Author

Henry R. (Henry Robert) Plomer

1856-1928

Henry R. (Henry Robert) Plomer (1856-1928) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.

Subjects

Books by Henry R. (Henry Robert) Plomer

A Short History of English Printing, 1476-1898

"A Short History of English Printing, 1476-1898" by Henry R. Plomer is a historical account written in the late 19th century. The book provides a comprehensive overview of the development of printing in England from the introduction of the printing press by William Caxton until the end of the 19th century. It captures key events, notable figures, and technological advancements in the printing industry, making it a valuable resource for anyone interested in the evolution of English literature and printing practices. The beginning of this work lays the foundation for a discussion on the complexities and challenges of chronicling the history of English printing. It highlights the contributions of early printers like Caxton and his contemporaries, outlining their struggles and successes in establishing a vibrant print culture. The editor's preface introduces the significant groundwork laid by past bibliographers and asserts Plomer's expertise in uncovering lesser-known facts, particularly about the later periods of printing history. This introduction sets the stage for deeper exploration into the individual printers, their works, and the overall impact of print on English society and culture.

English printers' ornaments

"English Printers' Ornaments" by Henry R. Plomer is an art and history book written in the early 20th century. The work explores the evolution and significance of ornamental designs used in English printed books from the 15th to the 19th century. It delves into various types of printers' ornaments such as borders, headpieces, and initial letters, celebrating their artistic value and historical context. The opening of the book sets the stage for an in-depth discussion on printers' ornaments, beginning with a preface that clarifies the distinction between decoration and illustration in book design. Plomer outlines his intention to provide a historical overview, beginning with the origins of ornamental design in the early days of printing up through its development into a recognized art form in later centuries. He also acknowledges contributions from various printers over time and hints at the artistic challenges they faced while striving to produce visually appealing and functional text layouts.