Author
Jakob Wassermann
1873-1934
Jakob Wassermann (1873-1934) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by Jakob Wassermann
Die Juden von Zirndorf : $b Roman
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The World's Illusion, Volume 2 (of 2): Ruth
"The World's Illusion, Volume 2: Ruth" by Jakob Wassermann is a novel written in the early 20th century. This volume continues to explore the complex lives and relationships of its characters amidst themes of identity, societal expectations, and moral ambiguity. Central to the narrative is Christian Wahnschaffe, whose troubling journey follows his estrangement from his affluent family and subsequent entanglement with a woman of questionable background, Karen Engelschall. The opening of the novel reveals Wolfgang Wahnschaffe returning home, concerned about his brother Christian's troubling reputation and the rumors surrounding him. As Wolfgang navigates silent familial tensions and hears whispers of scandal involving Christian and a perceived 'loose woman', the narrative lays the groundwork for deeper explorations of social class and personal failure. The father, Albrecht Wahnschaffe, is depicted grappling with shame and worry over Christian’s decisions, while conversations reveal the family's status, secrets, and societal pressures, initiating an intricate plot that unfolds around themes of redemption and personal transformation.
The World's Illusion, Volume 1 (of 2): Eva
"The World's Illusion, Volume 1 (of 2): Eva" by Jakob Wassermann is a novel written in the early 20th century. The story introduces the central character, Bernard Gervasius Crammon, an affluent and well-traveled man with ties to various affluent circles in Europe. The novel explores themes of connections, the nature of relationships, and the impact of artistic expression, particularly focusing on the dancer Eva Sorel, who captivates Crammon and ignites a complex emotional landscape around her allure. The opening of this novel presents a vivid depiction of Crammon's life and social engagements as he navigates the worlds of art, charm, and influence. Initially, we see him waiting for two elderly relatives with whom he shares a close bond, demonstrating his affection for family amidst his life of leisure. As the narrative unfolds, we learn about Crammon's adventures, his interactions with various friends and notable figures, and hints of deep loneliness that underlie his seemingly glamorous life. The intricate tapestry of his relationships, including his admiration for the enchanting Eva Sorel and his observations of the theatre and arts, sets the stage for a profound exploration of desire, beauty, and the illusions they create.
The Goose Man
"The Goose Man" by Jakob Wassermann is a novel written in the early 20th century. It explores themes of social change, personal struggle, and familial relationships, primarily revolving around the lives of Gottfried Nothafft, a weaver in a small German town, and his son Daniel. As the story unfolds, it delves into the impact of industrialization on traditional ways of life and how individuals strive for their aspirations amidst hardship and disappointment. The opening of the narrative introduces us to the rural setting of Eschenbach and the life of Gottfried Nothafft, a weaver whose business is threatened by the advent of machine-made textiles. His deep desire for a son is eventually fulfilled, but his life becomes increasingly burdened by poverty and despair as industry disrupts their livelihoods. When Gottfried's financial struggles intensify, he reveals a hidden savings to his brother-in-law, Jason Philip Schimmelweis, with hopes of ensuring a future for his family, particularly for Daniel. As the story begins, tensions arising from poverty, ambition, and familial expectations hint at the complex dynamics that will shape the lives of these characters.
Caspar Hauser; oder, Die Trägheit des Herzens, Roman
"Caspar Hauser; oder, Die Trägheit des Herzens, Roman" by Jakob Wassermann is a historical novel published in 1908. The story follows the final six years of the mysterious foundling Caspar Hauser's life in Nürnberg and Ansbach. A young man appears with no language and no past, possessing supernatural abilities. As various guardians attempt to educate and protect him, shadowy figures send assassins to eliminate him. The novel explores questions of noble birth, human nature, and the forces working against an innocent caught in political intrigue.
Deutsche Charaktere und Begebenheiten
"Deutsche Charaktere und Begebenheiten" by Jakob Wassermann is a historical account written in the early 20th century. The work comprises a collection of notable German personalities and significant events, particularly focused on their exemplary characteristics and the context of the times they lived in. Intended to resonate with the national sentiment during a period marked by the First World War, it seeks to evoke memories of Germany's historical figures and their impact on the national character. The opening of the book introduces its purpose and structure, suggesting a deep exploration of what defines a "German character" through the lens of history. Wassermann reflects on the essence of these figures and events, emphasizing the importance of their roles in shaping the nation's identity amidst the backdrop of war. The initial chapters provide glimpses into various historical persons, such as Frederick the Great and Moritz von Sachsen, outlining their lives, contexts, and the larger implications of their deeds in defining German history and character.
