Author
Ernő Szép
1884-1953
Ernő Szép (1884-1953) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
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Books by Ernő Szép
Az egyszeri királyfi : $b Mese 9 képben, 3 felvonásban
"Az egyszeri királyfi: Mese 9 képben, 3 felvonásban" by Ernő Szép is a theatrical piece likely written in the early 20th century. This work combines elements of folktale and fantasy, revolving around themes of life, death, and the nature of existence. The story mainly follows a young prince who grapples with the concept of mortality while embarking on an adventurous search for a mythical land where death holds no power. The opening of the story sets a serene yet contemplative atmosphere with young shepherd boys gathered at a fire on the vast plains of Hortobágy. They engage in playful banter, storytelling, and deep philosophical musings about stars and the nature of life and death. The scene shifts to the prince in his chamber, consumed by melancholy thoughts of mortality, which lead him to contemplate leaving his home in search of an extraordinary realm where one can escape the inevitability of death. As the tale unfolds, the prince finds himself not only grappling with this heavy theme but also coming into contact with a mystical princess, further deepening the exploration of love and life’s fleeting nature.
Sok minden
"Sok minden" by Ernő Szép is a collection of reflective essays written in the early 20th century. The work captures a variety of observations and musings on contemporary life, human relationships, and social interactions, often tinged with irony and introspection. Through a series of narratives and personal anecdotes, the author explores themes of love, loneliness, and the quest for meaning amid the trivialities of existence. The opening of the text introduces the author's tone and style, inviting readers into a contemplative space. The narrator reflects on the nature of existence, first presenting a private individual who grapples with feelings of alienation and the authenticity of his emotions. This character engages in self-exploration, questioning societal norms and his desires, concluding with a determination to express love and kindness to others. The narrative sets the stage for a deeper exploration of personal identity and human connection, weaving together a tapestry of thoughts that resonate with the complexities of life.
Lila ákác : $b Egy fővárosi fiatalember regénye
"Lila ákác: Egy fővárosi fiatalember regénye" by Ernő Szép is a novel written in the early 20th century. The story is set in Budapest and revolves around the experiences of a young man who reflects on love, youth, and the complexities of social interactions in urban life. Through the vivid portrayal of characters and the intricacies of their relationships, the book hints at a deeper exploration of human emotions and desires. At the start of the novel, the protagonist observes a lively scene in a park where young men and women engage in playful activities, creating a tableau of youthful exuberance. As he watches, he becomes captivated by a girl who is laughing and enjoying the atmosphere. Despite his initial indifference, he finds himself drawn to her, leading to a brief yet charged interaction filled with playful banter and flirtation. This moment serves as a springboard for the protagonist's reflections on his feelings towards women, his romantic aspirations, and the broader context of love and relationships in his life. The opener effectively sets the tone for the exploration of youthful innocence and the bittersweet nature of love.
Élet, halál
"Élet, halál" by Ernő Szép is a literary collection written in the early 20th century. This work, blending prose and poetry, immerses the reader in the experiences and emotions surrounding life during wartime, particularly focusing on the perspective of Hungarians. The book explores themes of national identity, suffering, hope, love, and the tension between life and death, all set against the somber backdrop of war. Rather than following a single protagonist, it presents a mosaic of voices, reflections, and brief stories, painting a collective portrait of a nation under the strain of conflict. The opening of "Élet, halál" moves through a series of lyrical prayers, vivid wartime observations, and poignant personal stories and sketches. It begins with a heartfelt prayer asking for divine protection for the Hungarian people, followed by expressive meditations on the war, the pain and camaraderie of soldiers, and the longing for peace. Szép alternates between prose and poetry, weaving together fragments of battlefield memories, the everyday heroism and suffering of civilians and soldiers, and the subtle beauty of ordinary moments—such as the story of an old woman donating handmade pillows or delicate ruminations on a sigh or a smile. The tone is alternatingly elegiac, observant, tender, and quietly ironic, giving readers immediate access to the emotional core of a society shaped by war.
Kétfelől angyal : $b Uj novellák
"Kétfelől angyal: Új novellák" by Ernő Szép is a collection of short stories written during the early 20th century. The stories explore various snapshots of Hungarian urban and rural life, blending irony, humor, gentle melancholy, and acute social observation. Characters such as intellectuals, working-class women, and minor aristocrats populate the narratives, each revealing the nuanced emotional landscape of everyday experiences. The opening of the collection introduces several vignettes, beginning with a playful and surreal scene of young lovers on Margitsziget interrupted by a strange, theatrical outsider who laments his lack of happiness. The ensuing stories shift perspective: a narrator recalls encounters with the wealthy and powerful, ruminates on social ambitions and disappointments, and reflects on small personal victories and embarrassments. Later pieces examine intimate moments, such as the nuanced exchange between a man and a manicurist, or the bittersweet account of a disabled bank clerk during wartime Budapest, who feels deeply alienated from both heroism and compassion. Each segment deftly captures mood, character, and setting, signaling that the book will be a sensitive, ironic, and evocative portrayal of early 20th-century Hungarian life through diverse, often marginal perspectives.
