Author
Armando Palacio Valdés
1853-1938
Armando Palacio Valdés (1853-1938) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Armando Palacio Valdés
José
"José" by Armando Palacio Valdés is a novel written in the late 19th century. The story is set in the coastal fishing village of Rodillero and revolves around the life of the main character, José, who struggles against the hardships posed by his vixenish mother and the unforgiving nature of the sea, all in pursuit of his beloved, Elisa. Through the narrative, Valdés portrays themes of love, familial conflict, and the daily toil of the fishing community. At the start of the novel, readers are introduced to the picturesque yet rugged setting of Rodillero, a fishing village that is intricately woven into the life of its inhabitants. As José engages in his daily routine, we learn of his difficult upbringing under the harsh rule of his mother, Teresa, who was scarred by betrayal and raises him with an iron fist. The opening scenes depict the camaraderie among fishermen at sea, contrasted with the complexities of life on land, particularly concerning José's romantic feelings for Elisa, the daughter of the local schoolmaster. This blend of daily struggles, vibrant character dynamics, and budding romance sets the stage for a rich exploration of human resilience in the face of adversity.
Froth: A Novel
"Froth: A Novel" by Armando Palacio Valdés is a fiction piece written in the late 19th century. The novel deals with the dynamics of fashionable life in Madrid, exploring themes of social pretension and class struggles through the lives of its characters. Notably, it introduces complex figures such as Clementina, the elegant protagonist, and a host of others intertwined in a web of societal expectations and personal ambitions. The opening of the novel sets the scene on a sunlit Calle de Serrano in Madrid, where we meet Clementina, an elegantly dressed woman whose confidence and allure draw the attention of passersby, including a youthful admirer who trails her. As she navigates the bustling street, her interactions with the world around her reveal her haughty nature and cultivation of a distinct social identity. The narrative quickly shifts to the elite circles she inhabits, showcasing her arrival at her sister-in-law's home, where various characters—both allies and rivals—come into focus. These include her husband Julian Calderón and others from the upper echelons of society, providing a vivid tableau of interpersonal relationships replete with humor, tension, and societal critique. The intricate details highlight the author’s deft portrayal of the superficiality lurking beneath the appealing exterior of fashionable life.
La novela de un novelista
"La novela de un novelista" by Armando Palacio Valdés is a novel written in the late 19th century. The book explores the experiences and reflections of a young boy, delving into themes of childhood innocence, happiness, and the contrasts between childhood and adulthood. The narrator's nostalgic view of his early life serves as a backdrop for his broader commentary on human nature and society. At the start of the novel, the narrator reflects on the joys of childhood, describing his idyllic surroundings and the formative experiences that shaped him. He recalls arriving in Entralgo, surrounded by beautiful landscapes and a sense of wonder that characterizes his youth. The early chapters portray vivid scenes of his interactions with nature, animals, and the simple pleasures of rural life, highlighting the freedom he experienced as a child and the deep connections he formed with those around him. The nostalgia is palpable as he contrasts the sense of innocence and awe of childhood with the indifference and complexity of adulthood, setting the stage for a deeper examination of these themes throughout the novel.
La hermana San Sulpicio
"La hermana San Sulpicio" by Armando Palacio Valdés is a novel written in the late 19th century. The book likely explores the life of Ceferino Sanjurjo, a young gallego, as he embarks on a journey full of self-discovery, love, and interactions with intriguing characters, especially a nun named San Sulpicio. The opening of the novel introduces us to Ceferino Sanjurjo, who narrates his life story as a young man moving to Madrid for medical studies. However, instead of focusing on medicine, he finds himself captivated by literature and the theater, leading to a carefree yet unstructured existence. After falling ill due to his sedentary lifestyle, he travels to the healing waters of Marmolejo, where he encounters the lively and spirited Sister San Sulpicio. The interactions between him, D. Nemesio, a loquacious fellow traveler, and the other quirky characters set the stage for Ceferino's adventures and his growing feelings toward the enchanting nun.
