Author
Henry Slesar
1927-2002
Henry Slesar (1927-2002) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by Henry Slesar
Brainchild
"Brainchild" by Henry Slesar is a science fiction novella likely written in the mid-20th century. The story explores themes of identity and transformation, focusing on the experience of a thirty-year-old man named Ron Carver who mysteriously finds himself inhabiting the body of a twelve-year-old boy. This body-switching scenario serves as the central premise, raising questions about personal identity and the consequences of extraordinary intelligence and power. In the narrative, Ron Carver awakens to find that his adult consciousness has been transferred into the body of a child, specifically a boy at Roverwood Home for Boys. As he navigates the challenges of his new life, including interactions with other boys and trying to comprehend his situation, Ron discovers that the transformation is linked to a boy genius known as the Scholar. The story follows Ron's desperate attempts to return to his original body and confront the Scholar, leading to a tense revelation about the nature of their exchange and the broader implications of genius and mortality. Ultimately, what unfolds is a poignant exploration of purpose, survival, and the complex dynamics of intelligence and humanity.
My robot
"My Robot" by O. H. Leslie is a science fiction story written in the mid-20th century. The narrative explores themes of childhood, emotional attachment, and the ethical implications of robotics. It reflects on a child's relationship with a mechanical companion, delving into the complexities of love, memory, and the impact of a parent's work on family dynamics. The story centers around a young boy's nostalgic memories of his robotic tutor, Faw-Faw, which he reflects upon as he grapples with the changes in his family life brought on by his father's secretive government project involving robots. As the boy reminisces about the affection he felt for Faw-Faw, he also recalls the tension between his parents, particularly his father's obsession with creating robots for military purposes, and his mother's growing fear of their implications. Throughout the narrative, the boy's longing for his robotic friend intensifies as he faces feelings of isolation and the harsh realities of his family's struggles. Ultimately, the tale presents a poignant exploration of innocence lost amidst the complexities of human relationships and technological advancements.
The Delegate from Venus
"The Delegate from Venus" by Henry Slesar is a science fiction story first published in the late 1950s, originally appearing in "Amazing Science Fiction Stories." The narrative centers around the arrival of an extraterrestrial delegate from Venus and explores themes of communication, international relations, and the inherent fears and hopes associated with first contact with an alien civilization. The story follows journalist Jerry Bridges, who is embroiled in a whirlwind of events as the U.S. government prepares to receive a spaceship from Venus. As Bridges navigates the intrigue and speculation surrounding this momentous occasion, he grapples with personal conflicts involving a fellow journalist, Greta Johnson. When the Venusian delegate arrives, however, it is revealed to be a robot designed to deliver a powerful message advocating for peace but threatening dire consequences if Earth fails to heed the warning. The message resonates deeply, suggesting a challenge for humanity to pursue peace, and raising questions about the lengths to which individuals—and nations—will go to hold onto power amid the fear of annihilation. In an unexpected twist, the origins of the robot are revealed to be a product of human ingenuity aimed at influencing world leaders, leaving Bridges with a moral dilemma about revealing the truth behind the hoax.
The show must go on
"The Show Must Go On" by Henry Slesar is a dramatic play written during the mid-20th century. This work delves into the themes of entertainment, desperation, and survival within the context of a dystopian society that exploits thrill-seeking. It showcases how the glitz of show business hides the dark undercurrents of manipulation and moral ambiguity. The story revolves around a man, Jerry Spizer, who finds himself trapped in a terrifying game orchestrated by a sinister television network, the "Thrill Show." As he attempts to escape, he encounters a young girl compelled by an unseen voice to kill him for her freedom. Meanwhile, behind the scenes, producers and directors scramble to maintain the show's ratings and profits, revealing their willingness to sacrifice Spizer, who is an unwilling participant in a lethal standoff for television ratings. As the conflict escalates, ethical lines blur, highlighting the lengths to which the entertainment industry will go to thrill its audience, ultimately leading to a shocking climax where the show, and the fragile human lives involved, hang in the balance.
