Author
José Zorrilla
1817-1893
José Zorrilla (1817-1893) is a public-domain author available on Rivro. Read free books, explore subjects, and discover related classics.
Subjects
Books by José Zorrilla
Don Juan Tenorio
"Don Juan Tenorio" by José Zorrilla is a play written in 1844. This romantic reimagining of the legendary Don Juan follows a notorious rake who wagers he can seduce any woman and defeat any man. When he kidnaps the innocent Doña Inés from a convent, genuine love stirs within him for the first time. But after murdering her father and abandoning her, Don Juan returns years later to find a cemetery where his mansion once stood—and discovers his victims' statues hold supernatural power over his fate.
Recuerdos Del Tiempo Viejo
"Recuerdos Del Tiempo Viejo" by José Zorrilla is a collection of personal memories and reflections written in the late 19th century. The text offers an intimate exploration of the author's life, particularly highlighting his rise in the literary world and the personal challenges he faced, including the loss of family and shifts in social status. Zorrilla, a prominent Spanish poet known for his works like "Don Juan Tenorio," serves as the primary figure in this narrative, detailing both his past and the evolution of Spanish literature. The opening of the work presents a poignant recollection of a significant moment in Zorrilla's life—the funeral of fellow writer Larra, which commemorates a transition in the Spanish literary landscape. Through vibrant imagery, Zorrilla infuses his memories with emotion as he describes reading poetry at Larra's grave, marking this event as a pivotal moment for his own identity as a poet. The narrative unfolds with reflections on Zorrilla's early life, revealing the struggles, aspirations, and the influences that shaped his artistic trajectory amidst the backdrop of a changing Spain. This beginning establishes a tone of nostalgia and a keen desire to honor the past while engaging with the complexities of his present, inviting readers into a rich exploration of memory and artistry.
Granada, Poema Oriental, precedido de la Leyenda de al-Hamar, Tomo 1
"Granada, Poema Oriental, precedido de la Leyenda de al-Hamar, Tomo 1" by José Zorrilla is a poetic narrative work written in the late 19th century. This piece captures the beauty and mystique of Granada, delving into its history and culture through the figure of Al-hamar, a Nazarite prince who embodies the spirit of this enchanting city. The text combines elements of legend and personal reflection, establishing a rich tapestry that intertwines the personal and the historical. The opening of the poem introduces the reader to the author's intention and background, highlighting how despite its previous acclaim, the work has become relatively rare and almost forgotten over time. Zorrilla reflects on the influences that led him to create this narrative, acknowledging the grandeur of Granada and the historical significance of the Alhambra as he sets out to evoke the romance and challenges of the past. It establishes a tone of nostalgia and reverence, pledging to transport readers into a dreamlike exploration of both the architectural wonders and the cultural essence of Granada, as experienced through the eyes of its storied inhabitants.
Granada, Poema Oriental, precedido de la Leyenda de al-Hamar, Tomo 2
"Granada, Poema Oriental, precedido de la Leyenda de al-Hamar, Tomo 2" by Don José Zorrilla is a poetic work crafted in the late 19th century. The narrative delves into themes of faith, heroism, and the historical interplay between Muslim and Christian cultures, particularly focusing on the fall of Granada. The poem intertwines real historical events with rich allegorical elements, emphasizing the contrasting destinies of the characters involved in the poignant tale of conquest and loss. The opening of the text presents a rich tapestry of imagery and emotion as Zorrilla evokes the grandeur and tragic fate of Granada under Muslim rule. It sets the stage with an invocation that highlights the power of faith, while simultaneously lamenting the impending doom faced by the city and its inhabitants. The verses introduce characters like the triumphant King Hasán and the discontented populace, showcasing the celebration of a recent victory contrasted with the undercurrents of fear and betrayal. The lamentation extends beyond the immediate characters to encompass the historical significance of the struggles between the invading forces and those who defend their legacy, making the reader acutely aware of the cultural and historical weight of the narrative that is about to unfold.
Traidor, inconfeso y martir : $b Drama histórico en tres actos y en verso
"Traidor, inconfeso y mártir : Drama histórico en tres actos y en verso" by Zorrilla is a historical drama written in the late 19th century. The play centers around themes of identity, honor, and intrigue set against the backdrop of sixteenth-century Spain, with principal characters including Gabriel Espinosa, Doña Aurora, and Don César de Santillana. At the heart of the plot lies a mysterious figure whose hidden identity, connections to nobility, and relationship to significant political turmoil drive the story forward. The tension is heightened by suspicion, romantic entanglements, and the interplay of loyalty and deception among the characters. The opening of the drama unfolds in a Valladolid inn, where preparations are made for the secretive arrival of Gabriel Espinosa, a man traveling with a young woman (Doña Aurora) and a loyal attendant. The innkeeper Burgoa is given strict instructions and paid handsomely by various mysterious visitors to offer the newcomers full hospitality and privacy. Soon, military and judicial authorities, chiefly represented by Don César and his father Don Rodrigo, entangle themselves in the matter out of suspicion and duty. Through tense interactions and veiled confrontations, the characters probe Gabriel’s true identity, his connection to Aurora, and the persistent rumors of royal impersonation. The act builds to Gabriel’s dramatic arrest while emotional conflict intensifies between Don César and Aurora, setting the stage for further revelations and dramatic turns.