lively servant who flirts with Manolo, revealing their budding romance amidst the backdrop of the city’s silence. The narrative shifts to Alberto, waking up from a drunken stupor, contemplating his life choices and artistic pursuits. Through Alberto’s introspection and the interactions between characters, the opening portion introduces a world filled with both mundane routines and deeper existential musings, establishing a foundation for the unfolding drama and character dynamics.
A.M.D.G.
"A.M.D.G." by Ramón Pérez de Ayala is a novel written in the early 20th century. The book delves into the lives of characters at a Jesuit school, exploring themes of faith, education, and the struggles of youth. The main character, Gonzalfáñez, returns to his hometown and interacts with his childhood friend Dorín as they navigate reflections on education and the moral dilemmas faced by the students. The opening of the novel introduces the Colegio de segunda enseñanza de la Inmaculada Concepción, a large and austere Jesuit school located near Regium. The narrative highlights the setting's somber architecture and the serene yet isolating environment where the boys study and grow. The protagonist, Gonzalfáñez, is portrayed as a reclusive figure who, alongside his friend Dorín, engages in contemplative conversations about the nature of childhood, innocence, and the impact of education. As the story unfolds, the reader is drawn into the complexities of the characters' interactions with their mentors and the dynamics of their youthful experiences within the constraints of the institution.
Las máscaras, vol. 2/2
"Las máscaras, vol. 2/2" by Ramón Pérez de Ayala is a philosophical essay and literary critique written in the early 20th century. The text examines the complexities of human nature and societal roles through a cultural lens, particularly reflecting on the life and works of Oscar Wilde. The exploration dives deep into the themes of contradiction, vanity, and the nature of art, likely presenting a nuanced view of the personalities involved, especially Wilde. The opening of this work introduces a detailed analysis of the concept of the "spoiled baby," a metaphor for individuals who have been overly pampered and have consequently developed a sense of superiority and entitlement. Pérez de Ayala articulates the psychological implications of this condition, likening it to Wilde himself, who, despite his genius, fell into contradictions and excesses. The text reflects on Wilde’s experiences, particularly his downfall, presenting his artistic endeavors in the context of societal views of morality and the complicated dynamics of personal identity and creative expression. This initial portion sets the stage for a broader discussion on the interplay between art, life, and moral implications within society.
Las máscaras, vol. 1/2
"Las máscaras, vol. 1/2" by Ramón Pérez de Ayala is a literary work that appears to consist of critical essays on theatrical art, written in the early 20th century. The volume includes various essays reflecting on the Spanish theater, its evolution, and a commentary on its authors, suggesting that it addresses the changing landscape of dramatic literature during that period. The author engages with notable figures in Spanish theater, such as Benito Pérez Galdós and Jacinto Benavente, through critical analysis, aiming to both justify and enrich discussions surrounding theater and its significance. The opening of "Las máscaras" serves as a preamble where Pérez de Ayala introduces his compendium of essays. He acknowledges the eclectic nature of the writings, which were published at different times and under varied circumstances, yet insists on a coherent thematic unity concerning the evolution of theatrical criticism. The author critiques the perception of drama and its critics, suggesting that many fail to grasp the intricacies of Galdós's and Benavente's works. He raises essential questions about the nature of theater as an art form in transition, the role of critics, and the societal context in which these dramas emerge. This sets the stage for a more detailed examination and analysis of specific theatrical pieces that follow in the volume.
Belarmino y Apolonio
"Belarmino y Apolonio" by Ramón Pérez de Ayala is a novel written during the early 20th century. The book delves into the lives of its main characters, particularly focusing on the philosophical musings and social dynamics within the setting of a Spanish boarding house. The narrative promises to explore themes of knowledge, identity, and the human experience in a nuanced manner, emphasizing the complexity of relationships among the residents of the boarding house. At the start of the narrative, we are introduced to Don Amaranto de Fraile, an eccentric philosopher who has spent decades living in boarding houses, particularly in Madrid. The opening portrays a lively exposition of his thoughts on the nature of these establishments, highlighting their significance as microcosms of society and education hubs. The story then shifts to the introduction of other characters, including the new guest, Don Guillén, a priest who incites curiosity and discussion at the communal dining table. The interplay between Don Guillén's character and the various residents sets the stage for a deeper exploration of themes around faith, belief, and human interaction as the plot unfolds.