Valentine : $b Regény
"Valentine: Regény" by Ernő Szép is a novel likely written in the early 20th century. The story unfolds in a romantic and vibrant setting, focusing on the lives of two primary characters, Valentine Poóy and György Békász, as they navigate love and relationships in the picturesque backdrop of Venice. The opening of the narrative introduces readers to a couple dining at the elegant Danieli hotel, depicting their intimate exchange filled with humor and tenderness. The lavish atmosphere is rich with sensory details, from the wine they're enjoying to the enchanting vibe of the restaurant. As György and Valentine share playful banter, it becomes evident that their relationship is both affectionate and youthful, characterized by playful teasing and romantic dreams of the future. This whimsical introduction sets the stage for a larger exploration of their lives and the complexities of love and societal expectations, providing a glimpse into the charming yet complicated relationships that will unfold throughout the novel.
Kenyér
"Kenyér" by Ernő Szép is a reflective and contemplative novel likely written during the early 20th century. The text delves into themes of human existence, suffering, and the stark realities of life during wartime. Through intimate observations and philosophical musings, it grapples with the human condition and the meaning of happiness amidst chaos and sorrow. At the start of the novel, the author engages the reader with a direct address, encouraging them to examine the themes of life, death, and the fleeting nature of happiness. He reflects on the surreal experiences of existence, introducing a white dog and a sparrow in a playful yet insightful scene that symbolizes the contrast between innocent joy and existential angst. The narrative evolves to evoke the broader context of suffering, particularly through a vignette depicting a blind beggar singing for the kindness of strangers. Through its opening, the text sets the stage for deeper explorations of human emotions and social commentary against a backdrop of war, emphasizing the impermanence of joy and the pervasive nature of pain.
A jázminok illata
"A jázminok illata" by Ernő Szép is a collection of short stories written in the early 20th century. Lyrical, impressionistic, and deeply humane, it sketches Hungarian small-town and city life through fleeting encounters, secret romances, and sharp portraits of ordinary people. Themes of yearning, transience, and the ache of beauty run through scenes of promenades, church gardens, bridges, bodegas, and shops, seen through sensitive outsiders and restless hearts. The opening of this collection moves from a dissolving evening promenade into a jasmine-scented church garden, where a lanky young man meets the volatile Piroska for a breathless, anxious exchange about escape, dread, and desire before she bolts into the dark. It then shifts to a first-person meditation on a bridge at dusk, observing passersby and spiraling into reflections on anonymity, compassion, memory, and the pull of infinity. Next comes the vignette of Szoboszlai Gábor, a staggering horse-dealer who declares his own name as he haggles and laments on conscription day. A tobacco-shop scene follows, with Nelli humming a wistful tune as she tends the small trade, thinks of a vanished correspondent-soldier, and quietly fights back tears. The section closes with two drunks arriving at a bodega before dawn, their clumsy gallantry and soda-water farce providing a rueful comic coda.
Magyar könyv : $b Egy csapat elbeszélés
"Magyar könyv : Egy csapat elbeszélés" by Ernő Szép is a collection of short stories written in the early 20th century. In lyrical, image-rich prose it portrays Hungarian village and small-town life, where everyday routines, petty cruelties, and sudden tenderness mingle. The likely focus is intimate character portraits—an imperious elderly matron, her stoic factotum, and unruly boys—set against the rhythms and losses of a rural world. The opening of the collection follows Karacsné nagyasszony, an eighty-year-old fixture on her porch, and her servant Iszpász Sámuel, amid painstakingly rendered scenes of evening milking: seven cows with distinct names, neighbors’ servants queuing for warm milk, and the perpetual sweeping beneath a great mulberry tree. A street urchin, Három Pista, raids the tree, prompting Karacsné’s fury and Iszpász’s hapless threats with a pitchfork. When a sudden foot-and-mouth outbreak kills all seven cows, the tone softens: another boy, Császi, returns to the tree and Karacsné, subdued by loss, permits him—and soon a troop of children—to eat the fallen fruit. The section closes with a brief, rhapsodic meditation on childhood’s sharp sweetness, echoing the eper’s taste and the fleeting mercy that tempers the old woman’s hardness.
Bűneim
"Bűneim" by Ernő Szép is a reflective, essay-style collection of personal confessions written in the early 20th century. The book explores themes of guilt, self-examination, and the pervasive sense of moral and existential responsibility. It presents an introspective narrator—most likely the author himself—who scrutinizes his own faults and inadequacies against the backdrop of a turbulent, war-touched society. Through a series of poetic, often painfully honest meditations, the work examines the constant struggle to make sense of oneself and the world. The opening of "Bűneim" unfolds as a sequence of impressionistic vignettes centered on the narrator’s inner life. The text begins with a reluctance to speak about war, revealing a desire for invisibility and detachment from society’s judgment. As the narrative proceeds, the author confesses to feeling complicit in society’s wrongs—whether it be through handling money, failing to intervene in injustice, or simply existing in privilege. The tone is confessional and self-critical, moving rapidly from thoughts on shame, guilt, and empathy, to broader existential concerns. The narrator’s ruminations span topics like the inability to communicate true feelings, the corrosiveness of pride and ego, the futility of seeking purity, and the inescapable interconnectedness of all living things—underscored by a persistent questioning of his own identity and capacity for goodness.