Author
Emilia Pardo Bazán
1852-1921
Emilia Pardo Bazán (1852-1921) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Emilia Pardo Bazán
Insolación y Morriña (Dos historias amorosas)
"Insolación y Morriña (Dos historias amorosas)" by condesa de Emilia Pardo Bazán is a fictional work likely written in the late 19th century. The narrative centers around the character Asís Taboada, who navigates her emerging feelings and reflections after a significant and confusing event in her life. The text delves into themes of love, societal expectations, and personal awakening. At the start of the story, readers meet Asís Taboada, who awakens with a severe headache, reflecting on her physical discomfort and the emotional turmoil stirred by a recent incident. As she interacts with her maid, a lively character nicknamed "Diabla," it becomes clear that Asís is grappling with feelings of guilt and confusion regarding a romantic entanglement that has disrupted her previously reserved existence. This opening sets the stage for her self-exploration amidst societal norms, promising an intricate exploration of love and identity as the plot unfolds.
Cuentos de amor
"Cuentos de amor" by condesa de Emilia Pardo Bazán is a collection of short stories likely written in the late 19th century. The stories explore themes of love, passion, and the complexities of human emotions through various characters and scenarios. This anthology presents a blend of romantic ideals with the reality of social constraints, making it appealing to readers interested in emotional depth and narrative intricacies. The opening of the anthology introduces the author and sets the stage for the stories to come. It begins with a preface where Emilia Pardo Bazán reflects on her extensive writing career and the nature of storytelling, hinting at the blend of imagination with real-life events in her tales. Following the preface, the first story, "El amor asesinado," introduces Eva, who is humorously depicted as trying to escape the clutches of love, only to find it infiltrating every aspect of her life, eventually leading to tragic consequences. As she attempts to eliminate love, she discovers that it is an inseparable part of her being, setting the tone for the thoughtful exploration of love that will unfold throughout the book.
La Quimera
"La Quimera" by Emilia Pardo Bazán is a novel written in the late 19th century. This work explores themes of social satire and the inner struggles of individuals against societal expectations, primarily through the experiences of the main character, Silvio Lago, an artist grappling with his artistic aspirations and the trappings of the material world. At the start of the narrative, the author provides a prologue discussing the nature of satire and the disparity between social classes, hinting at a deeper commentary on societal troubles. We then meet Silvio Lago, who arrives in a town called Alborada, seeking both connection and purpose. Through encounters with various characters, including his relatives and a baroness, Silvio’s internal conflict between his artistic ambitions and the allure of a mundane life becomes evident. The narrative sets the stage for Silvio's exploration of his aspirations amid the contrasting desires of those around him, promising a rich exploration of human experience and artistic longing.
Russia: Its People and Its Literature
"Russia: Its People and Its Literature" by Emilia Pardo Bazán is a critical survey of Russian literature written in the late 19th century. The work seeks to explore the intricate connections between Russian literature and its social and historical context, focusing on the evolution of the Russian people and their literary achievements. Through this examination, the author aims to provide insights into the significant literary movements and authors that have shaped Russian literature, illuminating a cultural panorama rich with significance. The opening of the text lays the groundwork for a comprehensive exploration of Russian cultural and literary history, beginning with a personal note from the author about her inspirations and intentions. Pardo Bazán reflects on her initial exposure to the works of Russian authors and the profound impact they made on her worldview, igniting a desire to understand the socio-political environment that birthed such literature. She acknowledges her limitations, particularly her inability to read Russian, while articulating an assessment of the interconnectedness of Russian social classes, history, and the innovative literary movements present in works by authors like Dostoevsky. Through her structured approach, she promises to navigate the vast realm of Russian literature, aligning it with the movements of Nihilism and the evolution of the Russian novel, setting the stage for a detailed and thoughtful analysis throughout the rest of the work.
La madre naturaleza (2ª parte de Los pazos de Ulloa)
"La madre naturaleza (2ª parte de Los pazos de Ulloa)" by Pardo Bazán is a novel published in 1887. This continuation follows Perucho and Manuela, two young people raised in rural Galicia who fall deeply in love—unaware they are half-siblings. As nature's pull clashes with society's moral codes, the story explores themes of forbidden passion, spirituality versus instinct, and class divisions. When the truth of their relationship is revealed, the consequences force a reckoning between natural desire and cultural expectations in nineteenth-century Spain.
