Author
Evelyn March Phillipps
Died 1915
Read free books by Evelyn March Phillipps on Rivro. Explore public-domain classics and related works.
Subjects
Books by Evelyn March Phillipps
The Venetian School of Painting
"The Venetian School of Painting" by Evelyn March Phillipps is an informative historical account written in the early 20th century. The book presents a comprehensive overview of the Venetian School of Painting, highlighting its masters and the evolution of its distinctive style from its inception to its decline. It seeks to educate art enthusiasts and visitors on the significance and contributions of Venetian painters in the broader context of art history. The opening of the work sets the stage by emphasizing the unique position of Venetian painting in contrast to other Italian schools. The author reflects on how Venice, through a confluence of influences and its own distinct cultural identity, cultivated an art form that stood apart, characterized by a sensuous appreciation for color and emotion over the intellectual rigor found in Florence. The introduction discusses the isolation and rich history of Venice, mentioning key elements that shaped its art, including the connection to the East and the local response to various art movements, ultimately framing the Venetian School as an important and singular artistic phenomenon to be explored throughout the text.
Pintoricchio
"Pintoricchio" by Evelyn March Phillipps is a historical account written in the late 19th century. The book delves into the life and works of Bernardino Pintoricchio, a lesser-known painter of the Italian Renaissance, who created a significant body of work that has been largely overlooked by art historians. Through an exploration of his biography and artistic influences, the author aims to shed light on Pintoricchio's unique charm and contribution to Umbrian painting during the Renaissance. The opening of the work begins with a biographical overview of Pintoricchio, highlighting his birth in Perugia around 1454 and his early submission to the artistic world, which was shaped by the influences of miniaturists of the time. March Phillipps discusses the sparse historical references and critiques Pintoricchio has received, indicating that, while he may not be ranked among the great masters, his art possesses a distinct charm that merits further exploration. The text hints at his relationships with major artists and patrons, setting the stage for a detailed examination of Pintoricchio's oeuvre and his place within the Renaissance art movement.