Author
Hermann Sudermann
1857-1928
Hermann Sudermann (1857-1928) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Hermann Sudermann
The Undying Past
"The Undying Past" by Hermann Sudermann is a novel published in 1894. After years away in South America, Leo returns home to discover his closest childhood friend Ulrich has married a woman from Leo's shadowy past. This discovery threatens to unravel the passionate friendship between two men of vastly different temperaments. Set against the backdrop of German society, the story explores loyalty, secrets, and the inescapable weight of history as past and present collide with devastating consequences.
The Song of Songs
"The Song of Songs" by Hermann Sudermann is a novel written in the early 20th century. The narrative begins with the story of a young girl named Lilly, who grows up in a challenging household dominated by her father's artistic ambitions and subsequent disappearance. The book explores themes of family dynamics, personal aspirations, and the societal constraints imposed on women. The opening portion introduces Lilly as she observes her father's increasingly erratic behavior. With her music-master father disappearing unexpectedly, Lilly and her mother face significant hardships, leading to their eventual financial and emotional decline. The story establishes a poignant contrast between Lilly's innocence and dreams, and her mother's struggles to cope with their father's abandonment and societal expectations. As Lilly evolves from a child to a young woman, her experiences highlight the complexities of love, ambition, and the quest for identity in a world filled with difficulties.
El deseo
"El deseo" by Hermann Sudermann is a novel written in the early 20th century. The narrative revolves around complex emotional dynamics among three main characters, particularly focusing on a young woman named Olga, whose tumultuous inner life and struggles with deep-seated anxieties drive the story towards a tragic climax. The author interweaves themes of love, despair, and moral dilemmas, exploring the weight of societal and familial expectations. The opening of "El deseo" introduces a retired doctor who reflects on his past dedicated to medicine while dealing with the emotional chaos surrounding him. Olga's character is introduced as a gifted yet troubled young woman battling intense nervous imbalances and a profound sensitivity to her surroundings. The narrative quickly escalates as letters reveal the intertwining fates of Olga and another character, Roberto Hellinger, hinting at tragedy as a pending consequence of their unfulfilled desires and unresolved tensions. The beginning sets the stage for a dramatic conflict, foreshadowing the emotional upheavals that will unfold as the characters navigate their troubled relationships.
Regina, or the Sins of the Fathers
"Regina, or the Sins of the Fathers" by Hermann Sudermann is a novel written in the late 19th century. The story delves into the aftermath of war, specifically focusing on the emotional and moral turmoil that envelops its characters. The narrative likely revolves around the protagonist, Lieutenant Boleslav von Schranden, who struggles with the heavy legacy of his father's betrayal during the war, as well as the societal disdain that follows this criminal act. The opening portion introduces a post-war landscape in Germany, celebrating a hard-fought victory while exposing the deep scars left by conflict. Boleslav, having returned from war, is confronted by the grim reality of his father's disgrace and the hostile reception awaiting him in his hometown. Through his interaction with comrades who glorify their wartime sacrifices, and his unexpected revelation regarding the reason for his father's infamy, the narrative sets into motion Boleslav's internal conflict and the burden of familial sins he must grapple with. As the story unfolds, it becomes clear that he must navigate the tumultuous waters of love, honor, and legacy in a society eager to condemn him.
Dame Care
"Dame Care" by Hermann Sudermann is a novel published in 1887. This tale of East Prussian peasant life follows a boy whose godmother becomes Dame Care herself—a figure who promises he'll never starve if his soul, youth, and hope are given as hostage. The grim story weaves legend with reality as the protagonist battles against nature's forces, until a woman's love threatens to break the dark charm binding his fate.
Litauische Geschichten
"Litauische Geschichten" by Hermann Sudermann is a collection of short stories published in 1917. Set in rural Lithuania during the mid-19th century, these four tales explore the lives of peasants caught between Catholic faith and pagan superstition. The stories delve into murder, betrayal, love, and death—from a husband's dark plot against his wife to a killer compelled by ancient gods. Sudermann captures fundamental human struggles through characters who face moral crossroads where cunning, guilt, and fate collide in devastating ways.
Magda: A Play in Four Acts
"Magda: A Play in Four Acts" by Hermann Sudermann is a play written in 1893. The drama centers on a clash between paternal authority and individual freedom when a prodigal daughter returns home after achieving operatic success but living unconventionally. Her homecoming ignites fierce debate about duty, respectability, and personal rights. The heroine's unconventional spirit and emotional intensity made this one of the most successful dramas of the late nineteenth century, captivating audiences with its theatrical conflicts and commentary on the emerging "New Woman."
