Author
Annie Vivanti
1866-1942
Annie Vivanti (1866-1942) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Annie Vivanti
I divoratori: romanzo
"I divoratori: romanzo" by Annie Vivanti is a novel written in the early 20th century. The story revolves around a young girl named Edith Avory, who is eager to learn about her new family dynamics after the arrival of her newborn niece, referred to as "béby." The novel explores themes of family, loss, and the innocence of childhood through the eyes of Edith as she navigates her feelings and the changes in her home. The opening of the novel introduces us to young Edith Avory, who is anxiously awaiting the arrival of a new baby in her family. As she rushes home from school, her excitement quickly turns to disappointment when she meets her new niece, who is not what she expected. This sense of disillusionment continues as Edith grapples with her own emotions, the realities of adult experiences surrounding birth and loss, and the evolving family relationships brought on by her brother Tom's death and the arrival of her sister-in-law Valeria. The vivid characterizations and intertwining familial interactions set the stage for exploring deeper emotional complexities as the story unfolds.
Vae victis! Romanzo
"Vae victis! Romanzo" by Annie Vivanti is a novel written in 1917. Set in a Belgian village during the German invasion of World War I, the story follows three women—a young mother, her ten-year-old daughter, and eighteen-year-old sister-in-law—who face brutal violence when enemy soldiers storm their home. After escaping to England, the survivors must confront devastating consequences and impossible choices. The novel explores themes of trauma, sacrifice, and compassion that transcend national boundaries, offering a feminine perspective on war's most harrowing human costs.
The Devourers
"The Devourers" by A. Vivanti Chartres is a novel written in the early 20th century. The book explores themes of family, loss, and the complexities of relationships through the lens of Edith Avory and her new family dynamics following the arrival of her half-sister Valeria and Valeria's baby. Readers are introduced to the intricate emotional landscape of the characters as they navigate the challenges posed by grief and the stark realities of life. The opening of "The Devourers" introduces the character of Edith Avory, who is excited about the arrival of the new baby, her half-sister’s child born from a recent tragedy. As she encounters the contrasting feelings of joy and confusion, particularly in her initial disappointment at the baby's appearance, the narrative captures the innocence of childhood mixed with the weight of adult sorrow. The text reveals Edith's interactions with the larger family, including their grieving experiences, and sets the stage for deeper explorations of love, mourning, and childhood naivety as the story unfolds. The juxtaposition of happy family moments against the backdrop of loss creates a poignant atmosphere that draws readers into the emotional challenges each character faces.
Marie Tarnowska
"Marie Tarnowska" by Annie Vivanti is a novel written in the early 20th century. The story is centered around the tragic life of Marie Nicolaevna Tarnowska, a Russian noblewoman embroiled in a sensational murder trial that raises questions about guilt, morality, and societal judgments. The narrative navigates through themes of love, crime, and the psychological and physical conditions affecting women, particularly in the context of societal expectations and personal trauma. The opening of the novel introduces the backstory of Count Paul Kamarowsky's murder and sets the stage for the trial that reveals a web of passion, betrayal, and tragedy surrounding Marie. It describes the events leading up to Kamarowsky's death and the subsequent arrest and sentencing of Marie and her accomplices. Through the lens of a doctor familiar with the case, we learn about Marie's troubled past and the health issues that plagued her family, hinting at deeper societal critiques about the treatment of women and notions of criminality. The narrative style is introspective, inviting readers to empathize with Marie's plight while reflecting on her emotional and mental turmoil as she transitions from the corridors of aristocracy to the confines of a prison cell.
Lirica
"Lirica" by Annie Vivanti is a collection of poetry written in the late 19th century. The work reflects the personal and emotional experiences of the poetess, showcasing themes of love, identity, and existential inquiry. Vivanti, born of a German mother in England and raised in Italy, brings a unique multicultural perspective to her writing. The collection is characterized by its passionate expressions and lyrical quality, exploring various facets of human emotion and the complexities of love. Through diverse poems, Vivanti delves into her own identity as an individual torn between various cultures, emphasizing her feelings of longing, joy, and melancholy. Each poem conveys a vivid imagery and emotional depth, inviting readers to reflect on their own lives and experiences. The preface by renowned poet Giosuè Carducci further adds context and insight into Vivanti's artistic journey, highlighting the significance of her oeuvre in the landscape of Italian poetry.
L'invasore: dramma in tre atti
"L'invasore: dramma in tre atti" by Annie Vivanti is a dramatic work likely written in the early 20th century. The play explores the themes of war and its impact on personal lives, focusing on characters drawn together in a household during times of conflict. The main character, Luisa Brandes, along with her family, faces the intrusion of a foreign enemy, highlighting the tension between domestic life and the encroaching horrors of war. The opening of the play sets a somber tone, introducing the Brandes family in their home while tensions of impending war loom. Luisa is portrayed as a troubled mother, grappling with the absence of her husband, who has gone off to war, while her daughter Mirella tries to maintain a sense of normalcy amidst the chaos. As the act progresses, the arrival of Florian Audet, a cavalry officer, introduces a mix of personal connection and foreboding, as he must navigate the harsh realities that surround them, foreshadowing the struggles they will face as the enemy approaches their village. The blend of personal relationships with the central theme of invasion starkly illustrates the play's exploration of innocence colliding with the brutal realities of war.
