Author
Marco Praga
1862-1929
Marco Praga (1862-1929) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Books by Marco Praga
Alleluja: dramma in tre atti
"Alleluja: dramma in tre atti" by Marco Praga is a drama written in the late 19th century. The play is set in a provincial city in Lombardy and revolves around the life of Alessandro Fara, his wife Elisa, and their daughter Eva, exploring themes of family, honor, and emotional turmoil. The narrative seems to focus on the complex relationships within the family, particularly dealing with past grievances and societal expectations. The opening of the drama introduces us to a festive gathering celebrating Alessandro and Elisa's silver wedding anniversary. Surrounded by friends and acquaintances, Alessandro appears jovial and lighthearted, but his internal struggles are hinted at as he reminisces about the weight of his past. Various characters engage in lively exchanges, reflecting both humor and tension within the group. As the atmosphere shifts, the stark contrasts in the characters' backgrounds and emotional depths become apparent, hinting at deeper conflicts yet to unfold. The scene sets a foundation for the exploration of secrets, regrets, and familial bonds that will develop throughout the play.
La moglie ideale: commedia in tre atti
"La moglie ideale: commedia in tre atti" by Marco Praga is a theatrical play likely written in the late 19th century. The story revolves around the intricate dynamics of marriage and infidelity, focusing on characters such as Andrea Campiani, a stockbroker, and his wife Giulia, who finds herself caught in a web of affection and moral dilemmas involving her admirer, Gustavo Velati. At the start of the play, the scene is set in Andrea's dining room, where a semblance of domestic normalcy prevails despite underlying tensions. The first act introduces Giulia, who is engaged in light banter with her husband and caring for their son, Giannino. The arrival of Gustavo Velati brings a shift in the atmosphere, suggesting a deeper connection between him and Giulia, which foreshadows complications in their relationships. The interplay of dialogue reveals hints of Giulia's discontent and the imbalance in her marriage, laying the groundwork for the unfolding drama as she navigates her dual roles as both wife and lover.
Le vergini: commedia in quattro atti
"Le vergini: commedia in quattro atti" by Marco Praga is a theatrical play written in the late 19th century. The narrative revolves around the lives of Delfina and her three daughters, who navigate the complexities of marriage and social expectations in contemporary Milan. The protagonists are caught between traditional values and the emerging modern ideals of love and independence. The opening of the play introduces us to Delfina’s home, filled with a mix of characters that reflect the societal dynamics of the time. Vercellini, a family friend, engages in conversation with Delfina about her daughters, particularly emphasizing the unconventional nature of her younger daughters, Selene and Ninì. As guests arrive, including Vittorio Olgiati and his friend Corrado Cantoni, the atmosphere buzzes with anticipation for social gatherings, underscoring the characters' hopes and anxieties about marriage and societal perceptions. Delfina's desire to marry off her daughters is made palpable, as is the tension between her ambitions and the girls' personalities. This sets the stage for the interplay of love, deception, and the quest for personal freedom that will unfold in the subsequent acts.
La crisi: commedia in tre atti
"La crisi: commedia in tre atti" by Marco Praga is a play written in the early 20th century. The narrative primarily revolves around Nicoletta, Piero Donati, and his brother Raimondo, exploring themes of love, betrayal, and the complexities of relationships in a socially bound environment. The dialogue hints at unfolding tensions, particularly concerning Nicoletta's fidelity, as secrets and societal expectations weave through their interactions. At the start of the play, we are introduced to a group having coffee after a meal, including Nicoletta, Piero, and Raimondo. As they converse, we witness a mix of playful banter and underlying tension, particularly between Nicoletta and Raimondo. The dynamics are strained, especially when hints of Nicoletta's dissatisfaction in her marriage surface, followed by hints of an affair, likely with Pucci. The scene shifts to Raimondo's growing concern about Piero's well-being amidst the flirtatious exchanges and the potential for deeper conflict, setting the stage for the exploration of personal and relational crises that seem poised to escalate throughout the play.