Author
Martti Wuori
1858-1934
Martti Wuori (1858-1934) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
WikipediaSubjects
Books by Martti Wuori
Anita Sorjola : $b Romaani
No description available.
Henkensä uhalla : $b 3-näytöksinen näytelmä
"Henkensä uhalla: 3-näytöksinen näytelmä" by Martti Wuori is a play written in the early 20th century. This work likely explores themes of love, social dynamics, and personal conflict, as suggested by the richly detailed character interactions and setting. The main characters introduced include Hemmo Kaltimo, his wife Elvi, and Liisi Blom, who seems to bring a playful yet contentious energy into the lives of the others. At the start of the play, we are introduced to the tranquil setting of Alhon kartano, where characters engage in light banter and share personal stories. Selma, Elvi, and Liisi display camaraderie, but there is an undercurrent of tension, particularly as Liisi's arrival stirs past emotions and potential conflicts, particularly involving Hemmo. The interactions hint at deeper relationships and secrets that may complicate their seemingly idyllic lives, particularly as discussions touch upon marriage, societal expectations, and unspoken desires. Through this opening, the audience is drawn into a world filled with charm yet fraught with complexity, setting the stage for the unfolding drama.
Ryöstö : $b Viisinäytöksinen näytelmä
"Ryöstö : Viisinäytöksinen näytelmä" by Martti Wuori is a drama written in the early 20th century. The play unfolds a narrative centered around rural life in Eastern Finland, focusing on the interactions of characters like Antti Valkeapää, his wife Sohvi, and their children, as they navigate themes of debt, love, and societal expectations. The characters' relationships are marked by their economic struggles and personal aspirations, laying a foundation for exploring deeper emotional conflicts. The opening of the play introduces us to the Valkeapää household, where a conversation takes place between Hilma, Sohvi, and their young son Aaku. As they discuss daily matters, including Antti's errands and financial difficulties, it becomes clear that they are dealing with significant debt and reliance on local merchants like Sipi Rahikainen. The scene reveals family dynamics and hints at romantic tensions, particularly concerning Siiri, a friend of the family who has recently returned from her theatrical pursuits. Through this beginning, the groundwork is laid for exploring the challenges faced by rural families, intertwined with themes of loyalty, ambition, and societal pressures as they confront their socio-economic realities.
Ihmisten tähden : $b 3-näytöksinen näytelmä
"Ihmisten tähden : 3-näytöksinen näytelmä" by Martti Wuori is a play written in the late 19th century. The narrative seems to revolve around the lives of the Raunio family and their social interactions in Helsinki, focusing on themes of class, societal expectations, and the pressures of maintaining appearances. The main characters include the asessor Yrjö (Georges) Raunio, his wife Betty, their daughter Ella, and various acquaintances who impact their lives. The opening of the play sets the stage in the Raunio household, revealing a rich yet coldly decorated sala filled with incongruities typical of the late 19th-century bourgeois lifestyle. Ella, the daughter, is introduced along with her music teacher, Neiti Moilanen, as they discuss their lives, the pressures stemming from societal norms, and the family's financial struggles, particularly concerning their recent purchase of an expensive piano. The characters exhibit varying perspectives on life and social status, hinting at underlying tensions within the family regarding their financial predicament and the societal expectations that come with their social stature. This rich interplay of dialogue foreshadows deeper conflicts that will likely unfold throughout the play.
Korkea oikeus istuu : $b Yksinäytöksinen ilveily
"Korkea oikeus istuu: Yksinäytöksinen ilveily" by Martti Wuori is a one-act play written during the late 19th century. The book presents a courtroom drama that focuses on a petty theft case involving a stolen pig, with themes of social dynamics and the absurdities of rural life. The play employs a mix of humor and critique of legal proceedings, illustrating the interactions among characters in a rural community. The storyline revolves around the protagonist, Jeremias Pönttönen, who accuses Samuli Huilu of stealing his pig. The courtroom drama unfolds with a barrage of humorous testimonies from various witnesses, including Jeremias's wife, Serahviina, who adds to the chaos with her own grievances against her husband. Throughout the trial, it becomes clear that personal conflicts and misunderstandings overshadow the actual legal matter at hand. The comedic elements shine through the characters' interactions, their colorful personalities, and the ridiculousness of the accusations, ultimately leading to a resolution that showcases the absurdity of the entire situation and the challenges of genuine justice in a small community.
