Author
W. (William) Roberts
1862-1940
W. (William) Roberts (1862-1940) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Books by W. (William) Roberts
The Book-Hunter in London Historical and Other Studies of Collectors and Collecting
"The Book-Hunter in London" by W. Roberts is a historical account written in the late 19th century. The book explores the fascinating history of book-collecting in London, detailing the evolution of this pursuit from earlier times to the present, emphasizing the distinct characters who contributed to the development of book culture. Through its chapters, the work highlights the peculiarities and anecdotes surrounding collectors, the market for books, the role of booksellers, and the community of bibliophiles. At the start of the book, Roberts introduces the concept of book-hunting in England, distinguishing it from a more generalized notion of book acquisition. The author discusses the early lack of a formal book-collecting culture in London, tracing its origins and development alongside the city's growth. The narrative touches on notable individuals, their collections, and the impact of historical events, such as the dissolution of the monasteries, on book ownership and accessibility. Overall, the opening portion sets a broad historical stage for exploring the intertwined narratives of collectors and the evolution of London's literary scene.
Printers' Marks: A Chapter in the History of Typography
"Printers' Marks: A Chapter in the History of Typography" by W. Roberts is a historical account written in the late 19th century. This work delves into the often-overlooked subject of printers' marks, which began as trade marks to protect books against piracy and evolved into artistic representations reflecting the individuality of printers and their geographical contexts. The book appeals to both artists and collectors, providing insights into the significance of these marks in the realms of typography and bibliography. The opening of the book sets the stage for exploring this neglected topic by highlighting the dual nature of printers' marks as both practical tools and artistic expressions. The author discusses their origins, emphasizing how early printers created these marks not only for self-identification and protection against counterfeiters but also as a means to adorn their works with artistic designs. The preface introduces the intent to provide a readable yet accurate account of printers' marks, while outlining their historical significance and visual appeal as vital parts of book decoration and bibliographical records.