Author
George Sylvester Viereck
1884-1962
George Sylvester Viereck (1884-1962) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaBooks by George Sylvester Viereck
The House of the Vampire
"The House of the Vampire" by George Sylvester Viereck is a novel written in the early 20th century. The story unfolds in a vibrant New York City and centers around Reginald Clarke, a charismatic and enigmatic writer whose influence extends beyond mere words. As he captivates those around him with his charm and artistry, he inadvertently casts a shadow on the lives of aspiring artists like Ernest Fielding, raising themes of creative genius, obsession, and the fine line between inspiration and parasitism. At the start of the novel, the reader is introduced to Reginald Clarke, whose presence at a crowded restaurant draws both admiration and distress from those who recognize him. Clarke's past connection with Ethel Brandenbourg, a painter whose work has suffered since their separation, highlights the impact he has on others. In a gripping conversation, Clarke reminisces about his psychological power and its effects, while Ernest Fielding, who idolizes Clarke and strives for artistic success, navigates his own feelings of admiration mixed with anxiety. Ernest's experiences foreshadow a deepening intrigue as he becomes ensnared in the vortex of Clarke's genius, which threatens to absorb his own creative spirit.
The three sphinxes, and other poems
"The three sphinxes, and other poems by George Sylvester Viereck" is a collection of lyric and dramatic poems written in the early 20th century. The book probes the tensions between erotic desire and spiritual idealism, drawing on myth, religion, and modern psychology to meditate on love, art, faith, and mortality. An opening essay frames the poems as “complexes” revolving around Eros, Jesus, Lilith, and Eve. The title poem stages a dialogue in the desert where facets of Love confront the sacred and the bestial; elsewhere, terse pieces weigh fate and biology, while longer monologues and ballads reimagine biblical and cultural figures to test moral codes. A fierce credo reduces human certainties to appetite and death; a visit from Christ to a Puritan town rebukes joyless piety; Faust tires of heaven and hell while yearning to fuse Helen and Marguerite; Eve speaks the long suffering of women; and tributes, elegies, and city-visions praise the stubborn life of art. Across love lyrics, satires, and visionary psalms, the collection moves between ecstasy and disenchantment, ending in stark addresses to God and man’s frail, defiant will.