Author
José María de Pereda
1833-1906
José María de Pereda (1833-1906) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by José María de Pereda
El buey suelto... Cuadros edificantes de la vida de un solterón
"El buey suelto... Cuadros edificantes de la vida de un solterón" by José María de Pereda is a fictional work crafted during the late 19th century. This book explores the life and thoughts of Gedeón, a man who embodies the archetype of the selfish bachelor, reflecting on themes of solitude, indulgence, and the nature of marital life. As Gedeón navigates his comfortable but ultimately hollow existence, the narrative promises a mix of satire, social commentary, and insightful observations about the mundane realities of both single and married life. The opening of the work introduces Gedeón, who is characterized as an egoist, luxuriating in his bachelor lifestyle. Through his introspections, he draws distinctions between various types of egoists, ultimately leading himself to ponder the merits and demerits of marriage. At this stage, he is struck by the pangs of loneliness after the loss of a parental figure, compelling him to reflect on both the comforts and hardships of life as a celibate man. Disgruntled by his solitude, he imagines potential futures intertwined with the prospect of marriage while simultaneously voicing his disdain for the societal pressures and dissatisfaction that come with it, laying the groundwork for his examination of the contradictions inherent in domestic life.
Sotileza
"Sotileza" by José María de Pereda is a novel published in 1885. Set in the maritime neighborhoods of mid-nineteenth-century Santander, it follows a young orphan girl nicknamed Sotileza who escapes her abusive foster family to live among street children called "raqueros." When a kind fisherman couple takes her in, she begins a new life, while navigating relationships with her childhood companions and a middle-class boy named Andrés. The novel captures a disappearing way of life among fishing families through richly drawn characters and local detail.
De tal palo, tal astilla
"De tal palo, tal astilla" by José María de Pereda is a novel written in the late 19th century. The story opens in a stormy mountainous landscape, setting the stage for a drama that intertwines elements of nature, societal norms, and personal narratives. The narrative introduces two characters, a traveler on horseback and his guide, Macabeo, who navigate through dangers while showcasing their contrasting personalities and perspectives on life, faith, and responsibility. At the start of the novel, readers are thrust into a tumultuous night as the protagonist, "Pateta" (Doctor Peñarrubia), seeks shelter amidst a raging storm. As the storm rages, he is accompanied by Macabeo, a steadfast yet superstitious character. Their dialogue reveals insights into their relationship and foreshadows underlying themes of fear, bravery, and existential contemplations tied to nature's unpredictability. The opening establishes a vivid and dynamic setting while hinting at deeper societal and personal conflicts that will unfold as the story progresses, particularly revolving around themes of fate, identity, and the legacies passed down through generations.
El sabor de la tierruca
"El sabor de la tierruca" by José María de Pereda is a novel written in the late 19th century. This work explores the lives and landscapes of rural Spain, particularly the Cantabria region, through rich descriptions and character-driven narratives. The story introduces us to protagonists like Pablo and Ana, who navigate their relationships against a backdrop of local customs, family ties, and social tensions. The beginning of the novel sets a vivid and immersive tone, describing a majestic tree (the cajiga) that symbolizes the wild beauty of the montañés landscape. We meet the character Pablo, a young man who expresses a deep connection to his homeland, contrasting with his friend Don Baldomero, who dismisses the value of knowledge and education. Their conversation reflects the tensions between rural life and the outside world, highlighting personal desires and societal expectations. As Pablo finds comfort in the familiar sights and sounds of his village, the narrative hints at the complexities of love and friendship, especially through the dynamic between Pablo and Ana, who is introduced later along with the theme of familial conflict.
Los Hombres de Pro
"Los Hombres de Pro" by José María de Pereda is a novel likely written during the late 19th century. The book examines social and political interactions in a rural setting, emphasizing the lives and peculiarities of its inhabitants, particularly focusing on the main character, Gedeón, whose journey reflects broader social themes. The opening of "Los Hombres de Pro" sets the stage for a detailed exploration of the protagonist Gedeón, portrayed as an average individual who personifies a range of human vanity and mediocrity. It hints at the dynamics of his relationships with others in his community, including friends and adversaries, as well as the social and political commentary that Pereda weaves into the narrative. The beginning delves into Gedeón's character as he navigates life marked by egoism and the everyday struggles inherent in provincial life. The writing style is rich, painting vivid pictures of local customs and dialogues, effectively transporting readers to the heart of Cantabrian culture and life.