The Stuff
"The Stuff" by Henry Slesar is a science fiction short story that was published in the early 1960s. The narrative explores themes of human desire and the meaning of life through the concepts of healing and dreaming. It delves into the ethical considerations of a drug that allows a man to live a life in his dreams rather than in reality. In the story, a man named Andy Hills, who has been paralyzed due to an accident, is given a new drug called Senopoline that puts him in a dream state where he can live an entire lifetime as he wishes. Awakening from his paralysis, he quickly excels in tennis and pursues a career in art, eventually becoming a celebrated politician and the first World President. However, the drug doesn’t heal physically; rather, it generates a long, detailed dream until he faces the reality of mortality. The story ultimately raises questions about the value of dreams versus real life and whether one should pursue tangible achievements or find satisfaction in an illusion.
Beside the golden door
"Beside the Golden Door" by Henry Slesar is a science fiction novella set in the mid-20th century. The narrative unfolds in a distant future where humanity grapples with the implications of interstellar exploration and the potential arrival of extraterrestrial beings. The central theme revolves around the discovery of a lost civilization on a barren planet once known as Earth, juxtaposing humanity's treatment of the aliens, the Blues, against a backdrop of historical and ethical reflection. The story begins with Ky-Tann, a metals stress analyst, and his wife Devia, eagerly awaiting the return of their friend Deez, who has just returned from an expedition to a planet where he unearthed the remnants of an ancient civilization, revealing its tragic downfall. As Deez recounts his findings, including a colossal statue that serves as a poignant reminder of humanity's failure to welcome the Blues—refugees from their own destroyed planet—tensions rise on Earth. The Blues' arrival is met with hostility, leading to violence and ultimately their decision to leave once more, echoing the sentiment of their fallen civilization. The novella elegantly weaves together themes of acceptance, prejudice, and the cyclical nature of history, leaving readers to ponder the consequences of humanity's choices and its capacity for compassion.
A Message From Our Sponsor
"A Message From Our Sponsor" by Henry Slesar is a science fiction short story written during the mid-20th century. Set in a futuristic world where humans coexist with Martians, the narrative explores themes of labor, efficiency, and social dynamics within a workplace. The story cleverly uses humor and satire to comment on human attitudes towards work and the integration of an alien workforce. The plot centers around George Huber, a manager at the Oxygen Corporation of America, who is frustrated with the declining morale and productivity of his human workers compared to the highly efficient Martian employees. As workplace tensions rise, Huber confronts the prejudice against Martians, highlighting their value in labor through incidents and character interactions that reveal both comedic and serious undertones. Ultimately, Huber finds himself contemplating his own disinterest in work, a sentiment echoed by other characters as the Martian Chafnu is offered a promotion to manage an all-Martian workforce, reinforcing the societal shift in the workplace where Martians have become the preferred labor force. The recurring motif of the haunting melody "Melancholy" underscores the story's exploration of detachment from work and the changing dynamics of employment.
Beauty contest?
"Beauty Contest?" by Henry Slesar is a science fiction novella likely written in the mid-20th century. The story revolves around a unique beauty pageant called the Miss Outer Space contest, where contestants undergo a series of rigorous tests that extend beyond mere physical appearance. The narrative explores themes of societal expectations and the definitions of beauty and worth in an interstellar context. The plot follows a group of young women competing for the title of Miss Outer Space at the Omaha Spaceport. As they endure demanding physical tests and a domestic science evaluation, they navigate their frustrations and desires while being under the scrutiny of the military personnel. The main character, Cleveland, eventually emerges as the winner amidst the backdrop of a surprising twist regarding the ultimate prize: a chance to marry one of the astronauts headed to Mars, thus encapsulating the tension between traditional beauty standards and the evolving roles women may occupy in a futuristic society. The story concludes with a blend of celebration and contemplation as the women consider their future opportunities tied to adventure and sacrifice on another world.