Cuentos de navidad y reyes; cuentos de la patria; cuentos antiguos
"Cuentos de navidad y reyes; cuentos de la patria; cuentos antiguos" by Emilia Pardo Bazán is a collection of short stories written in the late 19th century. The work draws on themes of tradition, societal norms, and diverse aspects of the human experience, particularly in the context of Christmas and Epiphany. The stories explore various characters, such as a devoted nun, a struggling donkey, and children, reflecting on their struggles and aspirations. At the start of the collection, the author sets a vivid and atmospheric scene with "La Nochebuena del Papa," where people bustle through the streets of Rome on Christmas Eve, eager to witness the Pope's prayer before the manger. As the narrative unfolds, the imagery deepens with a transformative moment at the crux of faith and social consciousness, as a multitude of impoverished souls surround the Christ child. Subsequent stories introduce characters like Sister María, who experiences a tender yet tumultuous internal conflict between her vows and her maternal instincts, alongside the trials faced by the donkey, Peludo. Through these tales, Pardo Bazán delves into themes of sacrifice, longing, and redemption, inviting the reader to reflect on the deeper meanings of love, belief, and societal responsibilities during the festive season.
La dama joven
"La dama joven" by Emilia Pardo Bazán is a novel written in the late 19th century. The book centers around the lives of two sisters, Dolores and Concha, who work as seamstresses in a city where social pressures and romantic entanglements threaten their modest existence. The narrative explores themes of familial bonds, the challenges of working-class life, and the aspirations of the younger sister, Concha, as she navigates her desires for personal recognition and love. The opening portion of the novel introduces us to the two sisters at work late at night, struggling with the fading light of a kerosene lamp while engaged in their sewing tasks. We learn about their tumultuous pasts, including Dolores's earlier responsibilities as a caretaker and the hardships they faced after becoming orphaned. As the story progresses, we see the contrasting character dynamics between the protective older sister, Dolores, and the more carefree, ambitious younger sister, Concha, who wishes to participate in theatrical performances. Their interactions hint at deeper themes of caution, societal expectations, and the desire for social mobility, setting the stage for the conflicts and developments that will arise throughout the novel.
La prueba
"La prueba" by Emilia Pardo Bazán is a novel written in the late 19th century. The story appears to revolve around the complex emotions and experiences of its main character, likely a young man named Luis Portal, who navigates themes of love, identity, and societal expectations. Through his interactions with various characters, including his friend Luis and a woman named "Mo," the narrative explores the protagonist's inner turmoil and romantic aspirations. At the start of the novel, we meet Luis Portal, who is recovering from a severe illness. As he recuperates, he reflects on his physical changes, including the growth of a beard, which symbolizes his transition into adulthood. Portal's discussions with his friend reveal his frustrations with love and relationships, particularly as he pines for a woman named Carmiña, who is married. This opening sets the stage for a deeper exploration of desire, longing, and the conflicts between societal norms and personal passion, hinting at a complex web of emotions that will be further unraveled throughout the story.
The Swan of Vilamorta
"The Swan of Vilamorta" by Emilia Pardo Bazán is a novel written in the late 19th century. It explores themes of love, ambition, and social dynamics through the experiences of its main characters, Segundo García, a young poet, and Leocadia Otero, a schoolmistress. The narrative is situated in the fictional town of Vilamorta, where personal aspirations intertwine with a backdrop of societal expectations and complex relationships. At the start of the story, Segundo descends a rugged path near the town, reveling in the peaceful ambiance as he engages in an imaginative conversation with an echo. His poetic sensibilities catch the attention of passing muleteers, who mock him, prompting him to retreat into the nearby pine grove, where he eventually encounters Leocadia, with whom he shares a close and affectionate bond. As the narrative unfolds, Leocadia's profound feelings for Segundo are highlighted, juxtaposed against the social constraints and the weight of her past that she carries. The opening thus sets the stage for the exploration of their emotional entanglements, ambitions, and the contrasting backdrop of the town.
A Christian Woman
"A Christian Woman" by Emilia Pardo Bazán is a novel written in the late 19th century. The story focuses on the life of a young woman navigating her studies and social environment while grappling with familial and societal expectations. Through her experiences, the themes of education, personal ambition, and the pursuit of identity in a male-dominated society emerge. The opening of "A Christian Woman" introduces us to the protagonist, who reflects on her rigorous studies in engineering with a mix of humor and frustration. Forced to balance her academic demands with her tumultuous boarding-house life, she encounters an assortment of colorful characters, including a jovial but irresponsible fellow boarder and a jealous landlady. Through witty observations, she establishes her individuality against the backdrop of chaotic living conditions and academic pressures, setting the stage for her journey of self-discovery and the challenges she will face as a woman aspiring for independence in a restrictive society.
