Author

Jenő Rákosi

1842-1929

Jenő Rákosi (1842-1929) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.

Wikipedia

Subjects

Books by Jenő Rákosi

A magyarságért

No description available.

A legnagyobb bolond: Regény

"A legnagyobb bolond: Regény" by Jenő Rákosi is a novel written in the early 20th century. The story introduces us to various characters in a small-town theater setting, centering on the young actress Pipiske as she navigates her roles and her emotions while preparing for a performance. The narrative hints at deeper themes of ambition, societal roles, and the struggle between personal desire and public expectation. At the start of the story, we are introduced to Pipiske, a burgeoning young actress, who is rehearsing her role as Cordelia in a local production. Despite her talent, she feels the pressure of her director’s expectations, particularly in contrast to her fellow actress, Apollonia. As Pipiske performs, her thoughts reveal her emotional turmoil and aspirations, culminating in a moment of personal revelation during her rehearsal. The narrative explores her internal conflicts and the impact of external opinions on her developing identity, setting the stage for the unfolding drama both on and off the stage.

A tragikum

"A tragikum" by Jenő Rákosi is a philosophical treatise on aesthetics and tragedy written in the late 19th century. The work explores the concept of tragedy, particularly focusing on its essence and the role of moral judgment in artistic expression. Rákosi addresses the interactions between characters' actions and the broader moral universe, manifesting a tension between individual desires and societal norms. The opening of "A tragikum" introduces the context in which the author was inspired to write, referencing discussions and critiques from contemporary scholars. Rákosi expresses his intention to clarify and defend his concept of tragedy against criticisms, establishing a foundation for his philosophical exploration. He critiques both philosophical thought and established aesthetic principles, arguing that the essence of tragedy lies in the intricate relationship between moral failures and their repercussions, while emphasizing the importance of personal and societal ethics in understanding tragic narratives.