Lapveden meteli : $b Historiallinen näytelmä 5:nä näytöksenä (6 kuvaelmaa)
"Lapveden meteli: Historiallinen näytelmä 5:nä näytöksenä" by Martti Wuori is a historical play written in the early 20th century. The work is set in Lapveden and revolves around the characters of Kustaa Götrikinpoika Fincke, a ruling officer, and the local landowners who are embroiled in conflicts over taxation and authority. The drama likely explores themes of social injustice, rebellion, and the daily struggles of the peasantry during a time of oppression. The opening of the play introduces a peaceful spring day at Multianen's farm, where local villagers are gathering and discussing recent events. The characters engage in light banter about the news brought by a messenger, revealing their hopes for support from the king against local tyrants. As they await the return of the king's envoys, tensions rise when they hear alarming details about the excessive taxation and the cruel tactics employed by the ruling officials. The audience is drawn into the mounting unrest among the villagers, who begin to feel that the king may provide a solution to their grievances, setting the stage for potential conflict and action as the peasants contemplate rising against their oppressors.
Nahkapoikia eli Ylpeys sen teki : $b 4-näyt. laulunsekainen näytelmä
"Nahkapoikia eli Ylpeys sen teki" by Martti Wuori is a four-act musical play written in the early 20th century. The narrative is set in rural Finland and involves themes related to love, societal expectations, and class distinctions, revolving around various characters living in the locale of Hintikkala. The play captures the dynamics between characters such as Riikka, Sakari, Hanni, and Maunu, highlighting their personal struggles and relationships amidst unfolding communal drama. The opening of the play establishes the setting in Hintikkala's yard, where several characters engage in lively interactions infused with playful banter, music, and flirtation. We meet Riikka and Olli, who tease each other about their feelings, while the old man Hiski reflects on his family dynamics and societal changes. The arrival of characters like Eevastiina, Taneli, and Hanni introduces tensions regarding marriage prospects and class aspirations. The atmosphere is buzzing with gossip and the effects of impending changes, particularly around the relationships brewing between young lovers like Hanni and Maunu, amidst the backdrop of community expectations and personal goals. The playful exchanges and musical interludes set a light-hearted yet poignant tone for the narrative unfolding.
Basilleja : $b 3-näytöksinen ilveily
"Basilleja: 3-näytöksinen ilveily" by Martti Wuori is a play written in the early 20th century. The story unfolds during a cholera epidemic in a summer villa near a railway station in Uusimaa, Finland, introducing its central characters, including Torsti Turdén and his wife Tuttu, alongside a cast of relatives and friends arriving at their summer retreat. The dialogue showcases their interactions and witty banter, setting the stage for comedic and dramatic tensions in their lives as they deal with unexpected guests and the looming specter of disease. The opening of the play immerses readers in a lively conversation between Torsti and his wife Tuttu, who is feeling isolated in the villa. As they discuss their grievances and outlook on life, the arrival of multiple relatives is foreshadowed, particularly the unanticipated presence of Tuttu’s mother and sister. The dialogue blends humor with anxiety, reflecting their concerns about the cholera outbreak and the stressful changes in their domestic life. This interplay hints at potential conflicts and comedic scenarios as the story begins to unfold, establishing a foundation for intrigue in the gatherings that will ensue.
Umpisolmu : $b eli Asarias Pölläsen avioliitto
"Umpisolmu : eli Asarias Pölläsen avioliitto" by Martti Wuori is a three-act play written in the early 20th century. The narrative revolves around the young farmer Asarias Pöllänen and his struggles within his marriage, highlighting the complexities of love, familial pressure, and societal expectations. The play's main character, Asarias, is particularly conflicted as he navigates his responsibilities and desires, questioning the decisions that led to his current situation. The opening of the play introduces us to Asarias at home, deeply frustrated with the state of his marriage to Kaisa, who he feels does not fulfill his hopes for starting a family. Conversations with his mother, Heta, and their neighbor Ville reveal Asarias's desire for children and his growing resentment towards Kaisa for their childlessness. Ville suggests a humorous yet serious idea of "switching wives," playing into Asarias's feelings. Throughout the dialogue, we see the tension and comedic elements emerge between the characters, setting the stage for a poignant exploration of marital dynamics and personal longing as the story progresses.