Los pazos de Ulloa
"Los pazos de Ulloa" by condesa de Emilia Pardo Bazán is a novel published in 1886. A young priest arrives at a decaying Galician manor to serve as administrator, only to find his nobleman employer living in moral disorder. The estate is controlled by a cunning and violent servant whose daughter is the nobleman's mistress. When the nobleman marries a gentle woman from Santiago, the household's dark power struggles intensify, threatening everyone caught within the crumbling walls of the pazos.
The Mystery of the Lost Dauphin (Louis XVII)
"The Mystery of the Lost Dauphin (Louis XVII)" by Emilia Pardo Bazán is a historical novel written in the early 20th century. This work delves into the controversial history surrounding Louis XVII, the son of Louis XVI and Marie Antoinette, and the rumors of his escape from imprisonment during the French Revolution. The narrative explores themes of identity and legitimacy, particularly through characters like René, a Marquis torn between love and social obligation, and Amélie, a young woman entwined in the complex legacy of the Bourbon family. The opening of the novel sets the stage in both Paris and London, indicating a significant historical backdrop tied to the legacy of Louis XVI's execution and the royal family's continuing claims to legitimacy. We are introduced to René, a young French aristocrat, who secretly visits Amélie, his love, while facing societal pressures regarding her humble origins. As they discuss their love and the challenges of their respective family legacies, tensions about honor, deception, and historical truth begin to unfold. The narrative hints at deeper conspiracies relating to the royal lineage, setting the stage for a blend of romance and intrigue that beckons readers to uncover the connections between love and legacy amidst political strife.
Una Cristiana
"Una Cristiana" by Emilia Pardo Bazán is a fictional novel written in the late 19th century. The story revolves around the protagonist's journey through the academic world, showcasing the struggles and experiences of a young student in engineering as he faces challenges in both his studies and social life. The narrative delves into themes of ambition, personal relationships, and societal expectations, particularly centered on the main character, Salustio, and his interactions with a colorful cast of individuals at a boarding house. The opening of the novel presents Salustio, a dedicated student aspiring to be an engineer, detailing his educational journey filled with various subjects and the pressures of academic life. As he recounts his experiences living in a bustling boarding house, the vibrant and often chaotic environment shapes his character and relationships. His reflections reveal insights into his personal ambitions, his relationships with his peers, and an underlying tension regarding his family's expectations, particularly with regard to his parents' legacy and his uncle's influence as he navigates the complexities of young adulthood and the pursuit of his career.
La piedra angular: novela
"La piedra angular: novela" by Emilia Pardo Bazán is a novel written in the late 19th century. The book explores family dynamics and socio-economic contrasts through the lives of its characters, particularly focusing on the interactions of Doctor Moragas and his daughter Nené, alongside a mysterious client named Juan Rojo, who enters their lives with a sense of foreboding. The text delves into themes of innocence, moral dilemmas, and the heavy influence of social circumstances. The opening of "La piedra angular" establishes a vivid backdrop with Doctor Moragas in his consultation room, interrupted by the exuberance of his daughter Nené. As he attends to his work, a troubled client arrives, whose demeanor hints at a deeper story surrounding his socioeconomic struggles. The narrative hints at the strained relationship between social status and personal failure, particularly through the perspective of the doctor, who battles his own moral judgments regarding the mysterious Juan Rojo. The interplay of familial love and societal judgment sets the stage for a rich exploration of character and circumstance as the story unfolds.
El Tesoro de Gastón: Novela
"El Tesoro de Gastón: Novela" by condesa de Emilia Pardo Bazán is a work of fiction written in the late 19th century. This novel revolves around Gastón de Landrey, a young man returning from Paris only to confront the ruin of his family's estate and the consequences of his extravagant lifestyle. As he faces the grim realities of his financial situation, the story hints at themes of responsibility, moral introspection, and the value of heritage. The opening of the novel introduces Gastón as he arrives at Madrid's North Station, burdened by fatigue and anxiety about his financial troubles. Despite having enjoyed a lavish lifestyle after inheriting from his mother, he now grapples with the aftermath of his recklessness and the role of his untrustworthy advisor, Don Jerónimo. After a sleepless night, filled with a mix of memories and regrets, he seeks solace from his only living relative, his aunt, the Comendadora, who lives in a convent. This beginning sets the stage for Gastón's journey into self-discovery and the search for a family treasure that could restore his fortunes, intertwining personal loss with the prospect of redemptive legacy.
