Author
Clare Sheridan
1885-1970
Clare Sheridan (1885-1970) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by Clare Sheridan
My American Diary
"My American Diary" by Clare Sheridan is a personal diary written in the early 20th century. The work chronicles the author's experiences and observations during her travels in America in 1921, primarily reflecting her encounters with various notable personalities, events, and the cultural milieu of the time. Through her narrative, Sheridan provides insights into American society from her unique perspective as an artist and a traveler. The opening of the diary finds Sheridan in New York City, where she expresses a sense of disconnection from her identity amidst the whirlwind of attention and interviews following her return from Russia. Feeling overwhelmed by reporters and public interest, she shares amusing but poignant observations about her interactions with different social circles, from high society luncheons to radical gatherings. Her reflections capture the duality of her experiences in America—appreciating the vibrancy of life while contending with the complexities of her newfound celebrity status. As her journey unfolds, she begins to navigate her role in a foreign culture while still grappling with her artistic identity and familial responsibilities.
Russian Portraits
"Russian Portraits" by Clare Sheridan is a collection of memoirs written in the early 20th century. The author recounts her experiences in post-revolutionary Russia, capturing her interactions with notable Bolshevik figures such as Kameneff and Trotsky, while exploring the complexities of art and politics in that era. Sheridan's narrative is not just focused on the political landscape; it provides vivid insights into the human aspects of its key figures, as she aims to create artistic portraits amidst a tumultuous backdrop. At the start of the memoir, Sheridan reflects on her reluctant venture into documenting her experiences in Russia, sparked by her role as a portrait artist. She details her initial encounters with Mr. Kameneff, an important Soviet leader, as they negotiate the terms of her sit for his bust. The opening chapters illustrate her fascination and trepidation regarding the revolutionary context, depicting her observations of the clerks in Kameneff's office as symbols of the new socio-political order. Sheridan also shares lively conversations with her sitters, revealing their views on art, society, and evolving ideologies, all while grappling with the dissonance between her British upbringing and the vibrant yet chaotic environment surrounding her.