Papeles del doctor Angélico
"Papeles del Doctor Angélico" by Armando Palacio Valdés is a literary work, likely a novel, written in the early 20th century. The narrative centers around Ángel Jiménez, nicknamed Doctor Angélico, who is a complex man deeply immersed in academia and literature, evoking both respect and intrigue among his peers. As the story unfolds, readers are introduced to his personality, academic struggles, and the friendships that shape his life. The opening of the book establishes Jiménez as a character initially feared due to his intense demeanor but gradually reveals a more sensitive side, prompting affection and friendship from his peers. The narrator shares their journey through university, detailing Jiménez's academic achievements and his escape from familial expectations. As the narrative progresses, his solitary nature and eventual decline in health are hinted at, culminating in the narrator's emotional farewell to Jiménez during his final moments, laying the foundation for Jiménez’s introspective writings that comprise the main content of the story.
Riverita
"Riverita" by Armando Palacio Valdés is a novel of customs written in the late 19th century. The story revolves around Miguel, a young boy about to have a new mother as his father, Fernando, considers remarrying after the death of Miguel's mother. The initial focus is on the family dynamics and societal expectations surrounding marriage and motherhood, portrayed through Miguel's interaction with his uncle, Don Bernardo, and his subsequent experiences within the household. The opening of the novel introduces Miguel as he learns about his father's intention to remarry, a subject explained to him by his stern uncle, Don Bernardo. The dialogue sets the tone of the familial expectations and the challenges Miguel faces, both in understanding adult matters and navigating his childhood antics with his cousin Enrique. As the story unfolds, it captures the tensions within the household, the differing approaches to parenting displayed by his father and uncle, and hints at the emotional complexities of growing up in a high-society environment, where appearances and manners are of utmost importance. Miguel's interactions and the familial pressures surrounding him lay the groundwork for themes of childhood innocence versus adult responsibility and societal expectations.
The Fourth Estate, vol. 1
"The Fourth Estate, vol. 1" by Armando Palacio Valdés is a novel written in the late 19th century. This work primarily explores the dynamics of social class, societal expectations, and interpersonal relationships in a small town set on the Cantabrian coast. Central to the narrative are the lives of the Belinchon family and their interactions with other townsfolk, particularly the young couple Gonzalo and Cecilia, as they navigate the complexities of love and societal scrutiny. At the start of the novel, the stage is set in the town of Sarrio, where the local theatre serves as a backdrop for community happenings and social interactions. We are introduced to various characters, including the nervous Doña Paula and her daughters, Cecilia and Venturita, who are aware of the town's gossip surrounding them, particularly regarding their social standing and attire. The arrival of Gonzalo de las Cuevas, fresh from his studies in England, also adds new dynamics, as he holds an interest in Cecilia. As different characters exchange dialogues laden with subtext and social commentary, the initial chapters delve into themes of ambition, societal norms, and the contradictions rooted in class distinctions, effectively immersing the reader in the daily life of Sarrio and its inhabitants.
The Marquis of Peñalta (Marta y María): A Realistic Social Novel
"The Marquis of Peñalta (Marta y María): A Realistic Social Novel" by Don Armando Palacio Valdés is a novel believed to have been written in the late 19th century. This work explores the complexities of social and moral issues through its protagonist, María, as she navigates her life in a provincial town in Spain. The narrative promises to unfold the interplay of love, duty, and personal sacrifice against the backdrop of a society steeped in tradition and religious fervor. The opening of the novel introduces us to the setting and context in which María lives, establishing a vivid picture of the town of Nieva with its streets and social dynamics. The author presents a detailed look at the diverse elements of the community, from the bustling streets crowded with people to the elegance of the Elorza mansion, where social gatherings take place. We are introduced to María's character, who, despite her youth and beauty, battles the internal conflict between societal expectations and her individual desires. This tension is palpable from the start, setting the stage for an exploration of her personal journey, particularly in relation to her faith and the choices she must face as she matures. The scene is rich with detail, hinting at the novel's themes of identity and the nature of true calling amidst societal pressures.
