Author
Francisco de Quevedo
1580-1645
Francisco de Quevedo (1580-1645) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Francisco de Quevedo
Los Sueños, Volume I
"Los Sueños, Volume I" by Francisco de Quevedo is a philosophical work published in 1627. Through five satirical dream visions, Quevedo launches a biting critique of all levels of Spanish society during the Golden Age. Using allegories, wordplay, and dark humor, he guides readers through the Final Judgment, Hell, and Death itself, exposing the vices, corruption, and hypocrisy of doctors, nobles, officials, and everyday citizens alike. This baroque masterpiece combines moral philosophy with scathing social commentary.
Los Sueños, Volume II
"Los Sueños, Volume II" by Francisco de Quevedo is a satirical work written between 1605 and 1621. This masterpiece of Spanish Baroque prose consists of five allegorical visions that expose the vices and corruption of every social class in Golden Age Spain. Through dreams of judgment, hell, and death, Quevedo unleashes biting criticism of doctors, nobles, and hypocrites alike. Blending philosophical reflection with dark humor, he employs rich conceptual wordplay and classical sources to create a scathing moral commentary on human nature and Spanish society under the Habsburgs.
Pablo de Segovia, the Spanish Sharper
"Pablo de Segovia, the Spanish Sharper" by Francisco de Quevedo is a picaresque novel written around 1604 and published in 1626. This satirical tale follows Don Pablos, a swindler who sets out to learn virtue and become a gentleman—but fails miserably at both. Through Pablos's misadventures, Quevedo crafts a biting critique of Spanish society while punishing his protagonist for daring to rise above his lowborn station. Full of wordplay and caricature, the novel chronicles a cascade of linked calamities that ultimately drive Pablos to embrace the life of a rogue.
Historia de la vida del Buscón, llamado Don Pablos, ejemplo de vagabundos y espejo de tacaños
"Historia de la vida del Buscón, llamado Don Pablos, ejemplo de vagabundos y espejo de tacaños" by Francisco de Quevedo is a picaresque novel written between 1603 and 1608, though first published in 1626. Young Pablos, son of a thieving barber and a mother given to witchcraft, narrates his journey through Spanish society's darker corners. Following the bitter tradition of "Lazarillo de Tormes," this tale charts one man's deliberate choices as he navigates a world of rogues and misers, questioning whether fate or free will shapes a life of deception.
The Visions of Quevedo
"The Visions of Quevedo" by Francisco de Quevedo is a collection of allegorical narratives written in the early 17th century. The work includes a series of visions experienced by the narrator, exploring themes of morality, justice, and the nature of humanity through satirical and fantastical storytelling. The opening chapters set the stage for the narrator's encounters with various entities, including demons and representations of death and judgment, exposing societal flaws and human vices. At the start of the book, the narrator recounts his experience witnessing an exorcism of a possessed man in Seville, raising questions about credulity and the nature of possession itself. After the exorcism is postponed, he speaks with the possessed, who claims to be inhabited by a demon that reveals insights into the human condition, particularly criticizing social injustices and the hypocrisy of various human pursuits, including poetry and justice. This sets a tone of dark humor and critique that permeates the subsequent chapters, as the narrator continues to explore themes of love, death, justice, and the absurdities of life through varied allegorical visions, each revealing deeper moral truths.
The Visions of Dom Francisco de Quevedo Villegas
"The Visions of Dom Francisco de Quevedo Villegas" by Francisco de Quevedo is a satirical work written in the 17th century. This text explores themes of morality, social criticism, and the human condition through surreal dialogues and vivid imagery. The narrative style presents various characters, including a devil and a catchpole, engaging in witty exchanges that expose the corruption and folly of society. At the start of the narrative, the protagonist recounts his experience at a convent, where he becomes curious about an exorcism. He meets a friend who takes him to a concealed part of the church, where they observe a chaotic scene involving a man supposedly possessed by a devil. The devil, however, reveals that it is the man who possesses the devil, cleverly criticizing societal figures like the catchpole, who are as corrupt as any devil. This sets the tone for a series of contemplative and humorous dialogues, where deeper truths about human nature, justice, and the absurdities of societal norms are uncovered, suggesting a broader critique of 17th-century Spanish society.