El molino silencioso; Las bodas de Yolanda
"El molino silencioso; Las bodas de Yolanda" by Hermann Sudermann is a historical novel written in the early 20th century. The narrative introduces the decaying backdrop of a once-bustling mill, now a relic of the past, and explores the lives of the Felshammer family, particularly focusing on the father Felshammer, his docile wife, and their spirited children. The book likely delves into themes of family dynamics, the consequences of aggression, and the impact of tragedy on the lives of its characters. At the start of the novel, the reader is introduced to the dilapidated mill and the tumultuous household of Felshammer. The family's struggle is underscored by acts of violence among the siblings, resulting in a tragic accident that renders one of the brothers, Martin, mute due to a childhood altercation. The narrative captures the aftermath of this misfortune, detailing how it affects each family member. As time passes, the brothers form a close bond, and the reader witnesses the evolution of their relationships, especially when Juan, the younger brother, returns from military service to find their world changed, notably with the introduction of Martin’s new wife, Gertrudis. The opening sets the stage for exploring love, loss, and the complex interplay of familial loyalty within the confines of their struggles.
Stein unter Steinen: Schauspiel in vier Akten
"Stein unter Steinen: Schauspiel in vier Akten" by Hermann Sudermann is a play written in the late 19th century. The drama is set in Berlin and explores themes of social responsibility, crime, and human relationships through the interactions of characters in a workshop environment, particularly focusing on Zarncke, a stone mason, and his daughter Marie. At the start of the play, we are introduced to Zarncke, his daughter Marie, and several other characters in their home, where Zarncke discusses business matters and expresses his concerns about a recent burglary at the workshop. Marie is worried about the situation and pleads with her father to help those in need, hinting at deeper themes of morality that will come into play. The atmosphere is laden with tension as the characters navigate personal and community struggles, setting the stage for a complex interplay of social dynamics and character interactions that will unfold throughout the acts. The opening lays a foundation for conflicts and ethical dilemmas regarding crime and redemption.
The Wish: A Novel
"The Wish: A Novel" by Hermann Sudermann is a literary work written in the late 19th century. The novel centers around complex emotions and relationships, particularly focusing on Olga, a woman caught in the aftermath of a tragic love story involving her sister's husband, Robert Hellinger. The narrative explores themes of love, loss, and moral strife as the characters navigate the difficult dynamics of personal desires against social expectations. The opening of the novel introduces the reader to an old doctor contemplating his life’s work and the turbulence that lies ahead. As he receives letters containing joyful news about familial ties and love, his mundane morning is shattered by another letter announcing Olga's tragic decision to end her life due to insurmountable emotional turmoil. The turmoil intensifies as the doctor grapples with the implications of Olga's death, discovering the profound impact it has on Robert Hellinger, her betrothed, who is haunted by grief and questions about her demise. This sets the stage for a poignant exploration of the fragility of human connections and the devastating consequences of unspoken feelings and societal pressures.
The Joy of Living (Es lebe das Leben): A Play in Five Acts
"The Joy of Living (Es lebe das Leben): A Play in Five Acts" by Hermann Sudermann is a dramatic work written in the late 19th century. The play revolves around Count Michael von Kellinghausen and his wife, Beata, as they navigate the complexities of personal and political relationships amidst an election campaign. The narrative explores themes of ambition, sacrifice, and the intricacies of love and duty. At the start of the play, we are introduced to the drawing-room of Count Kellinghausen's house in Berlin, where various characters—politicians, family members, and friends—gather to discuss the recent elections. Tensions rise as Beata expresses her concern about her husband's political ambitions and the implications for their family. The interplay between personal affection and public duty is highlighted, particularly in the conversations surrounding the ramifications of an election where Michael has withdrawn to support Barón Richard von Völkerlingk. The opening sets the stage for the emotional and political conflicts that will unfold throughout the narrative.
Fires of St. John: A Drama in Four Acts
"Fires of St. John: A Drama in Four Acts" by Hermann Sudermann is a dramatic play written in the early 20th century. Set in a country estate in Pomerania, the story revolves around familial relationships and personal struggles, particularly focusing on Gertrude, who is about to marry George, amidst complexities involving Marie, a foundling with a mysterious past. The narrative explores themes such as love, identity, and the societal expectations of marriage. At the start of the play, we are introduced to the Brauer family during a breakfast scene, characterized by lively exchanges and hints of underlying tensions. Gertrude is preparing for her upcoming marriage, while Marie, the adopted daughter, juggles her duties and troubled feelings about her origins. The reappearance of Gertrude's biological mother, a beggar whom the family had previously tried to distance themselves from, creates a sense of impending conflict. This opening not only sets the tone for familial dynamics but also foreshadows deeper explorations of love and duty, culminating in the complex relationships that will unfold as St. John's Eve approaches.