Años de juventud del doctor Angélico
"Años de juventud del doctor Angélico" by Armando Palacio Valdés is a novel likely written in the late 19th century. The narrative sets the stage for the personal and intellectual journey of the main character, el doctor Angélico, who reflects on his youthful aspirations and relationships, particularly with his friends and acquaintances. The book explores themes of intellect, wisdom, and the social dynamics of youth. At the start of this novel, we are introduced to the protagonist as he recalls his arrival in Madrid in October 1870, eager to become a learned scholar. He takes lodgings in a humble guesthouse and meets an eclectic group of fellow students, including the brilliant yet socially awkward Pasarón and the charismatic Sixto Moro. The opening passages highlight their lively discussions on various topics, revealing their distinct personalities and intellectual pursuits. As the protagonist navigates his new surroundings and friendships, he reflects on the lessons learned and the complexity of human relationships, setting the tone for deeper explorations in the chapters to come.
El señorito Octavio
"El señorito Octavio" by Armando Palacio Valdés is a novel written in the late 19th century. The story follows Octavio, a young man whose languid life and interactions reveal deeper societal themes and character dynamics. The narrative explores his morning routines and thoughts, setting the stage for connections to family, social classes, and the nuances of relationships in his world. The opening of the novel introduces us to Octavio, who struggles to wake from a deep slumber in his room, illuminated only slowly by the morning light. As various characters attempt to rouse him—such as his maid Ramona with her gentle and concerned nudges and eventually his mother, Doña Rosario—readers witness his laid-back disposition and artistic tendencies reflected in the decor of his room. The scene transitions between Octavio’s dreamlike state and his interactions with his family, emphasizing his youthful beauty and laid-back demeanor. It sets the stage for the exploration of Octavio's character and the world around him, hinting at future encounters with the visiting aristocratic family—hinted to be the condes de Trevia and characterized by social tensions and dynamics that promise to unfold further in the narrative.
Maximina
"Maximina" by Armando Palacio Valdés is a novel written in the late 19th century. The story revolves around the character Miguel, who arrives in the village of Pasajes to see his betrothed, Maximina, just before their wedding. This opening sets the stage for themes of love, social dynamics, and the complexities of marital expectations, as we witness the couple's interactions filled with nervousness and youthful innocence. At the start of the narrative, Miguel arrives in Pasajes and is greeted warmly by the locals, particularly by Úrsula, who expresses excitement over his upcoming marriage to Maximina. As Miguel makes his way to see Maximina, he is consumed with pleasant anticipation, highlighting the tension and excitement of a wedding eve. Upon his arrival at Maximina's home, the couple navigates their insecurities and the pressure from their families. The atmosphere is filled with playful teasing, love, and the traditional expectations of marriage, showcasing Valdés's detailed character development and setting the groundwork for deeper explorations of their relationship and the societal expectations that surround it.
Páginas escogidas
"Páginas escogidas" by Armando Palacio Valdés is a collection of selected writings crafted during the late 19th century. The work appears to serve as a compilation of insightful reflections, critiques, and personal anecdotes from the author’s literary journey. It combines elements of self-exploration with broader commentary on literature, society, and artistic freedom. The opening of the book reveals the author’s ambivalence about publishing a selection of his works, suggesting that such honor is typically reserved for the deceased. Valdés shares personal reflections on his unexpected journey into novel writing instead of pursuing a career in philosophy or politics. He emphasizes his desire for literary independence and freedom from imposed styles and trends, addressing various constraints that writers face, such as adherence to popular fashion, the influence of other literati, and expectations from the public. The text conveys the author's struggle between his ambitions and the realities of being a contemporary writer while hinting at deeper personal connections and struggles that inform his perspective.