Morriña (Homesickness)
"Morriña (Homesickness)" by Emilia Pardo Bazán is a novel written in the late 19th century. The story revolves around Doña Aurora de Pardiñas and her delicate son Rogelio, exploring themes of nostalgia, family, and the emotional struggles associated with homesickness. The narrative delves into their life in Madrid, characterized by the mother's unwavering affection and concern for her son, who is grappling with his identity and feelings of longing for Galicia, his homeland. At the start of the novel, we are introduced to the mundane yet intimate world of Doña Aurora and her son Rogelio as they navigate their daily routines in Madrid. Doña Aurora sits by the window, closely observing Rogelio as he attends university lectures, reflecting a mother's pride but also a deep-seated anxiety over his health. The opening describes their home filled with lighthearted banter and warmth, contrasting sharply with their underlying struggles—Doña Aurora's guilt about her son’s fragile health and Rogelio's yearning for his native Galicia. As they attempt to foster a sense of normalcy, the entry of a Galician girl, Esclavita, seeking work brings forth themes of belonging and identification, further illustrating the ties to their homeland that influence their collective experiences of homesickness.
Un viaje de novios
"Un viaje de novios" by Emilia Pardo Bazán is a novel written in the early 20th century. The story revolves around Lucía, a young bride, as she embarks on her honeymoon journey with her husband, Aurelio Miranda. Through the lens of their travels, themes of social class, love, and the dynamics of marriage are likely explored, set against the backdrop of a changing society. At the start of the novel, the author reflects on her experiences and thoughts about writing travel impressions, deciding instead to weave these ideas into a narrative. The opening scene introduces the wedding of Lucía and her husband, highlighting the disparity between their respective social backgrounds. As the couple departs from León on their journey, the emotional farewells and diverse reactions from their families and friends set the tone for Lucía's new life ahead. Conversations between characters reveal hints of their personalities and desires, suggesting the complexity of their relationships and the societal expectations they face.
Dulce Dueño
"Dulce Dueño" by condesa de Emilia Pardo Bazán is a historical novel written in the early 20th century. Set in the backdrop of ancient Alexandria, it explores the life of Catarina, a learned and proud princess who grapples with her feelings of love and self-worth against the societal and religious norms of her time. The story delves into her quest for true beauty and love, ultimately navigating her complex identity amid the struggles of faith and desire. The opening of "Dulce Dueño" establishes a tranquil scene as rain falls softly outside a cozy gathering in a village. Within this intimate setting, three characters engage in a discussion about Saint Catherine of Alexandria, highlighting the historical backdrop of the tale. The eclesiastical figure reads about Catherine's life, establishing her as a symbol of intellect and beauty who faced societal pressures and persecution in a tumultuous era. Amidst the dialogue, the narrative hints at Catherine's defiance against her suitors, her intellectual pursuits, and her internal conflict regarding love—setting the stage for her engagement with themes of faith, justice, and the search for identity as the story unfolds.
A Wedding Trip
"A Wedding Trip" by Emilia Pardo Bazán is a novel likely written in the late 19th century. The story revolves around Lucía, a young bride, as she embarks on her journey with her husband, Aurelio Miranda, after a marriage marked by various social dynamics and familial connections. The narrative explores themes of class, relationships, and the expectations surrounding marriage, especially for young women in that era. The opening of the story vividly sets the scene for Lucía's wedding day, illustrating the contrasting social backgrounds of the bride and groom, alongside the emotional farewells exchanged with family. We see Lucía, a figure of robust youth and grace, feeling the weight of her new position while expressing innocence and apprehension about the transition into married life. The departure at the railway station captures a poignant moment of change, with Lucía's tears juxtaposed against her excitement for the adventures ahead. As the couple sets off towards France, the narrative hints at the complexities of their relationship and the challenges that lie ahead, establishing tension about Lucía's path as she navigates her new life.