Vuoksen varrella: 1-näytöksinen laulunsekainen kansannäytelmä
"Vuoksen varrella: 1-näytöksinen laulunsekainen kansannäytelmä" by Martti Wuori is a one-act folk play written in the early 20th century. This theatrical piece is set against the backdrop of rural Finland, focusing on the interactions and relationships among the local community and a group of Romani individuals. The play weaves together elements of music, dance, and dialogue to create an engaging narrative about love, identity, and cultural exchange. The story unfolds in a pastoral setting where various characters, including Justiina, her son Janne, and the orphan girl Miili, interact with the Romani characters Niki and Manja. The narrative highlights themes of love and jealousy, particularly in Janne's affections towards Miili and the tension caused by the arrival of Manja, a Romani woman. As the plot progresses, a series of misunderstandings culminate in a frantic chase for the stolen horse "Vihuri." Miili proves to be resourceful by retrieving the horse and restoring peace, ultimately leading to a celebration filled with music and dance. The play reflects the social dynamics of the time, blending humor and drama while emphasizing unity and joy in the face of conflict.
Vallanperillinen: Historiallinen 5-näytöksinen murhenäytelmä
"Vallanperillinen: Historiallinen 5-näytöksinen murhenäytelmä" by Martti Wuori is a historical tragedy likely written during the early 20th century. The play is set in the era of Tsar Peter I of Russia and explores the complex relationships between the tsar, his family, and various noble figures as political intrigue unfolds. The central characters include Tsar Peter, his second wife Catherine, and their son Tsarevich Alexei, who struggles with the expectations of nobility and the weight of his lineage. The opening of the play introduces a bustling summer scene along the Neva River, where workers engage in the construction of Peter's iconic city. The dialogue among the laborers highlights their awareness of the tsar's presence, as well as their mixed feelings about the political changes he enforces. We are introduced to Afrosinja, a peasant girl, and Bahmeotov, a sergeant in the tsar's service, who share a romantic tension amidst the backdrop of political strife. The narrative quickly establishes the contrast between the lives of the common people and the tumultuous world of the royal court, setting the stage for the unfolding conflicts and challenges faced by the characters.
Eetu Kokko : $b 4-näytöksinen näytelmä
"4-näytöksinen näytelmä" by Martti Wuori is a dramatic play likely written in the early 20th century. This work features characters involved in tensions surrounding social and political issues, focusing especially on Eetu Kokko, a young factory worker. The narrative explores themes of class struggle, personal dilemmas, and the pressures of societal expectations as the characters navigate their relationships and choices. The opening of the play introduces us to a restaurant setting where Eetu Kokko is confronted with the realities of his social status as he interacts with Aini Savio, a servant. Their conversation hints at Eetu's dissatisfaction with his position in life and his desire for greater agency, particularly in the context of impending military conscription. As Eetu grapples with his need to support his sick mother and a budding romance with Aini, he is alarmed by the influence of more powerful figures, such as Kosti Cedervall, an attorney discussing the moral implications of avoiding conscription. This moment sets the stage for ongoing conflicts about loyalty, personal integrity, and the sacrifices one must make amidst societal demands.
Pappilan tuvassa: Yksinäytöksinen huvinäytelmä
"Pappilan tuvassa: Yksinäytöksinen huvinäytelmä" by Martti Wuori is a one-act comedy written in the late 19th century. The play is set in a rural Finnish parsonage, focusing on the lives and interactions of the local characters as they navigate themes of romance, loneliness, and community dynamics. Through a humorous lens, it examines the social fabric of small-town life and the challenges that come with relationships and marital aspirations. The storyline revolves around Aaro, an elderly tailor, and Olli, a middle-aged widower, who engage in conversations about their lives, love, and the potential for second marriages. The subplot features Tirkkosen Leena, a lively character who flirts with both men while they discuss matters of the heart and the changes that come with age. As Olli considers remarrying, misunderstandings and comedic scenarios arise when they believe there might be a rivalry for affection with younger characters like Taavetti and Anni. Ultimately, the play highlights the humor in human connections and the complexities of love in a tight-knit community, culminating in a chaotic yet amusing mix of emotions and revelations during a planned visit to the parsonage.