Der Moloch
"Der Moloch" by Jakob Wassermann is a novel published in 1902. Young Arnold Ansorge arrives in Vienna with considerable wealth and a rigid commitment to truth and justice. In the decadent world of Vienna's high society and stock market speculators, his uncompromising honesty becomes his undoing. As Arnold navigates love affairs, broken friendships, and financial dealings, his relentless pursuit of truth destroys those around him. This negative Bildungsroman follows a man whose moral inflexibility leads not to enlightenment but to catastrophe in a city that devours its inhabitants.
Mein Weg als Deutscher und Jude
"Mein Weg als Deutscher und Jude" by Jakob Wassermann is an autobiographical work written in the early 20th century. The narrative reflects the author's personal experiences as a German Jew, exploring the complex interplay between his Jewish identity and his existence within German society. The text delves into themes of cultural alienation, identity, and the challenges faced by Jews in a predominantly Christian environment. At the start of the autobiography, Wassermann sets the tone by expressing his intent to confront the difficulties of his Jewish heritage within a German context. He provides insight into his upbringing in Fürth, a predominantly Protestant factory town with a significant Jewish community. The opening chapters outline his experiences growing up in an environment marked by both acceptance and discrimination, detailing his family dynamics, socioeconomic struggles, and early encounters with antisemitism. Wassermann’s reflections serve as a poignant exploration of the duality of his identity and the internal and external conflicts that arise from being a Jew in a culturally different society.
Der Wendekreis - Erste Folge: Novellen
"Der Wendekreis - Erste Folge: Novellen" by Jakob Wassermann is a collection of novellas written in the early 20th century. The opening novella, titled "Der unbekannte Gast," introduces the character Mörner, a middle-aged writer who grapples with a profound sense of loss and mental disorder that seems to have robbed him of his creative spark. As he engages in deep and philosophical conversations with his friends, it becomes clear that Mörner is wrestling with not only his personal demons but also larger existential questions about the purpose of his existence and artistic mission. The opening of "Der unbekannte Gast" explores Mörner's psychological turmoil as he attempts to articulate the changes he feels within himself, describing it as a loss akin to death. His friends fail to understand the depth of his crisis, dismissing his struggles as mere hypochondria. As Mörner isolates himself, he encounters an enigmatic stranger, whose presence seems to both intrigue and unsettle him. This stranger engages Mörner in thought-provoking dialogue that hints at a shared yearning for meaning amidst the chaos of modern life, setting the stage for a deeper exploration of art, identity, and the human condition throughout the rest of the novella.
Schläfst du Mutter?; Ruth. Novellen
"Schläfst du Mutter?; Ruth. Novellen" by Jakob Wassermann is a collection of novellas written in the late 19th century. The stories explore themes of childhood, family dynamics, and the complexities of adult relationships through the experiences of the young protagonist, Peter Vogelsang. The text introduces Peter as a sensitive and contemplative boy who grapples with his thoughts about life, family, and the enigmatic presence of his mother. The opening of the first novella, "Schläfst du Mutter?", immerses the reader in the world of young Peter Vogelsang, who navigates the struggles of childhood with a deeper philosophical lens. As he wanders through the town and into the forest, his daydreams reveal his longing for adventure and his complex feelings about his family – particularly his thoughts on his mother, who seems to carry unspoken burdens. This emotionally charged beginning sets the stage for Peter's interactions with his family and his reflections on their life together, establishing an engaging narrative filled with innocence and profound realization. In contrast, the second novella “Ruth,” presents a more somber narrative about a student, Formes, who becomes intertwined with a young girl named Ruth, ultimately grappling with the themes of responsibility, love, and loss.
Die Schwestern: Drei Novellen
"Die Schwestern: Drei Novellen" by Jakob Wassermann is a collection of three novellas published in 1906. These historical tales span three centuries and three countries, united by a haunting theme: women whose passionate love remains unreturned. A Spanish noblewoman in the fifteenth century, an English washerwoman in the eighteenth, and a French widow in the nineteenth each face tragic destinies shaped by their devotion to men who cannot reciprocate their feelings. Through poetic prose and psychological depth, Wassermann explores obsession, despair, and the devastating consequences of unrequited love.