El cisne de Vilamorta
"El cisne de Vilamorta" by condesa de Emilia Pardo Bazán is a novel written during the late 19th century. The story is set in the quaint village of Vilamorta and revolves around the lives of its inhabitants, especially focusing on the characters Segundo García, a young poet, and Leocadia Otero, a schoolteacher with a complex past. This work promises to explore themes of love, ambition, and the clash between romantic ideals and the harsh realities of life. The opening of the novel introduces a serene yet melancholic evening in Vilamorta, where Segundo García enjoys the tranquility of the landscape as he engages with the echo of a wall, demonstrating his whimsical nature. Alongside the picturesque description, we see hints of struggles within his family dynamics, particularly his father's expectations for him to embrace a more conventional career in law. As Segundo navigates his thoughts and aspirations, he also encounters Leocadia, whose backstory of hardship and longing for idealized love begins to intertwine with his poetic pursuits. This initial chapter sets a tone of introspection, inviting readers into a world rich in emotional depth and social commentary.
La Tribuna
"La Tribuna" by condesa de Emilia Pardo Bazán is a novel published in 1883. Set during Spain's 1868 revolution, it follows Amparo, a young tobacco factory worker in the fictional city of Marineda. As political upheaval sweeps through Spain, Amparo becomes a passionate advocate for republican ideals among her fellow workers, earning her the nickname "La Tribuna." Her involvement in revolutionary politics intertwines with a doomed romance with Baltasar, a young man from the upper classes, leading to personal tragedy.
En tranvía : $b Cuentos dramáticos
"En tranvía: Cuentos dramáticos" by condesa de Emilia Pardo Bazán is a collection of short stories written in the late 19th century. The book presents a series of dramatic vignettes, each exploring the varied complexities and struggles within everyday Spanish life, often focusing on themes of social class, fate, and the human condition. The stories introduce a range of characters from different walks of life, portraying their joys, tragedies, and moral dilemmas with acute psychological insight. Readers can expect immersive tales rich in atmosphere, social critique, and emotional depth. The opening of the collection sets the stage aboard a Madrid tram on a spring morning, observing passengers from all social backgrounds, especially contrasting well-off families with a desperate, impoverished woman and her blind child. As the passengers' initial display of charity fails to comfort the woman's deeper anguish, a subtle critique of societal sympathy emerges. The subsequent stories start with "Adriana," recounting a mother's heartache after a traumatic ordeal threatens her only child, and "Vitorio," which introduces a "noble bandit" whose downfall is entwined with personal disgrace and family honor. Each introductory tale establishes the emotionally charged and morally complex narratives that follow, while painting a vivid picture of Spanish society.
La Sirena Negra
"La Sirena Negra" by Emilia Pardo Bazán is a novel written in the early 20th century. The story explores themes of existential reflection and the human condition as experienced through the life and thoughts of the protagonist, Gaspar. The narrative delves into his interactions with women, notably Rita, a troubled figure, and hints at the complexities of love, responsibility, and social expectations, laying the groundwork for a deeper examination of life and relationships. At the start of the novel, Gaspar reflects on his life after leaving a theater with a group of friends, a moment that stirs an internal crisis about the quality of life. As he walks through the cold streets of Madrid, he observes various societal figures—streetwalkers, drunks, and workers—and grapples with discomfort at the idea of charity and the connections between humanity. His attention is soon captured by Rita, a fragile woman he encounters at a doctor’s office, who keeps her tragic story and struggles concealed. Their subsequent relationship, marked by moments of tenderness and sadness, unfolds against a backdrop of societal norms and personal desires, setting the stage for conflict and emotional exploration.
Le Naturalisme
"Le Naturalisme" by Emilia Pardo Bazán is a series of literary essays written in the late 19th century. This work discusses the emergence and implications of naturalism in literature, with a particular focus on its differentiation from romanticism and classicism. Pardo Bazán explores themes such as determinism, free will, and the moral implications of naturalistic writing, positioning herself as a prominent figure in the Catholic Naturalist movement. The opening of "Le Naturalisme" introduces the author's intent and the motivations behind presenting her ideas to a French audience. It begins with a preface explaining the significance of understanding the foreign perspective on a literary movement that originated in France. Pardo Bazán emphasizes the need for clarity regarding the often-misunderstood concepts of naturalism and realism, arguing that true naturalism encompasses deeper psychological and moral considerations than mere sensationalism. She lays the foundation for her argument by referencing influential literary figures and discussing the historical context that shaped her perspective as a member of the emerging naturalist movement.