A kiss for the conqueror
"A Kiss for the Conqueror" by Clyde Mitchell is a science fiction short story published in the mid-20th century. Set in a post-apocalyptic world where social dynamics have drastically changed after a war, the story explores themes of power, desire, and the complex relationships between conquerors and the conquered. The narrative focuses on a soldier's morally questionable pursuit, highlighting the psychological and societal implications of his actions. The story follows Lieutenant Bolgar, who, driven by an obsession, decides to forcibly kiss a woman from the conquered population. As he waits and prepares for the encounter, he reflects on the contempt and disdain he perceives from her and his fellow soldiers toward the conquered. However, when his plan unfolds, it quickly spirals out of control, leading to a violent confrontation and his subsequent capture. Bolgar's actions are met with a swift judicial response, revealing the underlying tensions in this divided society and the consequences of his aggressive desire. The story culminates in a chilling reminder of the repercussions of male entitlement, as Bolgar is sentenced to a breeding camp, illustrating the dark consequences of his misguided quest for a connection that culminates in violence.
Space brat
"Space Brat" by O. H. Leslie is a science fiction novella written in the late 1950s. The story revolves around an alien invasion that seeks to conquer Earth by starting from the most vulnerable point: a human baby. The narrative explores themes of trust, societal perceptions of infancy, and the complexities of human nature through the lens of extraterrestrial observers. In the plot, a war council from the alien planet Nahrla devises a strategy to infiltrate Earth by sending a disguised agent in the form of a baby. The aliens believe that humans have an ingrained trust for infants and that this guise would allow them to gather information unimpeded. The story alternates between the aliens’ council meetings and the unfolding life of the Bryan family, who adopt the infant, unaware of its true nature. As the narrative progresses, the contrasting perceptions of humans and aliens towards babies highlight both the innocence associated with infancy and the darker, destructive intentions of the invaders. The climax reveals the tension between the couple and the alien plot, ultimately leading to an unexpected conclusion.
Mr. Loneliness
"Mr. Loneliness" by Henry Slesar is a science fiction short story published in the mid-20th century. Set in a remote asteroid outpost, the narrative explores themes of isolation and the human need for connection in the vastness of space. The story centers around a lone character, Pace, whose experiences reflect both the physical and emotional challenges of being so far removed from humanity. In the story, Pace is a man stationed on a desolate outpost, grappling with intense feelings of loneliness and despair. Despite the company of three visitors who attempt to lighten the mood with humor and camaraderie, his solitude weighs heavily on him, exacerbated by thoughts of a girl named Laura who is unable to visit due to illness. As tensions rise between Pace and the visitors, particularly with Towne, it leads to an angry confrontation. However, the confrontation reveals the extent of Pace's loneliness as he struggles against the cosmic emptiness surrounding him. The story culminates in a poignant moment where he finds himself utterly alone once more, emphasizing the profound impact of isolation in a setting designed for exploration and connection.
Reluctant Genius
"Reluctant Genius" by O. H. Leslie is a speculative fiction short story published in the mid-20th century, specifically in the 1950s. The work explores themes of potential and the struggle for understanding within the context of human development and evolution. It examines the relationship between celestial observers and humanity's capability to advance scientifically and creatively. The narrative follows two ethereal beings, Buos and Laloi, who are tasked with observing the developmental progress of humanity on a lush planet. Buos is frustrated with the slow pace of human understanding, while Laloi finds beauty in the world, expressing a desire to immerse herself in it. They discuss their concerns that the “man-creature” they observe may not realize his potential without external stimulation. Ultimately, they witness a moment of inspiration in a man who ponders a fallen apple, symbolizing the potential for human insight and growth. The story concludes with a sense of hope that humanity, assisted by the observers, will eventually rise to their knowledge and destiny.
Heart
"Heart" by Henry Slesar is a science fiction short story published in the mid-20th century. The narrative centers around Fletcher Monk, an industrialist with a failing heart, who believes he can manipulate circumstances and wealth to secure his health. The story explores themes of mortality, the limits of money, and human resilience in the face of physical decline, set against a backdrop of futuristic medical possibilities and space colonization. In the story, Fletcher Monk visits Dr. Rostov, who informs him of the dire state of his heart condition, which has been neglected for years. Monk refuses to accept that his health cannot be improved through financial means and sets out on a quest to escape to Mars, where he believes the lower gravity will save him. Throughout the tale, Monk’s dogged pursuit of medical solutions, akin to buying his way out of trouble, ultimately leads him to a stark realization about life in the Mars Colony, where hard work and collaboration are essential for survival. Despite a brief period of improvement, Monk’s insistence on maintaining his old identity and ways ultimately results in his demise, hinting at a deeper emotional struggle as he is metaphorically "dying of a broken heart."