Engelhart Ratgeber: Roman
"Engelhart Ratgeber: Roman" by Jakob Wassermann is a novel written in the late 19th century. The story revolves around the character Engelhart, capturing his childhood experiences and the complexities of his family life as he navigates the world around him. The narrative is rich in detail, highlighting Engelhart's perceptions, relationships, and emotions, specifically focusing on his interactions with family members and his evolving identity. The opening of the novel introduces us to Engelhart's childhood memories, framed around a traumatic event—a fire—while simultaneously depicting his innocent curiosity and mischievous behavior. These early experiences intertwine with his family dynamics, particularly his mother's protective nature and his father's ambitions. Engelhart is depicted as a sensitive child grappling with strong emotions, often feeling a sense of otherness and confusion about his identity. The initial chapters establish a foundation for Engelhart's character development, exploring themes of family, loss, and the quest for understanding in a complex and often harsh world.
Der goldene Spiegel: Erzählungen in einem Rahmen
"Der goldene Spiegel: Erzählungen in einem Rahmen" by Jakob Wassermann is a collection of intertwined short stories written in the early 20th century. The book revolves around the character of Franziska, a young actress grappling with her aspirations and relationships as she navigates a world filled with her wealthy friends and the complexities of her artistic ambitions. The opening of this work introduces Franziska and her relationships with three young men: Rudolf Borsati, Georg Vinzenz Lamberg, and Cajetan von Prechtl, who are affluent members of society contrasting with her humble beginnings. Franziska is portrayed as a vibrant and aspiring actress who is both pursued and admired, yet feels an ongoing restlessness as she yearns for a more profound sense of life beyond social gatherings and superficial connections. When she mysteriously disappears with a man named Riccardo Troyer, her friends are left with her last gift—a golden mirror, symbolizing the intertwining of their fates and serving as a catalyst for the stories that follow. This intricate setup hints at themes of love, ambition, and the search for identity amidst societal expectations.
Der niegeküßte Mund: Drei Erzählungen
"Der niegeküßte Mund: Drei Erzählungen" by Jakob Wassermann is a collection of short stories written in the early 20th century. The narratives explore themes of love, desire, and societal conventions through various characters, notably the subdued and introspective teacher Philipp Unruh. The book delves into the emotional landscapes of its characters, revealing the tensions between personal aspirations and the constraints imposed by their environments. The opening of the first story introduces the small, idyllic town where Philipp Unruh works as a schoolteacher. He is depicted as a quiet and contemplative figure, more engaged in the historical narratives contained in his books than the mundane realities of his surroundings. Unruh grapples with his thoughts on love and the past, contrasting the vibrant life he reads about with his own lackluster existence. The arrival of a new character, the flamboyant Provisor Apollonius Siebengeist, hints at impending changes and challenges for Unruh, especially as he becomes entangled in social dynamics and his unexpressed feelings as the story unfolds.
Melusine: Ein Liebesroman
"Melusine: Ein Liebesroman" by Jakob Wassermann is a novel published in 1896. Young orphan Melusine Mirbeth takes refuge in a modest Munich boarding house, fleeing her guardian, Colonel Thewalt. There she meets medical student Vidl Falk, and a tentative love develops between them. But Melusine's evasive answers about her past and her continued dependence on the Colonel fuel Vidl's jealousy and doubts. As suspicion grows, their fragile connection faces an inevitable test of trust and character.
Der Wendekreis - Zweite Folge : Oberlins drei Stufen, Sturreganz
"Der Wendekreis - Zweite Folge: Oberlins drei Stufen, Sturreganz" by Jakob Wassermann is a novel written in the early 20th century. The narrative centers around a young boy named Dietrich Oberlin, who grows up under the strict and esteemed traditions of his patrician family in Basel. His life is meticulously governed by the norms of his upbringing, which sets the stage for the conflicts and transformations he encounters as he navigates his formative years. At the start of the story, we are introduced to Dietrich and the rigid lifestyle he leads within his affluent family. The opening chapters detail his upbringing, marked by discipline and expectation, as well as the societal norms that dictate his behavior and interactions. After his father's death, Dietrich falls ill and is sent to a progressive school in Hochlinden, led by the reformative educator, Dr. Lucian von der Leyen. This environment presents a stark contrast to his previous life, encouraging freedom of expression and thought, which triggers profound internal conflict for Dietrich as he grapples with newfound ideas and emotional connections. The plot sets the foundation for themes of identity, authority, and the struggle between tradition and modernity that will develop as the story unfolds.