La guerre injuste: lettres d'un Espagnol
"La guerre injuste: lettres d'un Espagnol" by Armando Palacio Valdés is a collection of letters written in the early 20th century. The text reveals Valdés's reflections on the moral and political implications of World War I, revealing his thoughts on justice and the wartime spirit of France. The author’s perspective as a Spanish observer provides insights into the emotional landscape of that era, as he grapples with his stance in a world engulfed in conflict. The opening portion of the work begins with a preface that introduces Armando Palacio Valdés, emphasizing his status as a notable Spanish novelist and attaching his reflections to the ongoing war in Europe. He addresses the task of examining the French spirit during these tumultuous times, driven by a moral obligation rather than personal gain or preference. As he contemplates war, Valdés recalls the harrowing echoes of conflict—historically and personally—and expresses solidarity with France, distinguishing between rational support based on justice and the motivations behind various pro-war sentiments prevalent in Spain. He delves into the social chaos, highlighting a sense of urgency in responding to the war's realities while examining the complex feelings spurred by nationalism and the responsibilities of conscience amidst global upheaval.
Los Puritanos, y otros cuentos
"Los Puritanos, y otros cuentos" by Armando Palacio Valdés is a collection of short stories written in the late 19th century. The work features a variety of narratives that explore human experiences and emotions, likely delivered through themes of social commentary and personal struggle. Each story reflects the author’s ability to delve deeply into character development, potentially highlighting complex relationships and societal issues faced by the characters. The opening portion of the collection introduces the first story, "El Pájaro en la Nieve," which revolves around Juan, a blind musician grappling with the despair of losing his parents and a lack of communication from his estranged brother, Santiago. As Juan navigates the streets of Madrid, he faces increasing hardship, including homelessness and hunger, while preserving hope and a deep devotion to the Virgin Mary. The night he finally sings on the streets, hoping for recognition from his brother, tragedy ensues as he struggles against the elements and societal indifference, setting up a profound exploration of human resilience and familial bonds amidst suffering.
El origen del pensamiento
"El origen del pensamiento" by Armando Palacio Valdés is a novel written in the late 19th century. The story introduces Mario, a young and ambitious sculptor, who navigates his romantic feelings amidst the complexities of life and social interactions in Madrid. His experiences at a café and his interactions with family and friends set the stage for a deeper exploration of love, aspiration, and the struggles of an artist. The opening of the novel depicts Mario's anxieties and physical discomfort as he observes a family at a nearby table while attempting to enjoy his coffee. He is in the company of his friend Adolfo and is eager for the arrival of a man named Don Laureano, who seems to be a mentor or figure of significance in Mario's life. The narrative captures Mario's growing infatuation with a young woman at the café, highlighting his emotional turmoil. The interactions with various café patrons, including other friends and acquaintances, convey the bustling social dynamics and philosophical discussions typical of the era, which serve to emphasize Mario's inner conflict between his artistic passions and personal desires.
The Grandee
"The Grandee" by Armando Palacio Valdés is a novel written in the late 19th century. The story is set in a provincial city in Spain, focusing on the life and dynamics within a noble household, particularly that of the protagonist Don Pedro Quiñones de Leon, an aging grandee struggling with his sense of dignity in a changing society. The narrative explores themes of societal hierarchy, pride, and personal turmoil against the backdrop of local customs and the intricacies of family relationships. At the start of "The Grandee," the atmospheric setting of Lancia is established through a wintry night, with elements that reflect the town's old-world charm and the quirks of its inhabitants. We meet Don Pedro Quiñones, who navigates the challenges of his aristocratic status despite facing paralysis and the burden of maintaining respectability. His interactions with guests during a social gathering reveal a tapestry of relationships intertwined with humor, social expectations, and unfulfilled desires, setting the stage for deeper explorations of the characters' motivations and conflicts as the story unfolds. The text hints at underlying tensions, notably regarding Don Pedro's strained marriage to Amalia, and foreshadows the complexities and darker themes that will be explored further in the narrative.