Dream Town
"Dream Town" by Henry Slesar is a speculative fiction story written in the mid-20th century. It follows the experiences of Sol Becker, a New York advertising executive, who finds himself in a strange little town that illustrates the bizarre intersections of reality and dreams. The narrative hinges on the peculiar customs and inhabitants of this town, particularly their mysterious connection to a dream world known as Armagon. In the story, Sol Becker arrives in the town after his car is stolen by a hitchhiker. He is taken in by a welcoming yet unusual family, who introduce him to the oddities of their community. As he interacts with the townsfolks—including little Sally, who is keen on participating in the town's dream world—Sol becomes increasingly intrigued by the executions and rituals that seem to take place within this peculiar setting. He learns of the "Knights" and the enigmatic "exelution," which hints at something far more sinister than mere dreams. Ultimately, the blending of his reality with the dreamlike world of Armagon leaves Sol questioning the nature of his own existence and whether he might ever detach from this unsettling experience.
The Success Machine
"The Success Machine" by Henry Slesar is a satirical science fiction novella written during the late 1950s. It presents a futuristic corporate environment centered around a machine called the Personnelovac, designed to evaluate employees and streamline the hiring and firing process. The main topic of the book explores the consequences of over-reliance on technology and the effects of mechanical decision-making on human resources. The story follows Ralph Colihan, a personnel manager at General Products, as he grapples with the unexpected and brutal efficiency of the Personnelovac, which often produces "pink cards" recommending employee dismissals based on its cold, analytical results. As the number of firings escalates, Colihan begins to question the machine's infallibility and the implications of its lack of human touch. The tension builds as he worries about becoming the machine's next victim. Ultimately, the story culminates in a poignant revelation about the dangers of relying solely on mechanistic evaluations that fail to account for human nuances, leading to Colihan's eventual dismissal as he becomes a casualty of the very system he has operated within. Through humor and irony, Slesar critiques the depersonalization of corporate culture and the inherent flaws of allowing machines to dictate human fates.
Get out of our skies!
"Get out of our skies!" by E. K. Jarvis is a science fiction novella published in the late 1950s. The story delves into the world of public relations and the lengths to which individuals will go to manipulate perception, particularly regarding space exploration. The plot centers around a public relations disaster when Tom Blacker, a PR executive, orchestrates a controversial publicity stunt involving a giant projection of a celebrity face in the sky, leading to unforeseen consequences. The narrative follows Tom Blacker as he attempts to salvage his career after the disastrous stunt that got him fired. He soon encounters Livia Cord, who offers him a new job with a mysterious organization called Homelovers, Incorporated. As he learns more about the company's true motives—specifically their desire to sabotage space exploration in order to protect their interests from their home planet, Antamunda—he realizes the depths of their manipulation. The story takes a darker turn when Tom uncovers a plot involving the mortality of the Antamundans, their history, and their ultimate goal of colonizing Mars before Earth does. Ultimately, Tom grapples with moral dilemmas and the consequences of lies in the pursuit of self-preservation, forcing him to make choices that could alter the fate of both worlds.
My Father, the Cat
"My Father, the Cat" by Henry Slesar is a whimsical short story that was likely written in the mid-20th century. The narrative blends elements of fantasy and humor, centering around the peculiar relationship between a human son, Étienne, and his father, an extraordinary talking cat named Dauphin. The storyline explores themes of identity, societal norms, and the complexities of love, particularly in how Étienne navigates his relationship with his fiancée, Joanna, while keeping the true nature of his father a secret. The story unfolds as Étienne, raised by his cultured cat father after the death of his delicate mother, prepares to introduce Joanna to his family's estate in Brittany. As the couple arrives, Étienne grapples with revealing the truth about his paternity, fearing that Joanna, a lively woman from the American Southwest, may react poorly to the revelation of having a cat as a father. The narrative builds tension as the dinner unfolds, culminating in a humorous yet poignant moment when Joanna unknowingly treats Dauphin as a regular pet. Ultimately, the tale explores the weight of secrets and the unexpected, juxtaposing the ordinary with the fantastical in Étienne’s life, and challenges readers to consider the nature of love and acceptance.