Roses: Four One-Act Plays Streaks of Light—The Last Visit—Margot—The Far-away Princess
"Roses: Four One-Act Plays" by Hermann Sudermann is a collection of theatrical works written in the early 20th century. Comprising four distinct one-act plays, the collection explores complex human emotions and relationships, emphasizing themes of love, betrayal, and societal constraints. The opening play, "Streaks of Light," introduces Julia, a beautiful and passionate woman caught in a tumultuous relationship with Pierre, a cowardly yet ambitious young man, within a deserted pavilion overwhelmed by roses. The beginning of this collection sets the stage for a gripping drama filled with tension and emotional conflicts. In "Streaks of Light," we meet Julia and Pierre in a secluded pavilion where their relationship unfolds amidst roses and hidden fears. Interactions between the characters reveal Julia's desperate need for affection and escape from her oppressive reality, as well as Pierre's conflicting feelings of love and disdain. The arrival of hints about Julia's husband adds to the suspense, leaving both characters grappling with their choices and the consequences of their actions. The play evokes a strong sense of foreboding, perfectly encapsulated in the rich imagery of roses symbolizing both beauty and decay.
The Silent Mill
"The Silent Mill" by Hermann Sudermann is a novel written in the early 20th century. The story revolves around the Rockhammer family, particularly the two brothers, Martin and Johannes, as they navigate the complexities of life, love, and tragedy in a small rural setting. It delves into themes of familial bonds, emotional struggles, and the impacts of past events on the present. At the start of the narrative, readers are introduced to the dilapidated old mill owned by the Rockhammer family, a symbol of both their heritage and misfortune. The story flashes back to describe the family's history, including the violent temper of the patriarch, Rockhammer, the tragic fate of one of Martin's brothers, and the subsequent innocence lost by him after the incident that rendered his brother unable to speak. As Martin matures alongside Johannes, they develop a close relationship, though tensions arise with Martin's new marriage to Trude and Johannes’ feelings towards her. The opening captures the quiet yet poignant moments of their lives, setting the stage for deeper emotional conflicts that unfold as relationships become increasingly complicated.
Iolanthe's Wedding
"Iolanthe's Wedding" by Hermann Sudermann is a novel written in the early 20th century. The story revolves around the complex romantic entanglements of Baron George von Hanckel, who finds himself drawn into a tumultuous situation involving his late friend Pütz's son, Lothar, and the enchanting Iolanthe. The narrative explores themes of love, sacrifice, and societal expectations through the lens of Hanckel's introspective journey as he navigates his newfound relationship and internal conflicts. At the start of the book, we meet Hanckel during the somber occasion of a friend's funeral. His reflections reveal a mix of sorrow and humor as he recalls the vibrant life of the deceased and his own promise to care for Pütz’s son, Lothar. The mood quickly shifts as Hanckel finds himself in the company of the Krakow family, particularly the striking Iolanthe, who captivates him despite their significant age difference. Amid awkward introductions and familial tensions, Hanckel contemplates the implications of their intertwining lives. As the story unfolds, the weight of past promises and unanticipated relationships complicates each character's desires, setting the stage for both comedic and poignant moments.
John the Baptist: A Play
"John the Baptist: A Play" by Hermann Sudermann is a theatrical work likely written in the late 19th century. The narrative revolves around the historical figure of John the Baptist, exploring themes of faith, morality, and the societal challenges during his time while incorporating key characters such as Herod Antipas, Herodias, and Salome. The play intricately delves into the conflicts between the spiritual convictions of John and the political and social pressures of the Roman-occupied Judea. At the start of the play, the setting is a rocky wilderness near Jerusalem during a night illuminated by the moon and flickering fires from sacrificial altars. The opening scenes introduce characters including Miriam, who expresses fear of the shadows around her, and Hadidja, who encourages her not to fear the followers of John the Baptist. The audience is introduced to John himself, who is depicted as a charismatic yet challenging figure, proclaiming messages of repentance and the imminent arrival of a greater prophet. Tension builds as various characters, including the suffering disciples and townsfolk, seek John's guidance and hope for the coming Messiah, highlighting the desperate state of the people amidst oppressive leadership and turmoil.