La Puchera
"La Puchera" by José María de Pereda is a novel written in the late 19th century. The story is set in a rustic coastal village and revolves around the lives of its inhabitants, particularly focusing on the relationships and struggles between characters involved in fishing and farming. The narrative delves into local customs, social dynamics, and the challenges faced by those living on the margins of rural society. At the start of the novel, we are introduced to the idyllic and vividly described setting of the village and its waterways, establishing a connection between the land and its people. The main characters introduced include Juan Pedro Menocales, known as "el Lebrato," a seasoned fisherman, and his son Pedro Juan, referred to as "el Josco." Their contrasting personalities are highlighted: Juan Pedro is gregarious and sociable, often entertaining the community with stories, while Pedro Juan is more reserved and introspective, grappling with his feelings for a local girl, Pilara. The opening sets the stage for exploring themes of familial duty, love, and the harsh realities of life in a rural Spanish community.
Peñas arriba
"Peñas arriba" by José María de Pereda is a novel written in the late 19th century. The narrative centers around the letters exchanged between the protagonist and his uncle, with the protagonist reflecting on their family background and the call to return to his ancestral home amid a backdrop of loss and contemplation over life’s trials. The story hints at themes such as family ties, the contrast between urban and rural life, and a search for belonging. At the start of the novel, the unnamed narrator receives a heartfelt letter from his uncle, Celso, inviting him to Tablanca, the family homestead in the mountains after the loss of his father and the absence of his sister. The uncle shares his life story, rife with personal losses, and expresses a longing for companionship in his old age. The protagonist, who has lived a comfortable and affluent life in urban settings, contemplates the contrast between his current life and what his uncle represents—the rugged, rural existence filled with hardships but also a deeper connection to family and land. As he wrestles with his feelings regarding the invitation, an inner conflict arises about his identity and the life choices before him.
Esbozos y rasguños
"Esbozos y rasguños: Obras completas - Vol. VII" by José María de Pereda is a collection of literary sketches written in the late 19th century. This volume presents various narratives that delve into social customs and relationships in the provincial Spanish society of the time. The author, known for his vivid portrayals of life in northern Spain, explores themes of class, friendship, and societal norms through an array of engaging characters and scenarios." "The opening of this volume includes a preface in which Pereda humorously addresses potential criticisms of his work, acknowledging that while some pieces may not be polished gems, they are nonetheless valuable for the memories and sentiments they evoke. He emphasizes the importance of recognizing the subjective nature of literature and the connections readers may have to personal experiences reflected in his tales. The subsequent segments begin with a depiction of social visits and the dynamics of polite society, illustrated through the exchanges between characters who navigate the complex web of social etiquette, revealing a mix of irony, observations on superficiality, and critiques of the era's standards."
Bocetos al temple. Tipos trashumantes : $b Obras completas - Vol. VIII
"Bocetos al temple. Tipos trashumantes: Obras completas - Vol. VIII" by Pereda is a literary work that appears to be a collection of character sketches or narrative pieces written in the late 19th century. The text hints at a social commentary, exploring themes of class, virtue, materialism, and the complexities of human relationships within the context of Spanish society, particularly through the interactions among the characters. The opening of this volume introduces readers to a mysterious character wandering the streets of Madrid, revealing his sense of alienation amidst the bustling city. This character, identified as Carlos, seems caught between his provincial background and the sophistication of Madrid's elite. The narrative unfolds through a dialogue with his brother Ramón, who expresses concern about Carlos's well-being and his marriage to Isabel, a woman of beauty and status. As the story progresses, hints about social expectations and personal integrity begin to emerge, setting the stage for future conflicts, particularly with the arrival of the flamboyant vizconde and the tensions they bring to Carlos and Isabel's relationship. This introduction establishes a captivating blend of character dynamics and social intrigue that is likely to resonate with readers interested in the themes of vanity and honor in relationships.
Tipos y paisajes
"Tipos y paisajes" by José María de Pereda is a fictional work written in the late 19th century. This collection showcases vignettes of life and characters from the author's native region, exploring the customs, virtues, and flaws of its people while intertwining themes of patriotism and nostalgia. The opening of the work presents a prologue, where the author addresses potential critiques about his portrayal of local culture and characters. He defends his approach as an honest representation rather than an embellished one, arguing that a true portrait of his homeland includes both its beauty and its imperfections. Following this, the narrative introduces a character named Don Apolinar de la Regatera, a man who embarks on a journey to the Americas for economic opportunities, and returns to his native Santander wealthier but facing the stark realities of changing times and societal transformations. This sets the stage for a deeper exploration of the tensions between tradition and modernity, as well as the complexities of regional identity.
Pedro Sánchez
"Pedro Sánchez" by José María de Pereda is a novel published in 1883. Written as an autobiographical narrative, it follows the protagonist Pedro Sánchez, a poor nobleman from northern Spain who travels to Madrid seeking his fortune. There he becomes witness to and participant in the revolution of 1854, encountering bureaucratic corruption, romantic entanglements, and the complexities of political upheaval. The novel blends personal experience with historical events, creating what critics consider one of Pereda's finest works.