El maestrante
"El maestrante" by Armando Palacio Valdés is a novel written in the late 19th century. The story unfolds in the province of Lancia, focusing on various characters of the aristocracy and their interactions within the local social scene. Central to the narrative is Don Pedro Quiñones, a nobleman grappling with personal eccentricities and the expectations that come with his social standing, alongside a cast of supporting characters that paint a vivid picture of life in this provincial city. The opening of "El maestrante" sets a moody and atmospheric scene on a winter night in Lancia, where the streets are nearly deserted due to the harsh weather. A mysterious man cloaked in layers braves the elements to deliver a canastillo, hinted to contain a child, to the residence of the aristocratic Quiñones family. We are introduced to different characters at a gathering in the Quiñones household, including the anxious wife Amalia and the peculiar Don Pedro, who is characterized by his pride and disdain for modernity. The interactions among the guests offer glimpses into their lives and relationships, hinting at deeper themes of social class, love, and the personal struggles that unfold as the story progresses. This rich introduction creates an engaging premise for understanding social dynamics in a changing society.
Semblanzas literarias
"Semblanzas literarias" by Armando Palacio Valdés is a collection of literary portraits written in the late 19th century. The work reflects on various orators and literary figures who frequented the Ateneo, a literary and scientific institution in Madrid, showcasing both their talents and peculiarities. Through engaging anecdotes and personal insights, the author captures the vibrant spirit of the intellectual discussions of his time. The opening of "Semblanzas literarias" sets a nostalgic tone, with the author recalling the exuberance of his youth spent among fellow literary aspirants at the Ateneo. He describes the atmosphere filled with audacious discussions and the contrast between young and established figures in literature and politics. The author humorously recounts their attempts to carve out space within a prestigious institution, as they navigated the complexities of intellectual rivalry and camaraderie. This portion also highlights the mixed feelings associated with revisiting past critiques of his contemporaries, alongside a sense of obligation to reintroduce his youthful observations to a new audience. Overall, the beginning establishes a reflective narrative laced with humor, personal anecdotes, and keen observations about the literary culture of his era.
The Fourth Estate, vol. 2
"The Fourth Estate, Vol. 2" by Armando Palacio Valdés is a novel written in the early 20th century. It continues the story of life in the fictional town of Sarrio, focusing on the complexities of social relationships, love, and ambition among its characters. The narrative delves into the lives of Pablito, a charming young man entangled in romantic pursuits, and Gonzalo, who grapples with the challenges of marriage and public life. The beginning of the novel introduces Pablito and his friend Piscis as they navigate the streets of Sarrio during a lively spring night. Their playful antics unfold as they seek to disrupt the local tavern scene, revealing Pablito's flirtations with Valentina, a strong-willed seamstress. Meanwhile, Gonzalo is depicted struggling with his marriage's emotional distance from his wife, Ventura, as he reflects on her apparent vanity and self-absorption. This sets the stage for a rich exploration of social dynamics, romance, and personal conflict, inviting readers to become immersed in the intertwining lives of these characters.
Tristán o el pesimismo
"Tristán o el pesimismo" by Armando Palacio Valdés is a novel de costumbres written in the early 20th century. The story revolves around the life of the main character, Tristán Aldama, as he navigates various relationships and the complexities of love and society. This work seems to explore human emotions, moral dilemmas, and the contrast of different lifestyles, hinting at themes of happiness and despair. The opening of the novel introduces us to Don Germán Reynoso, a man of refined sensibilities and a deep connection to nature, as he interacts with a plethora of characters in a pastoral setting. It begins with a scene showcasing his relationship with animals and children, revealing his gentle disposition. The narrative then transitions to his expectations of the arrival of Tristán, who is described as a young man balancing ambitions and familial expectations. Their interactions set the stage for exploring broader themes of love, societal pressures, and the struggle between personal desire and external expectations. The initial chapters create a vivid picture of rural life while establishing character dynamics and foreshadowing potential conflicts that will arise as the story unfolds.