Die ungleichen Schalen: Fünf einaktige Dramen
"Die ungleichen Schalen: Fünf einaktige Dramen" by Jakob Wassermann is a collection of five one-act plays written in the early 20th century. The work focuses on themes of human relationships, political intrigue, and personal dilemmas, showcasing various characters grappling with significant moral and ethical choices. The opening play introduces several pivotal figures, including Graf Alexei Grigorjewitsch Rasumowsky and the ambitious Graf Grigorij Orlow, setting a stage filled with tension and the weight of historical context. At the start of the first drama, titled "Rasumowsky," we find ourselves in the year 1763 in Petersburg, where the character Fedor Alexandrowitsch Chidrowo anxiously awaits the arrival of Graf Rasumowsky, whose house is depicted with a grand yet solemn ambiance. As Chidrowo and Kapitänleutnant Michael Lassunsky discuss the troubling news of a violent incident involving the Großkanzler Woronzow, the tension heightens with anticipation of Orlow's looming arrival. The conversation hints at internal conflicts within the Russian state, and Chidrowo expresses a deep concern over Orlow's ambitions and the fate of Rasumowsky, suggesting that personal legacies are at stake. The scene develops a rich tapestry of historical intrigue, capturing the reader's interest in the unfolding drama.
Der Mann von vierzig Jahren
"Der Mann von vierzig Jahren" by Jakob Wassermann is a novel written in the early 20th century. The story focuses on Sylvester von Erfft, a man of property living in southern Germany who, despite his comfortable life, grapples with inner turmoil and existential dissatisfaction. The narrative delves into his relationships, particularly with his wife Agathe and their daughter Silvia, exploring themes of love, ambition, and the desire for meaning in a seemingly mundane existence. The opening of the novel introduces Sylvester, who appears to have everything he could want but is plagued by a profound sense of emptiness and restlessness. As he navigates through his life filled with agricultural reforms and social engagements, he becomes increasingly distant from Agathe and disengaged from family life. The narrative shifts as Agathe notices a stark change in Sylvester’s demeanor, leading to tension within their relationship. As external pressures mount and Sylvester's actions grow erratic, especially regarding his thoughts of infidelity and escape, Agathe's concern deepens, revealing the fragility of their family dynamics. This rich opening sets the stage for an exploration of the complexities of personal desire versus societal expectation.
Imaginäre Brücken: Studien und Aufsätze
"Imaginäre Brücken: Studien und Aufsätze" by Jakob Wassermann is a collection of essays written in the early 20th century. The work explores complex themes related to ownership, society, and individual identity, reflecting the philosophical and socio-economic concerns of its time. Wassermann's inquiries delve into the concept of possession, its implications on human relationships, and the moral dilemmas surrounding wealth and class disparities. At the start of the book, Wassermann introduces a profound examination of the concept of ownership and its societal repercussions. He reflects on historical shifts and the idea that the value of possessions has become increasingly contested in a rapidly changing world. Through a detailed analysis, he highlights the stark contrasts between wealth and poverty, suggesting that these disparities breed resentment and conflict within society. The opening portion establishes a contemplative tone, inviting readers to engage with the philosophical questions surrounding property, individual rights, and the ethical implications of possession in the modern age.
Die Schaffnerin; Die Mächtigen: Novellen
"Die Schaffnerin; Die Mächtigen: Novellen" by Jakob Wassermann is a collection of short stories written in the late 19th century. The opening portion introduces the reader to the peaceful life on a rural estate owned by Generalleutnant von Bruneck, governed by the kind-hearted Amtmann Tarnow and his interactions with the estate’s various workers and inhabitants. As the stories unfold, themes of authority, compassion, and the struggles against oppression begin to surface through the characters’ lives. The opening of the novella "Die Schaffnerin" sets a tranquil scene on the estate, detailing the daily lives of its residents and the sudden illness and death of the Amtmann Bödensaß, which marks a turning point in the story. Soon after, Tarnow, the Wirtschaftsschreiber, reflects on the new authority brought by the arrival of the new Amtmann, Truchs, whose domineering personality contrasts sharply with the laid-back lifestyle that Tarnow and the others previously enjoyed. As Truchs begins to exert his influence, tensions arise, particularly regarding his treatment of the Schaffnerin, Fanny Leuthold, setting the stage for escalating conflicts and emotional turmoil among the characters.