A Journey to Crete, Costantinople, Naples and Florence: Three Months Abroad
"A Journey to Crete, Costantinople, Naples, and Florence: Three Months Abroad" by Anna Vivanti is a travel narrative written in the mid-19th century. This account chronicles the author's experiences on a wedding tour with her husband, exploring various destinations, including Crete, Constantinople, Naples, and Florence. The narrative likely captures the cultural tapestries and landscapes of these regions, intertwined with the personal reflections of the author. At the start of the journey, the author expresses excitement and nostalgia as she embarks on a long-awaited wedding tour with her husband after years of parenting responsibilities. They leave London, traveling through Brussels and Cologne, before taking a boat to Crete. Along the way, the author shares vivid observations about the cities, the weather, and the diverse characters they encounter, transitioning from the chilly climate of northern Europe to the warmer, more vibrant landscapes of the Mediterranean. The opening sets the tone for an exploration enriched with personal anecdotes, cultural insights, and the enchantment of new experiences.
Le bocche inutili: dramma in tre atti
"Le bocche inutili: dramma in tre atti" by Annie Vivanti is a dramatic play written in the early 20th century. The story unfolds in the context of war, focusing on the lives of characters such as Giorgio, the son of a commander, and Lady Mary, his mother, who confront the emotional and ethical challenges brought about by the impact of conflict and sacrifice. The play explores themes of duty, maternal love, and the human cost of war, revealing the profound struggles faced by those directly affected by the events. The opening of the drama sets the stage for a family interaction marked by emotional farewells as Giorgio prepares to leave for military service. Tensions arise as Lady Mary expresses her sorrow and reluctance to let her son go, revealing the bond of love and concern within this family, particularly the tension between a mother’s protective instincts and a son’s sense of duty. The father, Comandante De Bels, presents a stoic front, urging his family to accept the necessity of sacrifice for the greater good. This poignant beginning establishes both character dynamics and the overarching turmoil of war, laying a foundation for the exploration of the themes of duty, love, and the stark realities of survival.
Naja tripudians
"Naja tripudians" by Annie Vivanti is a novel published in 1920. Two innocent sisters from the provinces accept an invitation to a luxurious London home, believing their hostess to be a noble Lady. Instead, she reveals herself as a "monstrous white serpent"—the cobra of the title—who seeks only to exploit the young women for the amusement of her bored guests. One sister escapes; the other falls victim to this house of vice. The novel denounces the corrupt society of post-World War I Europe.
The Outrage
"The Outrage" by Annie Vivanti is a novel written in the early 20th century. The story follows a young girl named Chérie and her younger sister Mireille, along with their German governess Frieda, as they navigate the carefree joys of a summer holiday by the sea, which is soon disrupted by the impending threat of war. Through the eyes of these characters, the book delves into themes of innocence, the loss of childhood, and the impact of external conflict on personal lives. At the start of the novel, Chérie is excitedly preparing for a day at the beach, demonstrating her youthful exuberance. The opening chapters introduce the dynamics between the girls and Frieda, showcasing their playfulness and contrasting perspectives on their vacation. The narrative quickly shifts as they receive news of a looming war that brings an ominous change in their reality. Tensions rise as they prepare to leave their idyllic seaside retreat, highlighting their innocence in the face of a changing world. The budding friendships and the carefree existence of the children intensify the sense of upheaval when the conflict begins encroaching upon their lives, setting the stage for a dramatic exploration of survival and resilience.
...Sorella di Messalina: Romanzo
"...Sorella di Messalina: Romanzo" by Annie Vivanti is a novel written in the early 20th century. The story introduces a cynical and unconventional love scenario involving the main character, Alberto, who becomes intrigued by a mysterious woman named Raimonda after responding to her peculiar personal ad. The novel promises to explore themes of love, identity, and the complexities of relationships, particularly as they navigate societal expectations. The opening of the novel establishes Alberto's disarming encounter with Raimonda after he responds to her unusual ad seeking a gentleman possessing qualities she feels she lacks. Initially amused by the situation, Alberto's curiosity leads him to meet her in a dimly lit bar. Their dialogue reveals Raimonda's enigmatic nature; she embodies a contradiction of allure and despair, and her views on beauty and youth challenge Alberto's perceptions. As their relationship unfolds amidst witty banter and philosophical musings, the introduction sets the stage for a deeper exploration of love that transcends mere attraction, raising questions about obsession, mortality, and the nature of genuine connection.
Gioia!
"Gioia!" by Annie Vivanti is a novel written in the early 20th century. The story revolves around themes of love, art, and emotional turmoil, following the lives of two main characters, Andrea Galeazzi, a sculptor, and Viviana Allori, a poetess, as they navigate their intertwined lives filled with aspirations, struggles, and passionate entanglements. The opening of the novel introduces the characters through a series of internal monologues and letters exchanged between Galeazzi and Allori. Galeazzi grapples with feelings of isolation and despair, contrasting sharply with Viviana's effervescent personality, which she frequently expresses through vibrant thoughts and correspondence. Their dynamic unfolds as they share their artistic ambitions and personal lives, revealing the complexities of their emotions, with themes of longing, artistic inspiration, and the interplay between joy and melancholy permeating their interactions. This portion sets the stage for a deeper exploration of their relationships as the narrative progresses.