Naimiskauppa: Yksinäytöksinen huvinäytelmä
"Naimiskauppa: Yksinäytöksinen huvinäytelmä" by Martti Wuori is a one-act play written in the late 19th century. The play revolves around the topic of marriage negotiations, focusing on the challenges and social implications faced by a Finnish family living in Petersburg. The characters navigate complex relationships and societal expectations in their quest for love and compatibility. The story unfolds in the household of Heikki Vasara, a craftsman, as he and his wife, Anna, grapple with their daughter Olga’s romantic choice involving a wealthy yet untrustworthy Russian suitor, Vanja Kulikov. Throughout the play, family dynamics emerge, revealing Heikki's protective nature and Anna’s aspirations for social status through their daughter's marriage. Their conversations and interactions with other characters, including the loyal servant Kalle, highlight themes of love, betrayal, and societal pressures. As tensions rise, revelations about Kulikov’s deceit come to light, ultimately leading to a confrontation that reshapes the relationships within the family. In the end, the play underscores the importance of genuine affection and moral values over mere financial gain in marriage.
Savon sydämessä: Kansantapojen kuvaus. Kolminäytöksinen huvinäytelmä
"Savon sydämessä: Kansantapojen kuvaus. Kolminäytöksinen huvinäytelmä" by Martti Wuori is a theatrical play written in the late 19th century. The work depicts life and traditions in the Finnish Savonia region, focusing on the interplay of village life, familial ties, and romantic pursuits. The story involves characters such as Asarias Pöllänen, a young farmer, and his mother Heta, as well as the local parson and various villagers. The opening of the play introduces a lively Saturday evening at Pöllänen's homestead, characterized by familial interactions and romantic gossip among the characters. Ville, a servant, is seen singing songs while interacting playfully with Kaisa. Asarias’ prolonged absence from confirmation classes is a topic of discussion, emphasizing community expectations and the trials of youth. Through witty dialogue and local customs, the stage is set for exploring themes of love, ambition, and the societal pressures faced by the characters as they navigate their relationships and futures.
Kurimus y.m. kertomuksia ja kuvauksia
"Kurimus y.m. kertomuksia ja kuvauksia" by Martti Wuori is a collection of stories likely written in the early 20th century. The book presents various narratives exploring life, culture, and personal experiences, with a prominent focus on the character Anna as she embarks on a journey from her rural hometown to the bustling city of Saint Petersburg. At the start of the collection, we are introduced to Anna, who finds herself on a long, tiresome train journey to Saint Petersburg. As she travels, Anna reflects on her anticipation of the vibrant city, filled with grand buildings and bustling life. Despite her initial excitement, she faces the discomforts of travel and the intrusive glances of strangers, particularly a man who stares at her unabashedly. Once she arrives, Anna is welcomed by her cousin Liisa, who has come to help her settle into her new life as she seeks employment in the city. As she begins this new chapter, Anna's emotions oscillate between hope and apprehension, encapsulating the challenges and aspirations that come with seeking a better future.
Aura: 5-näytöksinen näytelmä
"Aura: 5-näytöksinen näytelmä" by Martti Wuori is a dramatic play written in the early 20th century. Set in a factory town, the story revolves around the tumultuous life of Aura, a young woman who feels trapped in her marriage to Reetu, an older factory worker. The drama unfolds through her interactions with various characters, including her charming coworker Manu, whom she develops feelings for, as well as her struggles with societal expectations and personal freedom. At the start of the play, we are introduced to Aura and her husband Reetu in their modest home, where their strained relationship is evident. Aura expresses her frustration with their mundane life and Reetu’s lackadaisical attitude towards their responsibilities. This tension is highlighted through their heated exchanges, which reveal Aura's longing for excitement and love outside her marriage. As other characters are introduced, including Manu, the local charmer, and Laina, a young shop assistant, the complexities of love, desire, and societal norms start to emerge, setting the stage for the unfolding drama in their lives and relationships.