Die Prinzessin Girnara: Weltspiel und Legende
"Die Prinzessin Girnara: Weltspiel und Legende" by Jakob Wassermann is a dramatic work that weaves elements of legend and fantasy, written in the early 20th century. The narrative revolves around the titular princess, Girnara, who is shrouded in mystery and beauty, having been hidden away by her father since birth. The story unfolds in a mythical kingdom, exploring themes of love, beauty, and the constraints of destiny, as well as the sacrifices one makes in pursuit of happiness. The plot begins with a grand celebration that serves to introduce the main characters, including Prince Siho, who marries Girnara without having seen her. The unfolding drama reveals the consequences of Girnara’s seclusion and the rumors surrounding her hidden life. As tensions mount, the magical figure of the Magician appears, offering to unveil the truth about Girnara's existence and beauty, which culminates in a series of events that lead to her eventual liberation and encounter with Prince Siho. Through poetic dialogue and rich atmospheric details, Wassermann crafts a tale that examines self-identity, societal expectations, and the transformative power of love amid darkness and despair.
Olivia oder Die unsichtbare Lampe
"Olivia oder Die unsichtbare Lampe" by Jakob Wassermann is a novel written in the late 19th century. The narrative revolves around the life of Olivia, a young girl navigating her childhood and adolescence marked by beauty, familial bonds, and emerging complexities of adult relationships. The story unfolds against the backdrop of Vienna, delving into themes of innocence, loss, societal expectations, and the quest for identity. The opening of the novel introduces us to a wealthy family gathering at the home of Professor Khuenbeck, where Olivia, the professor's daughter, is showcased amidst praises for her enchanting beauty. Olivia, initially filled with innocence, receives unexpected kindness from Robert Lamm, a family friend, who gently advises against treating her as a spectacle. As her father falls ill and subsequently dies, Olivia's world shifts dramatically. Amidst the struggles that follow, Lamm becomes a guiding figure, though the dynamics between them evolve as Olivia matures and grapples with her desires and aspirations. The initial chapters set the stage for Olivia's intricate relationships, the contrast of innocence against the harsh realities of adulthood, and the challenge of finding her place in a world filled with expectations and moral dilemmas.
Die Masken Erwin Reiners : $b Roman
"Die Masken Erwin Reiners : Roman" by Jakob Wassermann is a novel written in the early 20th century. It appears to be a psychological and social study set in Vienna, following the delicate young scientist Manfred Dalcroze, his steadfast beloved Virginia, and his brilliant, wealthy friend Erwin Reiner, whose charisma and restlessness unsettle their bond. The book probes friendship, desire, class, and the deceptive “masks” people wear. The opening of the novel follows Manfred, ordered to spend two years at sea to heal his lungs, as he secures a berth on a deep-sea expedition and asks his admired friend Erwin to watch over Virginia in his absence. We see Manfred’s earnest love, Virginia’s cautious integrity, and the couple’s modest circumstances, set against Erwin’s opulent, disciplined, and worldlier life. A private confession from Virginia’s mother reveals Virginia’s illegitimate birth, deepening Manfred’s tenderness and anxiety. Before departure, Manfred shows Erwin Virginia’s photograph; Erwin is struck, and promises solemnly to protect her. After a restrained first meeting, Manfred leaves by train, and Erwin tactfully steps in—offering Virginia a ride, visiting regularly, and channeling her faltering art studies into a serious school, then guiding her through galleries and a fashionable exhibition. Virginia is both drawn and unsettled by Erwin’s magnetic presence and blunt cynicism about society and love, while he hints at jealousy over Manfred’s devotion. The excerpt closes with Erwin confiding how Manfred became his true friend and how that bond shapes his stance toward Virginia.
Kertomisen taito
"Kertomisen taito by Jakob Wassermann" is a philosophical dialogue written in the early 1900s, focusing on literary theory and the art of storytelling. The book, presented as a conversation primarily between a young aspiring writer and an older, experienced mentor, explores the nature, purpose, and techniques of narrative art. It is a reflective discourse on writing, creative motivation, and the aesthetic values that underpin lasting literature. The content follows the interaction between the two characters as the older mentor challenges and critiques the young writer's understanding of storytelling. Their discussion delves into stylistic elements, the relationship between form and substance, the significance of crafting believable and vital characters, and the balance between individual creative drive and the timeless laws of art. The later part of their dialogue examines the evolution of personal artistic vision, the struggles of success and recognition, and the tension between following rules and authentic expression. Ultimately, the book argues that true artistry comes from an inner compulsion for honest creation, informed by a deep understanding of human experience and the ever-unfinished quest for artistic truth.