Morituri: Three One-Act Plays Teja—Fritzchen—The Eternal Masculine
"Morituri: Three One-Act Plays" by Hermann Sudermann is a collection of dramatic works likely written in the early 20th century. The plays delve into themes of conflict, existentialism, and human relationships, portraying the struggles and emotions of their characters against the backdrop of society's pressures. The first play, "Teja," introduces a somber king who grapples with his sense of duty and the tragic fate of his people, setting a serious tone for the collection. The opening of "Teja" depicts a tense scene in the king's tent, where King Teja, surrounded by his advisors and his new bride, Balthilda, reflects on the dire circumstances facing his kingdom. As they await the arrival of ships laden with supplies, the hunger and weariness of the warriors are palpable. Teja struggles with his identity as a ruler amidst despair, contemplating the weight of his responsibilities and the choices he must make leading to a battle. The atmosphere is filled with a sense of impending doom, as Teja faces the reality that he may no longer be able to fulfill his kingly duties, establishing a powerful narrative steeped in emotional conflict and societal collapse.
The Indian Lily and Other Stories
"The Indian Lily and Other Stories" by Hermann Sudermann is a collection of narratives likely penned in the early 20th century. The stories delve into themes of love, betrayal, and the complexities of human relationships, focusing on characters drawn from various social backgrounds who are often caught in moral dilemmas. The opening tale introduces Herr von Niebeldingk, a wealthy retired officer, whose internal conflicts and extramarital escapades set the stage for explorations of desire and emotional entanglements. At the start of the first chapter, we meet Herr von Niebeldingk early in the morning after a night spent with a lover. As he navigates the quiet of his home and contemplates his relationships, we catch glimpses of his past entanglements, particularly with Alice, a woman whose life intertwines with his in complicated ways. The atmosphere is filled with a mix of nostalgia and guilt, as Niebeldingk recalls both the joy and the turmoil of his romantic exploits, including the act of sending Indian lilies—a symbolic gesture for his romantic conquests. Through his reflections and interactions with letters from both Fritz, a youthful figure seeking guidance, and Alice, the mistress he has grown distant from, the narrative begins to weave a rich tapestry of relationships, longing, and unfulfilled desires.
Honor: A Play in Four Acts
"Honor: A Play in Four Acts" by Hermann Sudermann is a play written in 1889. It explores the clash between wealthy and poor families when a rich father has an affair with a young woman from the impoverished household. Her brother demands satisfaction through a duel but faces mockery instead. The play examines conflicting codes of honor across social classes, challenging conventional morality and questioning whether ethical standards shift with circumstances. Sudermann's theatrical debut became an immediate sensation in Wilhelmine Germany.
Kissanporras: Romaani
"Kissanporras: Romaani" by Hermann Sudermann is a novel written in the early 20th century. The story is set in post-war Europe, primarily focusing on the experiences of young soldiers returning home from the battlefield. The narrative intricately explores themes of honor, shame, and the complex emotional aftermath of war, with specific attention given to the character of Lieutenant Boleslav von Schranden as he confronts the legacy of his father's actions during the conflict. The opening of the novel introduces a war-weary world in turmoil following a peace agreement, painting a vivid landscape of destruction and contrasting jubilation among returning soldiers. Amidst this backdrop, Lieutenant Boleslav finds himself in a tavern surrounded by fellow veterans, who recount their wartime exploits while he remains somewhat detached, grappling with feelings of shame stemming from his father's alleged betrayal during the war. The camaraderie and celebration among the men starkly contrast with Boleslav's internal struggle, foreshadowing a deeper exploration of personal and familial conflict as the story unfolds. The stage is set for a poignant exploration of identity, loyalty, and the lingering scars left by war.
Surutar : $b Romaani
"Surutar : Romaani" by Hermann Sudermann is a novel written in the late 19th century. It likely follows the hard upbringing of Paul Meyhöfer, born as his family loses their estate, with the figure of “Lady Care” casting a lifelong shadow over him. Around him stand his sorrow-worn mother Elisabet, his bitter, prideful father Max, and his compassionate godmother Helena Douglas from the nearby manor, with the “white house” as a symbol of lost security and longing. The opening of Surutar : Romaani shows Paul’s birth amid foreclosure, his mother’s quiet fortitude, and his father’s rage and drink-fueled despair. The new owner’s wife, Helena Douglas, gently intervenes, becomes Paul’s godmother, and briefly shelters the family, though pride forces a move to a shabby farm. We see Paul’s frail early years, his mother’s tale of the gray “Surutar,” and his timid schooling and bullying. Haunted by the distant “white house,” he finally visits it with his mother, meeting the kind Douglas family and forming a shy bond with their daughter, even as small illusions (like the humble sundial) deflate his fantasies. Back home, conflict flares; the father condemns the visit but accepts the offered money. Time skips forward to a portrait of Paul as a quiet, dutiful boy who cares for his twin sisters, works slowly and precisely, and matures early under poverty and fear, while his elder brothers advance at school and he does not.