Nuorta verta: Romaani
"Nuorta verta: Romaani" by Martti Wuori is a novel written in the early 20th century. The story centers on Terttu, a young woman grappling with her life's purpose while caring for her ailing mother. Mingling themes of aspiration, family responsibilities, and the search for fulfillment unfold against the backdrop of early 1900s Finland. The opening of the novel introduces Terttu as she navigates her daily life filled with reflections on youth, purpose, and the inevitability of life's challenges. She is acutely aware of her mother's deteriorating health and faces the dual pressures of responsibility and her own desires. As she looks out of the window, she contemplates her future and the weight of her decisions, including a letter she has sent in response to a job advertisement. This beginning establishes the emotional landscape of Terttu’s life and hints at impending changes, particularly with the arrival of a new tenant, Lauri Honkasalo, who may impact her journey significantly.
Onnen unelma : $b Romaani
"Onnen unelma : Romaani" by Martti Wuori is a novel written in the early 20th century. It centers on middle‑aged playwright Ensio Arola and Leeni Saares, a talented young factory worker who dreams of the stage, as their lives intersect in Helsinki’s working‑class Hermanni. The story explores artistic ambition, class tensions, religious strictness at home, and the awakening of late-blooming feeling. The opening of the novel follows Arola to a workers’ theatre rehearsal of his play, where he meets actress Martta Hinnermo and is captivated by Leeni, who is cast in the lead. Friction flares with Leeni’s unpleasant partner Härmälä, a jealous fiancé, leading to a public quarrel that breaks their engagement and collapses the rehearsal. Arola returns home stirred by new emotion and reflects on his past: orphanhood, studies abroad, a destructive affair in Vienna, an unhappy marriage and divorce, and his life as a writer. The narrative then turns to Leeni’s cramped home: a sympathetic, dignified mother and a stern, religious stepfather opposed to her stage ambitions; Härmälä barges in with accusations about a gentleman friend, prompting Leeni to assert her independence and plan to leave home. At the start of the next day, Arola, unable to write, finds himself drawn toward Leeni’s neighborhood, and the scene breaks as a bright spring Sunday fills Kaisaniemi.
Kun piiat ovat lakossa : $b Ivallinen ilveily 3:na näytöksenä
"Kun piiat ovat lakossa: Ivallinen ilveily 3:na näytöksenä" by Martti Wuori is a play written in the early 20th century. The narrative unfolds in Helsinki and revolves around the social implications of a domestic workers' strike, reflecting the dynamics between different social classes and gender roles. The central characters include Tuure Holm, a government official, and his wife, Hertta, who finds herself embroiled in the complexities arising from the strike. The opening of the play introduces us to the Holm household, depicting a mundane morning disrupted by the lack of domestic help due to the ongoing strike. Tuure struggles to manage daily chores and is frustrated by Hertta's commitments to the strike committee, which leaves him with little assistance at home. As the conversation unravels, themes of gender roles, social responsibility, and class conflict emerge, particularly through the quarrels between Tuure and Hertta regarding household duties and the strike's legitimacy. The arrival of their friend Juuso Karpén and the unexpected visit from Helmi, a relative with her own troubles, further complicates the situation, setting the stage for a comedic yet poignant exploration of the characters’ lives amidst the social upheaval.
Hirttonuora eli Asarias Pöllänen leskimiehenä : $b Kolmenäytöksinen huvinäytelmä
"Hirttonuora eli Asarias Pöllänen leskimiehenä" by Martti Wuori is a three-act stage comedy written in the early 20th century. It lampoons small-village matchmaking and moral posturing as a young widower, Asarias Pöllänen, becomes the target of two determined spinsters, Sanna Tossavainen and Santra Saurénska, while his crafty friend Ville Vilkki and the blunt Reverend Tobias Saxbäck try to restore order. Set in late 19th-century Savo, the play blends grief and farce into a brisk tussle over love, reputation, and peace of mind. At the start of the play, Asarias sits in his farmhouse sunk in grief for his wife and newborn, even toying with the noose, as Ville tries to console him and fend off suitors. Sanna bursts in with flirtation and domestic zeal, Santra follows with pious hymns and “comfort,” and their rivalry erupts in barbs, boasting, and competitive singing while Ville plots to take both to the parsonage to end the siege. The action shifts to the rectory, where the amused but stern rovasti hears Sanna and Santra in turn, rebukes them for vanity, slander, and unseemly zeal, and confirms that Asarias has no intent to remarry. Sanna storms out threatening lawsuits; Santra pleads to keep visiting to sing but is told to leave the man in peace. The opening thus sets up a comic triangle (plus a wily go-between) and lands the conflict under clerical scrutiny, with the pastor sending each woman away and the men escorting them home.
