Author
James Stevenson
1840-1888
James Stevenson (1840-1888) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
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Books by James Stevenson
Ceremonial of Hasjelti Dailjis and Mythical Sand Painting of the Navajo Indians
"Ceremonial of Hasjelti Dailjis and Mythical Sand Painting of the Navajo Indians" by James Stevenson is a detailed account of Navajo ceremonial practices, likely written in the late 19th century. The work meticulously documents a nine-day healing ceremony attended by Navajo community members, emphasizing the cultural significance of sand painting and its role in spiritual healing. It highlights rituals, mythologies, and the elaborate performance involving the impersonation of ritual deities, which serves both a healing purpose and a means of cultural expression." "The opening of the work introduces the author’s firsthand experience at a Navajo healing ceremony he witnessed in 1885. It sets the stage for the nine-day event held on a plateau near Keam's Canyon, where around 1,200 Navajos gathered, illustrating the vibrant rituals that included gambling, races, and the main purpose of healing a prominent member of the tribe. Stevenson provides context about the roles of various participants, including the theurgist, who performed healing rituals through intricate symbolism, such as sand paintings and sacred offerings. Through his descriptions, the author emphasizes the deep spirituality and community ties woven into these ceremonies, reflecting the rich tapestry of Navajo culture."
Illustrated Catalogue of the Collections Obtained from the Indians of New Mexico And Arizona in 1879 Second Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-81, Government Printing Office, Washington, 1883, pages 307-428
"Illustrated Catalogue of the Collections Obtained from the Indians of New Mexico and Arizona in 1879" by James Stevenson is a historical account likely written in the late 19th century. This work serves as an extensive catalogue detailing the findings from ethnological and archaeological explorations of various Pueblo tribes, specifically highlighting their pottery, tools, and domestic items. The catalogue aims to provide a comprehensive overview of the material culture of the Indigenous peoples of the Southwestern United States during this period. At the start of the catalogue, Stevenson outlines the purpose of his work and provides insights into the collections obtained during expeditions in 1879, focusing especially on the contributions of team members and the significance of the collected artifacts. He introduces the various categories of items found, such as pottery, tools, and ceremonial objects, emphasizing the variety and craftsmanship present in each piece. Through detailed descriptions, the opening portion sets the stage for understanding the cultural heritage of the tribes studied, reflecting the blend of ancient traditions and contemporary practices observable in their artifacts.
Illustrated Catalogue of the Collections Obtained from the Pueblos of Zuñi, New Mexico, and Wolpi, Arizona, in 1881 Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1881-82, Government Printing Office, Washington, 1884, pages 511-594
"Illustrated Catalogue of the Collections Obtained from the Pueblos of Zuñi, New Mexico, and Wolpi, Arizona" by James Stevenson is a scientific publication written in the late 19th century. The work presents a detailed account of archaeological and ethnological specimens collected from Native American pueblos, focusing primarily on the Zuñi and Wolpi regions. The catalogue serves as a comprehensive reference for understanding the various artifacts, including tools, pottery, and ceremonial objects, associated with these cultures. The opening of the book begins with a transmittal letter and introduction by James Stevenson, outlining the contributions of several collaborators, particularly emphasizing the invaluable assistance of Frank H. Cushing in compiling the field catalogue due to his knowledge of the Zuñi language. Stevenson explains that the collection comprises nearly five thousand specimens, detailing the types of artifacts—mainly made of stone and clay—that provide insights into the daily lives, traditions, and artistic expressions of the Zuñi and Moki Indians. The catalogue not only lists these items but also includes descriptions of their uses and cultural significance, accompanied by illustrations to enrich understanding for readers interested in anthropology, archaeology, and Native American studies.
Illustrated Catalogue of the Collections Obtained from the Indians of New Mexico in 1880 Second Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-81, Government Printing Office, Washington, 1883, pages 429-466
"Illustrated Catalogue of the Collections Obtained from the Indians of New Mexico in 1880" by James Stevenson is a detailed scientific publication written during the late 19th century. This book serves as a catalogue of ethnological and archaeological collections sourced from Pueblo tribes in New Mexico, specifically focusing on the objects and artifacts gathered during field investigations. The catalogue meticulously documents various collections from dozens of Pueblo sites, detailing items such as stone tools, pottery, and other artifacts with descriptions of materials, functions, and the history of their use. Each entry is organized by Pueblo location—offering insights into the craftsmanship and traditional practices of these indigenous peoples. The work emphasizes the impending loss of cultural artifacts and practices due to modernization, documenting the unique artistry and the states of decline in pottery-making, tool usage, and traditional practices as a result of the influence of Eastern civilization and industrialization encroaching on these communities. With its rich illustrations and thorough descriptions, this catalogue provides valuable information for both historians and enthusiasts interested in the Indigenous culture of New Mexico.