Escenas Montañesas
"Escenas Montañesas" by José María de Pereda is a collection of narratives likely written during the late 19th century. The work encompasses a series of portrayals that explore the lives, culture, and customs of the people in the Cantabria region of Spain, showcasing the contrast between rural life and the encroaching modernity of urban settings. The opening of "Escenas Montañesas" presents a reflective narrative, where the protagonist, engaged in a conversation at a café, shares insights on the human condition across generations. The main character, Don Pelegrín Tarín, is introduced as an elderly man who reminisces about life in Santander during his youth, contrasting it with contemporary social changes. His tales of simplicity and contentment highlight the tensions between tradition and progress, as he laments the loss of the values and social structures of his past. The text sets the tone for a work rich in detailed observations and cultural criticism, suggesting a profound exploration of community and identity in a transforming world.
Al primer vuelo
"Al primer vuelo" by José María de Pereda is a novel written during the late 19th century. The narrative revolves around the lives of the Bermúdez Peleches family, particularly focusing on Alejandro, the youngest son, and his relationships with his siblings Lucrecia, Hector, and Aquiles. The opening portion sets the stage for the family's dynamics, depicting Alejandro's journey and hinting at themes of wealth, health, and the burdens of familial expectations. The opening of the novel introduces readers to the Bermúdez Peleches household and the distinct personalities of its members. Alejandro is portrayed as the most robust and ambitious brother, while his siblings are characterized as weak and unfulfilled. The narrative navigates Alejandro's transition from family duties in Villavieja to the vibrant life in Sevilla, where he pursues business and personal aspirations, including a budding romance with a wealthy orphan. The story begins to unfold a discourse on health and vitality, suggesting that Alejandro's successful pursuits are tied to the pursuit of a 'pure' and healthy lifestyle, mirroring the familial ties and expectations he grapples with throughout his life.
Tipos trashumantes: cróquis á pluma
"Tipos trashumantes: cróquis á pluma" by José María de Pereda is a collection of character sketches written in the late 19th century. The work explores various social types, primarily focusing on the diverse visitors to the coastal town of Santander during the summer months and their interactions with both the local populace and each other. Pereda dives into the contrasts between the wealthy holidaymakers and the indigenous residents, providing a vivid portrayal of their behaviors, customs, and evolving dynamics. The opening portion of this sketch collection introduces several characters who come to Santander for their summer retreats. The narrative begins with a satirical note on the influx of vacationers who alter the town's atmosphere, making it a bustling hub of eccentric personalities. Among those portrayed are the wealthy Cascajares family, struggling to fit into high society, and the hapless Becerril family, seeking health cures through seaside baths. Pereda illustrates their experiences and impressions upon arrival, showcasing the differences between the social classes and hinting at the appraisals and judgments these characters make about one another. The author’s keen observations and humorous style offer a rich and relatable commentary on life, providing readers an engaging look at the quirks and foibles of various social types.
Pachín González
"Pachín González" by José María de Pereda is a novel written in the early 20th century. The story follows a young boy named Pachín González as he embarks on a journey filled with hope and ambition, mixed with an unsettling sense of foreboding. Set against a backdrop of exploration and aspiration, the novel promises to delve into themes of poverty, adventure, and the contrast between rural simplicity and urban complexity. The opening of the novel presents Pachín as he prepares to leave his home with his mother for the city of Santander on a significant day, one tinged with the sorrow of remembrance for both. Despite his mother’s emotional turmoil and protective instincts, Pachín is driven by dreams of wealth and a better life. They arrive amidst bustling activity, but soon, the story takes a dramatic turn as a disaster unfolds—a fire on a boat leads to a catastrophic explosion. This sets the stage for a horrifying sequence of events that forces Pachín into a frantic search for his mother amidst the chaos of destruction and despair. The contrasts between hopes for a brighter future and the stark realities of life are vividly established from the onset, hinting at the trials that await our protagonist.
La Montálvez
"La Montálvez" by José María de Pereda is a novel written in the late 19th century. The story introduces us to the main character, Don Javier, the Marquess of Montálvez, exploring his life and relationships, particularly with his wife and their children. The initial chapters set the stage for themes of social status, family dynamics, and the quest for an heir that can continue the legacy of the Montálvez title. At the start of the novel, we find the Marquess of Montálvez characterized by a complacent yet superficial life, filled with vanity and social aspirations. He is eager for a male heir, which becomes a source of societal pressure and personal disappointment when his wife gives birth to a daughter, Verónica. As the narrative unfolds, we see the complex dynamics within the family, revealing the Marquess's growing disdain for his daughter in favor of his desires for a son. The opening chapters also touch on societal expectations surrounding marriage, wealth, and the roles of women, setting the stage for Verónica's development as she navigates the contrasting affections and neglect within her aristocratic upbringing.