Veri on vettä sakeampi : $b 2-näytöksinen näytelmä
"Veri on vettä sakeampi: 2-näytöksinen näytelmä" by Martti Wuori is a drama written in the early 20th century. The play revolves around a rural Finnish-Swedish community, exploring themes of national identity, social class, and family loyalty. The central characters include the Nygård family—Johannes, his wife Evelina, and daughter Jenny—along with their Finnish farmhand Aapo, neighboring landowners, and local officials. At the heart of the story is a conflict between Finnish and Swedish-speaking populations, intertwined with questions about love, inheritance, and personal sacrifice. The opening of the play sets the stage with tension between Aapo, the Finnish farmhand, and other members of the rural, Swedish-speaking community. Through lively and pointed dialogue, issues of language, cultural belonging, and social acceptance emerge, particularly regarding the right of Finnish speakers to own land and establish schools. Personal stakes are heightened as Jenny and Aapo share mutual affection, but family pressures and economic dependencies complicate their future. Meanwhile, neighboring landowners and officials—including Veckström and Peldán—actively conspire to maintain Swedish control and resist Finnish advances, using financial leverage and social pressure. The beginning establishes a layered drama where personal relationships collide with larger societal struggles over identity and power in early 20th-century Finland.
Seinä väliä : $b Yksinäytöksinen huvinäytelmä
"Seinä väliä : Yksinäytöksinen huvinäytelmä by Martti Wuori" is a one-act comedic play written in the late 19th century. It centers on a noise feud between a young piano student and her studious neighbor that unexpectedly rekindles an old romance. The piece pokes gentle fun at domestic nerves, artistic ambition, and propriety, while turning a thin wall—and what passes through it—into a catalyst for reconciliation. Maikki Peron practices tirelessly for music studies, to the irritation of the new neighbor, a scholar who complains through the house staff and then blasts a hunting horn in retaliation, frightening Maikki’s anxious aunt, Neiti Filander. Maikki writes a polite appeal, and the neighbor arrives—revealed as Ville Karén (now calling himself Verho), Maikki’s former suitor, determined to finish his exams and secure a post. After awkward apologies, a comic interrogation by the aunt, and a softening song that wins her over, the couple reconcile. With Iida’s bustling help and jokes about opening a door in the wall, peace is restored: the piano will move to an inner room so study and music can coexist, and the evening closes with a cheerful toast and a promise of future happiness.
Paras ystävätär : $b Avioliittoromaani
"Paras ystävätär : Avioliittoromaani" by Martti Wuori is a marriage novel written in the early 20th century. It portrays an intense friendship between the wealthy school-leaver Toini Karppi and her younger schoolmate Hillevi, whose beauty and precocious poise draw admiring eyes and stir rivalries. As the ambitious lawyer Herbert Hursti courts Toini, a subtle triangle forms, testing loyalty, class sensibilities, and the boundaries of female friendship on the brink of marriage. The opening follows a school recess where Toini openly dotes on Hillevi and invites her to lavish birthday dances at the Karppi home, provoking classmates’ envy. At the ball, Hillevi’s striking looks and dancing captivate the room—and catch Herbert’s eye—while his ongoing attentions to Toini advance toward an unspoken understanding. A summer in Baden-Baden cements the engagement, after which Hillevi’s hurt surfaces briefly before she reconciles and frequents the couple’s company, masking deeper feelings with tact and charm. Preparations intensify as the groom shifts into diplomatic service and the family readies a grand church wedding, with the narrative poised at the decorated altar as the ceremony approaches.