El cuarto poder
"El cuarto poder" by Armando Palacio Valdés is a novel written in the early 20th century. The story is set in the village of Sarrió and revolves around the social dynamics and family relationships of the Belinchón family, particularly focusing on Cecilia Belinchón as she navigates her social place and romantic interests. The narrative explores themes of class, societal expectations, and personal aspirations in a vibrant depiction of life in a small coastal town. The opening of the novel paints a detailed picture of a local theater where the townsfolk gather for entertainment during the long winter nights. It introduces us to the Belinchón family, particularly the matriarch Doña Paula and her daughter Cecilia, who is marked by her insecurities stemming from her family's humble origin. The narrative highlights the contrasting social landscapes represented by the theater's audience, including various layers of society. A significant focus is placed on the arrival of the ship "Bella-Paula," which sparks excitement and anticipation among the townspeople. As the family navigates social gatherings, romantic tensions arise, particularly concerning Gonzalo, who has returned from England and is set to rekindle his relationship with Cecilia.
Los majos de Cádiz
"Los majos de Cádiz" by Armando Palacio Valdés is a novel of customs written in the late 19th century. The story appears to delve into the social dynamics and relationships in Cádiz, focusing on characters such as the taberna owner, Soledad, and her interactions with other locals like Manolo, who seems to have a complicated history with her. The novel likely explores themes of love, societal expectations, and the influence of tradition in a vividly depicted Andalusian setting. The opening of the novel introduces readers to a bustling tavern in Cádiz, where Soledad, a captivating and somewhat enigmatic taberna owner, is engaged in conversation with a young man named Manolo, who has just returned from a journey. Their dialogue reveals a mix of affection, tension, and unresolved feelings stemming from their past interactions. Manolo expresses discontent regarding Soledad's current relationship with another man, Velázquez, while simultaneously showcasing his persistent affection for her. As the lively atmosphere of the tavern contrasts with the emotional undercurrents between the characters, the stage is set for a narrative rich in local color and intimate drama.
La aldea perdida Novela-poema de costumbres campesinas
"La aldea perdida" by Armando Palacio Valdés is a novel-poem depicting rural customs, likely written in the early 20th century. This work captures the essence of village life in Asturias, focusing on themes of nostalgia for a simpler past and the impact of progress on rural communities. The narrative introduces us to characters such as Quino, Bartolo, and Celso, who embark on a mission that speaks to the deeper social conflicts and camaraderie among the young men of the village. The opening of the novel sets a vivid tone through an invocation to the pastoral ideal of Arcadia, evoking memories of innocence and tranquility that have been lost to time and modernization. It then transitions to a lively dialogue between Quino and his companions as they prepare for a confrontation with rival village youths, highlighting local rivalries and the youthful bravado that accompanies them. The rich descriptions of the natural landscape and the detailed character interactions create an engaging atmosphere that draws the reader into the world of the villagers, setting the stage for conflicts and relationships that will unfold throughout the story.
La guerra injusta; cartas de un español
"La guerra injusta; cartas de un español" by Armando Palacio Valdés is a collection of letters written during the early 20th century. The work serves as a moral and political commentary on the First World War, particularly focusing on the perspectives of the author as a Spanish observer reflecting on the nature of justice and injustice in warfare. The author grapples with themes of patriotism, human suffering, and the moral implications of national allegiances amidst global conflict. The opening of the book presents the author's profound contemplation regarding his stance on the war and those who suffer from it. Valdés describes his inner conflict between the haunting realities of war and his own moral convictions, ultimately declaring his support for France and the Allies. He critiques the motivations behind different national sympathies, emphasizing the need for sincerity and moral clarity in the face of such devastation. Through a blend of personal reflection and observational commentary, he vividly illustrates the somber atmosphere prevailing in France at the time, evoking both empathy and a call to understand the broader implications of the war.